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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1971
2/18/71
Candyman [6:38] ;
10:13
Big Boss Man [4:41] ;
5:39
Sugar Magnolia [5:32] ;
8:32
Saint Stephen [6:05] >
6:23
Not Fade Away [4:33] >
4:29
Goin' Down The Road Feeling Bad [4:54] >
5:01
Not Fade Away [3:55] >
4:01
Uncle John's Band
5:51
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:20:25
SBD
Rating:
8.89 / 29 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-02-18.sbd.miller.111793.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- This is a huge upgrade to all previously circulating sources -- This is not from the same betty board reels that have circulated since 1986 -- Thanks to David Gans for lending me his Dats -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Betty Cantor;Steve Martin
2:32:15
SBD
Taper:
Betty Cantor;Steve Martin
Transferrer:
Matt Smith;Sirmick
SHNID:
gd1971-02-18.157425.sbd.cantor.martin.smith.sirmick.flac1648
Source:
Original transfer Betty Cantor Jackson's Soundboard Master Reels ((7" 1/2 track @ 7 1/2 ips w/ dolby A)) > Sony TCD-D10 Pro DAT (Oade Brothers mod) > DAT (48k) Final transfer: DAT > Sony PCM-2600 > Tascam DA-3000 > wav 16/48
Lineage:
wav 16/48 > iZotope RX 9 Advanced > CD Wave > flac 1648
Taper Notes:
View Notes- All tracks have been speed corrected - The infamous whine at 8.25Kh has been removed. I also removed a number of feedback squeals. - There is a cut in "St. Stephen" of approximately 24 seconds. This has been patched with Charlie Miller's soundboard, shnid 111793. The patch was mixed to mono so that it is a better fit. Thanks to Steve Martin for providing this source. Thanks to Matt Smith for the transfer. edited and mastered SIRMick July 2022 There are 14 tracks in Set 1. Track one was left in by mistake and it is empty minus about 1 second of blank space. Track 2 is the tuning/banter track, Bertha is track 3 and so on so the track numbers are off by 1. The sound quality is excellent.
Transferrer: Dolphinsmile
2:36:27
SBD
Rating:
4.00 / 2 ratings
Transferrer:
Dolphinsmile
SHNID:
gd1971-02-18.143183.sbd.Dolphinsmile.flac1648
Source:
Master Reels>Dat>Clone directly to me via snail mail>file cloned into Microtrack using Tascam Dat deck>Goldwave tracking and removal on one glitch (reel change)>TLH8
Taper: Betty Cantor
2:33:42
SBD
Rating:
9.55 / 23 ratings
Taper:
Betty Cantor
Transferrer:
Chris L.
SHNID:
gd1971-02-18.sbd.cantor-crouch-diebert-gmb.85478.sbeok.flac16
Source:
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1).
Lineage:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply.
Taper Notes:
View NotesOriginal WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer. *First public performance. - d2t08: Reel flip at 04:48 of "Saint Stephen" crossfaded. - Approximately 1:39 were removed from the lengthy dead space/tuning preceding "Loser" allowing the entire first set to fit on a single 80 minute disc, while keeping in Bob's "Second oldest ritual" comment... that's a fact.... - Intermittent faint audible artifacts/pops were attenuated using manual pencil redraw under high magnification. These were retrospectively found on all other circulating recordings from this performance. They were most abundant at the beginning of "Dark Star" and also at the start of "Wharf Rat". There are a few spots still remaining in "Wharf Rat" that are just too embedded to get out - sounds like minor transient peak distortion. - The notorious broad-peaked high pitched whine centered 8000-8100 KHz range was removed using a digital paragraphic equalizer (Waves Q6) with 2 narrow/notch bands (Q set maximal @ 100, -12 dB) set at just under and over 8000K for the first reel and just under and over 8100KHz for the last 3 reels. Previously circulating sources either used a wider band filter or a noise reduction approach performed on low bit/sample rate files which yields suboptimal results. All processing on this transcription was performed at 24/96 resulting in a much smoother transparent sound.
Transferrer: Dan Stephens and Scott Thompson
2:36:43
SBDREMASTER
Rating:
9.36 / 25 ratings
Transferrer:
Dan Stephens and Scott Thompson
SHNID:
gd71-02-18.sbd.stephens.6672.sbeok.shnf
Source:
Soundboard (no remastering)
Lineage:
7inch 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz > analog out > dolby A decoder > Apogee filter > analog in PCMF1 ; PCM501ES analog out > Fostex D5 @ 48 kHz > 3 DAT generations > Tascam DA-20mkII > SBLive! (48-44.1) > WAV > mkwACT > SHN
Taper Notes:
View Notes* first performance. This is a direct copy of the WBOTB tape circulated in 1996. No digital processing has been performed other than resampling, leaving intact the "nasty mic feedback" during Bertha and the "annoying whine" which "hovers around 8000Hz" throughout the whole show. Other copies circulate with these problems removed, but I still enjoy the tape more when it has not been noise reducted. Not recommended for the non-puristic listener.
Transferrer: Leigh Orf
2:31:20
SBDREMASTER
Rating:
9.19 / 68 ratings
Transferrer:
Leigh Orf
SHNID:
gd71-02-18.sbd.orf.107.sbeok.shnf
Source:
Soundboard (remastered)
Lineage:
SBD > Dolby A Reel > Dolby A decode > DAT > Sound Forge NR > CD-R > SHN
Taper Notes:
View Notes* first performance. The original reels of the Port Chester run of '71 were audibly tainted due to a cable problem. The result is a tone which hovers around 8000 Hz with an amplitude of about +20 dB above the noise floor. This translate to a very annoying pitch, especially during quiet sections, which is in the old-tv-tube or lousy-hard-disk or maybe even the-sound-you-hear-after-you-slam-your-head-against-a-concrete-wall class of 'whine'. Because this interference is 'monochromatic' it's easy to get rid of if you have the processing power and a quick FFT algorithm. I used the filter-shaping capabilities of the Sonic Foundry Noise Reduction Plugin to tailor a very narrow notch filter which attenuated the interference without affecting the rest of the signal. And it's all done in the digital domain. Huzzah! As a side note, I actually ended up crafting many filters to process these shows. The frequency of the interference actually drifted anywhere from 7700 to 8100 Hz during a given show. This was probalby due to a slightly wandering reel speed. It made my work harder but when I tried a much wider filter I started to be able to hear the attenuation in the music. The filters generally go like this (see info file for diagram). The end result is no more annoying whine! I also removed some of the nasty mic feedback in the 2/18/71 Bertha using this type of filter.
Taper: Unknown
2:39:19
Transferrer:
David Davis, Matt Smith, Scott Clugston, Charlie Miller
SHNID:
gd1971-02-18.148239.aud.composite.davis..smith.miller.clugston.flac2496
Lineage:
1st generation reels (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (.wav 24/96) > Adobe Audition 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to David Davis for the 1st generation source reels - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the shnid111793 soundboard source which supplies a 0:34 patch in "Dark Star" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Unknown
2:39:19
Rating:
9.00 / 2 ratings
Transferrer:
David Davis, Matt Smith, Scott Clugston, Charlie Miller
SHNID:
gd1971-02-18.148238.aud.composite.davis..smith.miller.clugston.flac1648
Lineage:
1st generation reels (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (.wav 24/96) > Adobe Audition 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to David Davis for the 1st generation source reels - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the shnid111793 soundboard source which supplies a 0:34 patch in "Dark Star" - Pitch corrected Mastered by Scott Clugston November 2019
Source 9 of 12
3:09:37
Rating:
10.00 / 1 rating
SHNID:
gd1971-02-18.132136.aud.wgtb.flac16
Source:
aud tape> fm>reel to reel
Lineage:
Cassette > DAT
Taper Notes:
View Notesaud2 or 3 this was b'cast on wgtb-fm in washington dc a couple days after the show. listen to the end of the show and you will hear who recorded it. i got this from don g in the late 70's. his was on a rr and he made me a copy onto cassette. at the end of the recording they state it was edited. so maybe a generation was lost. aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d. there is a nasty cut during the 2nd verse of dark star, but the quality gets better/brighter. bad heads? bad tape? part 1 was a generation more? who knows? maybe don g knows. it sounds like a narrow stereo balcony recording.
Source 10 of 12
50:09
SHNID:
gd1971-02-18.132101.flac16
Taper Notes:
View NotesNotes: got this on a cassette labeled gd 2/17-18/71. 2/17 turned out to be 2/18. 2/18 turned out to be 2/19. it is supposidly 4th gen. got it from ann s from newark, de. this is a partial audience recording. i think this was made by the guy who worked there and had his mics in the balcony. there are at least 3 audience sources of this show.
Taper: Jim Cooper
2:12:09
Rating:
8.00 / 1 rating
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1971-02-18.123881.aud.cooper.berger.flac16
Taper Notes:
View Notesnotes: * first time played thanks to Jim Cooper for giving me the opportunity to work on this historic show. This one needs no introduction so turn it up and you are there.
Taper: Jim Cooper
3:20:01
Rating:
10.00 / 1 rating
Taper:
Jim Cooper
SHNID:
gd1971-02-18.aud.cooper.123539.flac16
Source:
AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
Taper Notes:
View NotesFirst NY appearance of Bertha & Pump Man (later GSET) My favorite Bertha ever An incredible night with NRPS & Grateful Dead Jerry is fired up on pedal steel Last appearance by Mickey Hart with the Dead for a few years // = cuts in Louisiana Lady, Dark Star, and Big Boss Man