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June 14th
Years
2026
2.5k
PlaybackListensHours
48h15421
7d55178
30d2.5k362
15 shows
25 tapes
2025
724
PlaybackListensHours
48h111
7d669
30d72494
30 shows
35 tapes
2024
201
PlaybackListensHours
48h436m
7d324
30d20126
21 shows
25 tapes
2023
80
PlaybackListensHours
48h00m
7d321m
30d8012
24 shows
35 tapes
2022
149
PlaybackListensHours
48h233
7d395
30d14920
30 shows
39 tapes
2021
32
PlaybackListensHours
48h00m
7d432m
30d324
15 shows
22 tapes
2020
13
PlaybackListensHours
48h00m
7d00m
30d132
6 shows
8 tapes
2019
130
PlaybackListensHours
48h132
7d274
30d13017
44 shows
67 tapes
2018
111
PlaybackListensHours
48h116m
7d210m
30d11115
39 shows
57 tapes
2017
53
PlaybackListensHours
48h00m
7d552m
30d538
30 shows
43 tapes
2016
168
PlaybackListensHours
48h122
7d203
30d16825
32 shows
41 tapes
2015
126
PlaybackListensHours
48h354
7d345
30d12617
29 shows
36 tapes
2014
66
PlaybackListensHours
48h00m
7d16m
30d669
21 shows
34 tapes
2013
99
PlaybackListensHours
48h111m
7d395
30d9914
32 shows
45 tapes
2012
54
PlaybackListensHours
48h00m
7d00m
30d5411
31 shows
49 tapes
2011
114
PlaybackListensHours
48h00m
7d00m
30d11414
33 shows
47 tapes
2010
20
PlaybackListensHours
48h00m
7d00m
30d203
43 shows
53 tapes
2009
180
PlaybackListensHours
48h537
7d11917
30d18025
40 shows
61 tapes
2008
95
PlaybackListensHours
48h00m
7d00m
30d9513
36 shows
51 tapes
2007
65
PlaybackListensHours
48h142
7d173
30d658
31 shows
51 tapes
2006
51
PlaybackListensHours
48h217m
7d00m
30d516
21 shows
21 tapes
2005
139
PlaybackListensHours
48h15m
7d416
30d13921
26 shows
30 tapes
2004
37
PlaybackListensHours
48h114m
7d221m
30d375
28 shows
30 tapes
2003
101
PlaybackListensHours
48h449m
7d335
30d10115
51 shows
56 tapes
2002
87
PlaybackListensHours
48h274
7d329m
30d8711
36 shows
39 tapes
2001
32
PlaybackListensHours
48h00m
7d00m
30d325
23 shows
24 tapes
2000
53
PlaybackListensHours
48h17m
7d225m
30d538
16 shows
17 tapes
1999
43
PlaybackListensHours
48h00m
7d00m
30d435
7 shows
8 tapes
1998
6
PlaybackListensHours
48h00m
7d00m
30d642m
3 shows
3 tapes
1997
19
PlaybackListensHours
48h00m
7d81
30d192
1 show
1 tape
2010
4/25/10
The Mighty Quinn (Quinn The Eskimo)
6:57
Greatest Story Ever Told
5:19
Loser
8:26
New Minglewood Blues
8:55
Tons Of Steel
6:29
Cassidy
7:24
Mississippi Half-Step Uptown Toodeloo >
8:42
The Promised Land
4:16
Drums > Space >
21:12
Gimme Some Lovin' >
4:45
Wharf Rat >
11:03
Throwing Stones >
11:06
Touch Of Grey
12:42
Encore: Brokedown Palace
8:03
Filler: Midnight Moonlight
7:59
We Bid You Good Night
3:29
FIN
View on archive.org
Sources
Taper: Peter Toluzzi
2:16:47
Taper:
Peter Toluzzi
Transferrer:
Peter Toluzzi
SHNID:
DSO2010-04-25.Nak300.flac16
Source:
NAK 300 > CP-1 > Sony-D8 DAT
Lineage:
Sony D-8 DAT > coax > Soundforge (levels, fades, EQ) > Audition (mixing) > CDWave > TLH
Taper Notes:
View NotesDSO Show: 1799 • Setlist: 3/3/87 - Tuesday Henry J. Kaiser Convention Center Oakland CA Set Two: (Missing: Iko Iko Saint Of Circumstance Terrapin Station > ) I was plugged into Pugs' deck again for this show, and he had some problems with the second set tape. What a pity we lost the entire pre-drums segment, which was outstanding, but you can enjoy the rest of this hot show. Coming right after two exciting nights in SF, and playing in a tiny theater in a tiny dusty town, playing their fifteenth show in seventeen nights, the band COULD have taken it easy... no way! Instead they BLAZED their way through the third night of an awesome 1987 Kaiser run. The Dead were fresh off their break for Jerry's coma in the spring of 1987, and just back from Hawaii, and more motivated and juiced then they had seemed in years. Long shows, blazing guitars... good material for DSO to test Stu's late-80's sounds. Judge the results for yourself - he's certainly way loud in the mix... After two nights of a somewhat challenging sound mix in the Regency Ballroom, I think soundman Cotter had a blast at the State Theater. The sound was clean, crisp, and shamelessly LOUD throughout the room. Pugs' hypercards caught a somewhat thin slice of this mix, and I chose to equalize my recording to bring out a few more bass details and a little more top-end distinction. (Boosted about 5 db at 50 - 100 Hz, and again increasing above 5 kHz; the resultant wave then remixed at -7 dB with the original to produce this copy.) And we had diginoise, volume issues, etc, so this is an imperfect recording; I did my best to clean them all up, or at least hide them... Enjoy! Peter Toluzzi