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2007
SBD
12/22
The Independent
Unknown Location
1:21:57
2
tapes
12/06
Blender Theatre
New York, New York
1:28:38
1
tape
10/13
Altes Pfandhaus
Cologne, Germany
3
1:57:13
1
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10/03
Mo Pitkin's House of Satisfaction
Unknown Location
1:04:46
1
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9/29
YMCA Boulton Center For The Performing Arts
Bay Shore, New York
1:17:32
1
tape
9/06
Mo Pitkin's House of Satisfaction
Unknown Location
1:15:48
1
tape
7/27
Falcon Ridge Folk Festival
Hillsdale, NY
9:53
1
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7/06
SBD
Firehouse Center For The Arts
Newburyport, MA
1:22:31
1
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7/01
Sendesaal Radio Bremen
Bremen Germany
1:42:37
1
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5/10
SBD
SF concert
San Francisco, CA
1:36:23
1
tape
4/07
Joe's Pub
New York, NY
2:21:51
1
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4/06
Avalon Theater
Easton, MD
1:33:59
1
tape
9/6/07
Introduction
1:11
My Medea
4:34
Shasta
5:18
Whatever You Want
4:23
Gravity
5:07
1 Br / 1 Ba > Gold Digger > 1 Br / 1 Ba
5:20
Homecoming (Walter's Song)
7:03
Recessional
5:10
Passage
4:25
Lullaby For a Stormy Night
4:42
Nothing Without You
5:01
City Hall
5:20
Unwritten Letter #1
5:51
Harbor
6:31
Hope on Fire
4:04
That's Where I'll Be [INCOMPLETE]
1:48
FIN
View on archive.org
Sources
Taper:
[email protected]
1:15:48
Taper:
[email protected]
Transferrer:
[email protected]
SHNID:
vt2007-09-06
Source:
DPA 4022 + House Matrix Outs
Taper Notes:
View Notes
Source: DMIX / Multitrack DPA 4022 Compact Cardioid > DB25 8-channel snake > [Confidential] (clocked internally @ 96 kHz) > Apple Powerbook G4 1 gHz / 786MB (w/ Hitachi HK60 7200 RPM Internal HD) > [Confidential] (@ 24-bit / 96 kHz) Stereo Matrix Outs > DPA AO0182 XLR > DB25 8-channel snake > [Confidential] (clocked internally @ 96 kHz) > Apple Powerbook G4 1 gHz / 786MB (w/ Hitachi HK60 7200 RPM Internal HD) > [Confidential] (@ 24-bit / 96 kHz) All tracks mixed in post by Christopher Jones Location: Microphones 7' ORTF at FOH HD > .flac: Apple Powerbook G4 1 gHz / 786MB (w/ Hitachi HK60 7200 RPM Internal HD) > Apple Mac Pro 2 x 2.66 gHz Dual-Core Intel Xeon / 1GB DDR2 FB-DIMM > Digital Performer 5.0 > Spark XL 2.8 > xACT v1.59 Resampled and dithered using T.C. Works' respective highest quality resampling and Ultra-Noiseshaping functions. 24-bit / 96 kHz version of this recording available in .flac24. I arrived to the show late and did not have enough time to completely patch equipment in time for opener. Began tracking to disk approximately halfway through "That's Where I'll Be". The final track of this file set is the second half of the song. Note while the song was the set opener, I've appended the song to the end of the set.