2018
Sources
Source 1 of 1
1:50:41
SHNID:
2018-02-09
Taper Notes:
View NotesTrey Anastasio solo acoustic 02/09/2018 State Theatre Ithaca, NY **16 bit** Source: DPA 4023>Sonosax SX-M2>Sound Devices 722 (24/96) Config/Location: ORTF/FOH/VSLDFC 4’extension pole from front row balcony lip Transfer: 722>Firewire>Macbook> Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler/MBIT+ Dither)> xACT 2.41(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ) Taped and Transferred by: Lenny Stubbe One Set: (1:50:28) 01. intro 02. Prince Caspian 03. NICU 04. special place in Phish history story 05. Theme From the Bottom 06. playing for the door at The Haunt story/Mike isn’t allowed to drive story 07. Rise/Come Together 08. Ghost 09. Wedge 10. AC/DC Bag 11. Light 12. The Inlaw Josie Wales 13. Dog Faced Boy 14. Sleep 15. most medium Phish song story from Spin magazine 16. Ocelot 17. Summer Of 89 18. Twist 19. Sand 20. Fuego 21. encore break 22. Carini 23. Wilson Notes: - Summer of 89 starts with a dedication to Trey’s wife Sue and the coming anniversary of their first date 29 years ago - Trey plays Sand by request of a sign up front, despite saying he’s “not sure how that’s gonna to work on this thing” - after Sand, pleased with how it came out acoustically, Trey decided to try one of his “favorite Phish songs” that is “not built for an acoustic guitar” on an audience in a ”forgiving mood” - theme of non acoustic songs play continues with Trey giving a “what the hell” before Carini - Wilson contains a Russell Wilson Super Bowl story - Rise/Come Together, Light, Ocelot, Sand, Fuego were all solo acoustic debuts - Thanks to Red Light Management for their extra efforts to allow space and access for tapers Seeded to etree on: 02/10/2018