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Today In History
June 10th
Years
2025
4 shows
4 tapes
2024
6 shows
11 tapes
2023
2 shows
2 tapes
2022
3 shows
4 tapes
2021
2 shows
2 tapes
2019
7 shows
10 tapes
2018
6 shows
9 tapes
2017
4 shows
5 tapes
2016
4 shows
6 tapes
2015
3 shows
3 tapes
2014
2 shows
2 tapes
2013
8 shows
14 tapes
2012
1
PlaybackListensHours
48h00m
7d11m
30d11m
19 shows
28 tapes
2011
6 shows
7 tapes
2010
25 shows
39 tapes
2009
21 shows
24 tapes
2008
32
PlaybackListensHours
48h00m
7d322
30d322
14 shows
17 tapes
2007
34 shows
44 tapes
2006
8 shows
14 tapes
2005
7 shows
8 tapes
2004
16 shows
19 tapes
2003
9 shows
9 tapes
2002
3
PlaybackListensHours
48h00m
7d00m
30d315m
11 shows
13 tapes
2001
32 shows
32 tapes
2000
15 shows
17 tapes
1999
5 shows
8 tapes
1998
13 shows
13 tapes
1996
13 shows
17 tapes
1994
7 shows
9 tapes
1993
4 shows
4 tapes
1992
11 shows
12 tapes
1990
6 shows
7 tapes
1989
13 shows
15 tapes
1987
1 show
1 tape
2007
7/13/07
Mountain
6:03
Sun Comes Up, It's Tuesday Morning
4:32
Ed (and Margo's) favorite ATEOPT song is...
1:32
Spiral Down
3:25
My Little Basquiat
5:50
Where Are You Tonight?
5:18
I'm So Open
5:04
Follower 2
6:32
Lay It Down
13:15
Acoustic set intro
0:29
Horse In The Country
4:12
Dedication to Enrique Martinez Celaya
0:48
Cutting Board Blues
3:34
Townes (and Mike) Say STFU!!
0:43
Rake
3:57
To Love Is To Bury
3:50
Still Lost
5:09
Cause Cheap Is How I Feel
4:58
Thanks and band intros
4:44
Murder, Tonight, In The Trailer Park
6:41
Applause
1:20
State Trooper
14:05
FIN
View on archive.org
Sources
Taper: Steve Brown
1:46:01
Taper:
Steve Brown
Transferrer:
Steve Brown
SHNID:
cj2007-07-13.flac16
Source:
Schoeps MK4s DINA at drink rail>KC5>CMC6>Lunatec V3 (analog out)>Sound Devices 744T at 24/96
Lineage:
Adobe Audition 2.0 (normalize with Waves L3 Ultramaximizer)>R8Brain Pro (resample to 44.1)>Wavelab 6 (dither to 16-bits using MegaBitMax)>CDWav1.94>FLAC Frontend>.flac (no DAE)
Taper Notes:
View NotesThis show features the rudest, chattiest crowd I have ever seen at a Junkies show, and maybe any show I've ever been to - they basically seemed to view the band as a jukebox backing their socializing. I put it up to show how the band attempted to fight back, both by blasting them into submission with amps at 11 (Lay It Down) and actually telling them to shut up (Townes and Mike Say STFU). It didn't work, but things quiet down towards the latter part of the show as most of the jerks presumably hop in their Hummers and drive home to check up on their portfolios or prepare for their next visit to the plastic surgeon.