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Eric McFadden
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Today In History
June 8th
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2007
SBD
11/09
Cervante's Masterpiece Ballroom
Denver, CO
1:40:19
1
tape
11/07
The Eldo
Crested Butte, CO
2:39:55
1
tape
7/26
SBD
Askenaz
Berkeley, CA
1:34:57
1
tape
7/24
SBD
Molly Malone's
Los Angeles, CA
1:48:52
1
tape
7/08
SBD
High Sierra Music Hall
Quincy, CA
1:18:14
1
tape
7/07
Shady Grove Stage
Quincy, CA
1:23:27
1
tape
5/19
Bender's Tavern
Denver, CO
1:50:46
2
tapes
4/30
Lakewood Bar & Grill
Dallas, TX
2:45:45
1
tape
2/08
Eastside Club Tavern
Olympia, WA
2:01:29
2
tapes
1/04
Molly Malone's
Los Angeles, CA
1:55:59
1
tape
7/24/07
./- intro -
1:09
Field of Bones
6:02
./- unknown -
7:38
Catch a Liar
5:04
Miranda
8:55
What is They? ***
11:27
Clap Hands ***
7:48
Bury Our SIns
4:20
./- unknown -
6:03
Jockey Full of Bourbon (intro)
7:33
The Ghostmaker / Folsom Prison Blues
6:38
The Ghost of Saint Patrick
5:04
./- unknown -
4:49
./- unknown -
3:59
The Rise of King George II
6:54
Put It Down
11:38
Minor Swing
3:51
FIN
View on archive.org
Sources
Taper: macdaddy
1:48:52
SBD
Taper:
macdaddy
Transferrer:
macdaddy
SHNID:
emt2007-07-24.flac16
Source:
SBD + AUD
Lineage:
CF > USB 2.0 (via card reader) > dsp > FLAC
Taper Notes:
View Notes
+++ 16 bit / 44.1 kHz +++ field source 1: akg c422 (blumlein) > s42 > eaa psp-2 > sound devices 722 @ 24/48 * field source 2: sbd > xlr > Oade acm hd-P2 @ 24/48 * transfer: CF > USB 2.0 (via card reader) > dsp** > FLAC the band: eric mcFadden (guitar, voice) james whiton (double bass) jeff cohen (drums) with Norwood Fisher (bass) *** more information: http://www.emtmusic.com/ notes: * i used two sources to record the performance... the mic was mounted on an enhanced audio m600 shockmount, dfc, roughly six feet from the floor using an air-cushioned calumet light stand; this placed the microphone about three and a half feet above the floor of the stage. the mic was connected to the s42 controller box (which sets the capsule patterns) via the akg 12 pin cable (15m); the s42 was connected to the eaa psp-2 preamplifier, which provided both gain and phantom power to the mic (mic pad was set to -10db). the psp-2 was connected to the 722 via segue dogstar RCA interconnects; the stereo signal was recorded to the harddrive in the 722 at 24/48. the sbd mono feed was sent to the acmP2 via a zaolla 2m XLR interconnect; the p2 was powered by 8x AA energizer rechargeables (2500 mAh). after the performance, i removed the CF card from the P2, placed it in the 722, and copied the recorded WAV files (the c422 source); the md5 signatures of these files (the originals on the 722 harddrive and the ones copied to the CF card) were later confirmed to match. ** digital signal processing consisted of mono > stereo (sbd source); mixing the aud and sbd sources, tracking, normalizing, 48 > 44.1 resampling (ultra high 2) and 24 > 16 dithering (pow-r3); all processing was performed using samplitude v8.1. WAV files stripped, fixed, and verified with shntool; encoded via flac frontend. many thanks to keith yansurak for making sure that i got the soundboard patch. also, i would like to say a huge "thank you" to both justin hoogerwerf and mikey jones. justin let me use his 722, and helped work the two rigs during the performance; mikey supplied the psp-2 and rca interconnects. ++ recorded, transfered and uploaded to the LlaMA by macdaddy (august 19, 2007)
1 show
1 tape