RELISTENTOGod Street Wine
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Today In History
June 10th
1 show
1 tape
Years
2025
194
PlaybackListensHours
48h425m
7d324
30d19426
10 shows
16 tapes
2024
14
PlaybackListensHours
48h00m
7d141
30d141
2 shows
2 tapes
2023
11
PlaybackListensHours
48h00m
7d00m
30d111
1 show
2 tapes
2022
1 show
1 tape
2021
1 show
1 tape
2019
15
PlaybackListensHours
48h00m
7d132
30d152
6 shows
7 tapes
2018
22
PlaybackListensHours
48h00m
7d00m
30d223
4 shows
6 tapes
2017
4 shows
6 tapes
2016
2
PlaybackListensHours
48h00m
7d00m
30d215m
3 shows
6 tapes
2015
1 show
1 tape
2014
3
PlaybackListensHours
48h00m
7d319m
30d319m
3 shows
3 tapes
2013
13
PlaybackListensHours
48h00m
7d00m
30d132
4 shows
11 tapes
2012
18
PlaybackListensHours
48h00m
7d101
30d182
6 shows
19 tapes
2011
14
PlaybackListensHours
48h00m
7d00m
30d141
3 shows
8 tapes
2010
2
PlaybackListensHours
48h00m
7d00m
30d218m
5 shows
22 tapes
2009
3
PlaybackListensHours
48h00m
7d17m
30d324m
1 show
2 tapes
2001
10
PlaybackListensHours
48h00m
7d00m
30d101
1 show
2 tapes
1999
56
PlaybackListensHours
48h218m
7d00m
30d567
10 shows
12 tapes
1998
5
PlaybackListensHours
48h00m
7d00m
30d526m
23 shows
28 tapes
1997
28
PlaybackListensHours
48h523m
7d00m
30d282
22 shows
24 tapes
1996
60
PlaybackListensHours
48h00m
7d1152m
30d606
34 shows
38 tapes
1995
134
PlaybackListensHours
48h00m
7d00m
30d13415
50 shows
66 tapes
1994
134
PlaybackListensHours
48h00m
7d211m
30d13414
71 shows
86 tapes
1993
57
PlaybackListensHours
48h111
7d00m
30d576
37 shows
50 tapes
1992
29
PlaybackListensHours
48h540m
7d752m
30d293
16 shows
21 tapes
1991
4
PlaybackListensHours
48h317m
7d317m
30d423m
16 shows
19 tapes
1990
14
PlaybackListensHours
48h00m
7d00m
30d142
25 shows
30 tapes
1989
9 shows
9 tapes
1988
1 show
1 tape
2012
8/17/12
Intro
0:26
Frank Messina reading his poetry
1:53
Epilog
8:20
Hammer and Spike
6:26
Funny Kind Of Love
7:52
Fortress of Solitude >
7:45
Call It Love
8:46
Chop
10:18
The Other Shore >
10:51
Princess Henrietta
8:19
Set II Intro
1:00
Thirsty
5:05
Change Your Mind
5:19
Dirty Little Secret
9:32
She Comes Up Softly
5:33
Crazy Head
6:06
Girl On Fire >
7:13
Driving West >
10:39
Goodnight Gretchen >
14:35
Diana
14:28
Edgar's Back In Town
5:36
Feel Like a Stranger
8:58
Home Again
5:52
Won't Get Fooled Again
9:31
FIN
View on archive.org
Sources
Taper: Scott Bernstein and Victor Cornette
2:59:57
SBD
Taper:
Scott Bernstein and Victor Cornette
Transferrer:
Scott Bernstein
SHNID:
gsw2012-08-17.tlm170.sbd.matrix.flac16
Source:
SBD + split mic matrix
Lineage:
Matrix: Neumann TLM-170s (hypercards, center on a stand, just behind the soundboard area) -> Sound Devices 722 (@24/96) + Soundboard recording (also @ 24/96); Processing in SoundForge Pro 10.0d (4 channel time sync; slight "elastique" time stretch applied to SBD which was a few hundredths of a second behind my audience recording; mixdown at 64 bit float/96 khz; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; Tracked in CDWav.
Taper Notes:
View Notes* = just Lo & Aaron on acoustic guitars + = w/multiple "Two Tickets To Paradise" (Eddie Money) jams The entirety of Track 1 is patched into my 24/96 master from Scott Brown's 24/96 master (and then processed along my processing path): DPA 4023 > Grace Design Lunatec V3 > Mytek Stereo 192 @ 24 bit, 96khz > Sound Devices 744; 744T > Apple MacBook Pro > Wave Editor 1.5.7 > xACT 2.20 (5494) > flac. Then FLAC File processing in SoundForge Pro 10.0d (volume normalization / level matching and splicing into my recording; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; Tracked in CDWav. Also note that the SBD recording is missing the first 1:30 of Frank Messina's poetry, so you will hear the SBD appear in the matrix (cleanly) then. I have matched the volume of the two parts, so it's seamless. Lineup: Lo Faber - guitar, vocals Aaron Maxwell Lieberman - guitar, vocals John "Bevo" Liebowitz - keys, organ Dan Pfier - bass, harmony vocals Tom "Tomo" Osander - drums, harmony vocals Jason Crosby - keys, organ, violin/fiddle John Wood - percussion Lizzie "Loves" Friel - background vocals Unfortunately I couldn't run my same split-mic setup on this night because I only had 1 mic stand and nobody had any they could lend me...and the venue security would not let me clamp anywhere. Audience recording by Scott Bernstein. SBD recording by Victor Cornette. Mixed, mastered, tracked, and posted by Scott Bernstein (11/13-16/2012) There is a higher quality 24 bit version of this recording available at <a href="http://archive.org/details/gsw2012-08-17.tlm170.sbd.matrix.flac24" rel="nofollow">http://archive.org/details/gsw2012-08-17.tlm170.sbd.matrix.flac24</a> Follow me on Twitter to track my near-daily postings of FREE live music and concert photography: <a href="http://www.twitter.com/scott_bernstein" rel="nofollow">http://www.twitter.com/scott_bernstein</a> Or become a "fan" on Facebook here: <a href="https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451" rel="nofollow">https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451</a>
Taper: [email protected]
2:58:23
Taper:
[email protected]
Transferrer:
[email protected]
SHNID:
gsw2012-08-17
Source:
Soundboard to Marantz PMD 661->WAV
Lineage:
WAV->Audacity (Volume increase)->CDWave->FLAC
Taper: Scott Brown
3:00:23
Taper:
Scott Brown
SHNID:
gsw2012-08-17.dpa4023.flac24
Source:
DPA 4023 > Grace Design Lunatec V3 > Mytek Stereo 192 @ 24 bit, 96khz > Sound Devices 744T
Lineage:
744T > Apple MacBook Pro > Wave Editor 1.5.7 > xACT 2.20 (5494) > flac
Taper Notes:
View NotesLocation: Dead center, clamped in front of the sound board -This is a 24 bit, 96khz recording. It wil not burn to CD. A 16 bit, 44.1khz version for CD exists in flac format <a href="http://archive.org/details/gsw2012-08-17.dpa4023.flac16" rel="nofollow">here</a>
Taper: Justin Marinoff
3:00:33
Taper:
Justin Marinoff
Transferrer:
Justin Marinoff/Brad Foster
SHNID:
gsw2012-08-17.km184.flac16
Source:
Neumann km184 (behind foh/dfc/ortf) > Sound Devices MP-2 > Edirol R-09HR (16/44)
Lineage:
WAV > PC > CDWav > FLAC
Taper: Scott Bernstein
2:59:51
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
gsw2012-08-17.tlm170.flac16
Source:
Audience
Lineage:
Neumann TLM-170s (hypercards, center on a stand, just behind the soundboard area) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Pro 10.0d (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; Tracked in CDWav. (Track 1 is patched into my 24/96 master from Scott Brown's 24/96 master (and then processed along my processing path): DPA 4023 > Grace Design Lunatec V3 > Mytek Stereo 192 @ 24 bit, 96khz > Sound Devices 744; 744T > Apple MacBook Pro > Wave Editor 1.5.7 > xACT 2.20 (5494) > flac. Then FLAC File processing in SoundForge Pro 10.0d (volume normalization / level matching and splicing into my recording; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; Tracked in CDWav.)
Taper Notes:
View Notes* = just Lo & Aaron on acoustic guitars I scrubbed a few nearby local loud claps from S1T3(3 claps), S1T4(1 clap), S1T9(4), S2T2(1 clap), S2T10(1 ckao), S2T17(16 claps) Lineup: Lo Faber - guitar, vocals Aaron Maxwell Lieberman - guitar, vocals John "Bevo" Liebowitz - keys, organ Dan Pfier - bass, harmony vocals Tom "Tomo" Osander - drums, harmony vocals Jason Crosby - keys, organ, violin/fiddle John Wood - percussion Lizzie "Loves" Friel - background vocals Unfortunately I couldn't run my same split-mic setup on this night because I only had 1 mic stand and nobody had any they could lend me...and the venue security would not let me clamp anywhere. Recorded, mastered, tracked, and posted by Scott Bernstein (8/27-29/2012) There is a higher quality 24 bit version of this recording available at <a href="http://archive.org/details/gsw2012-08-16.tlm170.flac24" rel="nofollow">http://archive.org/details/gsw2012-08-16.tlm170.flac24</a> Follow me on Twitter to track my near-daily postings of FREE live music and concert photography: <a href="http://www.twitter.com/scott_bernstein" rel="nofollow">http://www.twitter.com/scott_bernstein</a> Or become a "fan" on Facebook here: <a href="https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451" rel="nofollow">https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451</a>
Taper: Scott Brown
3:00:23
Taper:
Scott Brown
SHNID:
gsw2012-08-17.dpa4023.flac16
Source:
Source: DPA 4023 > Grace Design Lunatec V3 > Mytek Stereo 192 @ 24 bit, 96khz > Sound Devices 744T
Lineage:
744T > Apple MacBook Pro > Wave Editor 1.5.7 (tracking, resample to 44.1khz using Izotope 64 bit SRC, dither to 16 bit using MBIT+) > xACT 2.20 (5494) > flac
Taper Notes:
View NotesLocation: Dead center, clamped in front of the soundboard -This is a 16 bit, 44.1khz recording. The original 24 bit, 96khz recording exists in flac format