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1987
SBD
World Tour 1987
11/03
Jake's
Bloomington, Indiana
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Cabaret Metro
Chicago, IL
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7th Street Entry (INCORRECT DATE)
Minneapolis, MN USA
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10/09
The Catalyst
Santa Cruz, California
1:13:05
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8/10
KCRW Studios
Santa Monica, California
29:24
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8/08
SBD
Variety Arts Center
Los Angeles, California
1:00:27
1
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7/06
The I-Beam
San Francisco, California
1:12:37
1
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6/10
University of California, Davis
Davis, California
1:12:28
1
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6/05
SBD
The Catalyst
Santa Cruz, California
1:14:15
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Römer
Bremen, Bremen
32:15
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4/01
Mitternacht
Hamburg, Germany
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3/24
VPRO Radio
Hilversum, North Holland
2:27
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2/26
HUB-Robeson Center (Alumni Hall)
University Park, Pennsylvania
59:18
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2/16
SBD
King's Head Inn
Norfolk, Virginia
1
59:50
1
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2/14
The Pyramid
Richmond, Virginia USA
1:01:32
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QE2
Albany, New York
1:22:44
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2/03
JC Dobbs
Philadelphia, Pennsylvania
1:18:01
1
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7/6/87
banter)
0:38
One Of These Days
3:15
The History Of Utah
3:01
White Riot (The Clash)
2:09
Joe Stalin's Cadillac
2:33
We're A) Bad Trip
3:00
Waka
2:44
Pictures Of Matchstick Men (Status Quo)
4:21
Mao Reminisces About His Days In Southern China
2:03
Good Guys & Bad Guys
4:01
Down And Out
1:19
Seven Languages
4:34
Payed Vacation: Greece
3:33
Turquoise Jewelry
3:30
Abundance
2:46
Interstellar Overdrive (Pink Floyd)
4:03
Happiness Is A Porpoise Mouth (Country Joe and the Fish)
3:09
Ice Cream Everyday
5:13
Hoe Yourself Down
2:34
Sad Lovers Waltz
4:31
banter)
1:12
Eye Of Fatima Part 1
2:29
Eye Of Fatima Part 2
2:35
crowd)
0:51
Ambiguity Song
2:33
FIN
View on archive.org
Sources
Transferrer: bob__seger
1:12:37
Transferrer:
bob__seger
SHNID:
cvb1987-07-06.TheI-Beam.flac16-44.1
Source:
AUD > Maxell XLII-s 90 (2nd generation)
Lineage:
Maxell XLII-s 90 (2nd generation) > Adobe Audition > WAV 44.1 kHz 16-bit
Taper Notes:
View Notes
Line Up: David Lowery: vocals, guitar Jonathan Segel: violin, keyboard, guitar, vocals Greg Lisher: guitar Victor Krummenacher: bass, backing vocals Chris Pedersen: drums the last song is acoustic and not amplified. Sounds like the taper moved closer and/or upped the levels in the middle of the song. . .so the first half is barely audible.