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Today In History
June 11th
0 shows
0 tapes
Years
2026
66
PlaybackListensHours
48h261
7d00m
30d664
2 shows
4 tapes
2025
29
PlaybackListensHours
48h419m
7d1550m
30d292
15 shows
18 tapes
2024
29
PlaybackListensHours
48h00m
7d415m
30d292
35 shows
38 tapes
2023
118
PlaybackListensHours
48h638m
7d00m
30d1185
42 shows
43 tapes
2022
12
PlaybackListensHours
48h00m
7d00m
30d1257m
28 shows
34 tapes
2021
26 shows
32 tapes
2020
3 shows
4 tapes
2019
28
PlaybackListensHours
48h00m
7d822m
30d281
28 shows
33 tapes
2018
7
PlaybackListensHours
48h00m
7d00m
30d76
19 shows
22 tapes
2017
79
PlaybackListensHours
48h00m
7d121
30d797
21 shows
22 tapes
2016
16 shows
21 tapes
2015
23
PlaybackListensHours
48h00m
7d28m
30d231
13 shows
17 tapes
2014
6
PlaybackListensHours
48h00m
7d00m
30d621m
8 shows
10 tapes
2013
66
PlaybackListensHours
48h00m
7d301
30d663
9 shows
9 tapes
2012
36
PlaybackListensHours
48h00m
7d322
30d362
18 shows
19 tapes
2011
7
PlaybackListensHours
48h00m
7d00m
30d719m
13 shows
16 tapes
2010
1 show
1 tape
2009
116
PlaybackListensHours
48h402
7d271
30d1165
16 shows
17 tapes
2008
12
PlaybackListensHours
48h938m
7d27m
30d1242m
18 shows
19 tapes
2007
9 shows
9 tapes
2006
14 shows
14 tapes
2005
24
PlaybackListensHours
48h372
7d2258m
30d241
26 shows
27 tapes
2004
15 shows
18 tapes
2003
17
PlaybackListensHours
48h00m
7d00m
30d1753m
10 shows
12 tapes
2002
9
PlaybackListensHours
48h26m
7d310m
30d930m
7 shows
9 tapes
2001
4 shows
4 tapes
2000
1 show
1 tape
1999
3 shows
3 tapes
1998
1
PlaybackListensHours
48h13m
7d00m
30d14m
5 shows
5 tapes
1997
15
PlaybackListensHours
48h00m
7d00m
30d1542m
6 shows
6 tapes
1996
9 shows
10 tapes
1995
1
PlaybackListensHours
48h00m
7d13m
30d13m
1 show
1 tape
2019
5/8/19
Intro
1:34
Clemency for the Wizard King
3:22
You or Your Memory
2:11
Younger
5:57
[banter]
1:26
The Coroner's Gambit
3:20
06_In League with Dragons
3:31
07_[banter]
0:15
08_Sax Rohmer #1
3:52
09_[Thx Avelle & duo transition]
0:34
10_Wear Black
5:59
11_[banter]
0:52
12_Going to Kansas
3:22
13_[banter]
1:10
14_Cheshire County
2:06
15_[banter]
0:40
16_Waylon Jennings Live!
3:11
17_[banter-quick scale]
0:27
18_Passaic 1975
3:50
19_[banter - telling each other that we want everyone to get high]
1:30
20_Magpie
2:19
21_Cadaver Sniffing Dog
4:27
22_[banter/chatter]
0:32
23_Insurance Fraud #2
5:43
24_[banter]
0:25
25_Possum by Night
3:20
26_[banter]
0:19
27_Sicilian Crest
4:28
28_[applause]
1:17
29_[band returns woos and banter]
0:48
30_Amy aka Spent Gladiator 1
2:22
31_See America Right
2:41
32_Palmcorder Yajna
3:56
33_Up the Wolves
4:02
34_This Year
4:01
35_[banter]
0:41
36_Deuteronomy 2 10
4:12
37_[band appreciation]
0:32
38_Game Shows Touch Our Lives
4:13
39_[banter]
0:20
40_Heel Turn 2
6:56
41_[No Children intro]
1:50
42_No Children
2:49
43_[applause]
1:39
44_Going Invisible 2
5:12
FIN
View on archive.org
Sources
Taper: LMGBTapes - [email protected]
1:58:13
SBD
Rating:
10.00 / 3 ratings
Taper:
LMGBTapes - [email protected]
Transferrer:
LMGBTapes - [email protected]
SHNID:
tmg2019-05-08
Source:
SBD > dr680mkii + CA-14 Omnis (healy-ish, right stage lip) > CA Ugly 2 > pcm m10
Lineage:
SDHC WAVs (24bit/48khz dr680 / m10 raws) > Reaper (EQ, Mixing) > WAV > Audacity (Tracking, Amplify) > Flac 8 > Rx Elements (Declick on a few tracks) > Flac 8
Taper Notes:
View NotesThanks to Geno & Luke of Mr. Smalls Theatre for permission to record & board patch in such a wonderful venue, and Mountain Goats mgmt / Brandon Eggleston for taping clearance & another spectacular mix. Please support bands that support live taping, and who create such incredible works! Official store: https://themountaingoats.kungfustore.com/ (In League With Dragons merch now available online!) There is little joy like reflecting upon the Mountain Goats roots and seeing/hearing what they have evolved into. When we ran into Jon Wurster after the show and mentioned how on point they've been as of late, his response was: "It's Matt Douglas." Which may hold some truth, but I still set up on stage whenever possible specifically so I can capture those juicy fuckin' beats. I hope everyone enjoys this incredible show. PS: Please drop me a line if you notice any distortion/harsh clicks/issues with files that I missed. Just fixed 2 files which lacked metadata after someone let me know. taperdetails: I'd researched the venue and heard that it's a relatively tricky one- not much room to clamp or set up a stand without issues/significant room noise (SBD near bar). So I came packing a particularly low profile near-healy setup- JS-MCTB50 deconstructed to be just the tripod. Two black-gaffers-tape wrapped Magic cards affixed to two of the legs rougly 4" from stage floor, and CA-14 omnis clipped ear-distance apart from one another facing outwards. Normal healy is o-------o wheres mine would be at a wide Y angle. This combined w/ M10 + ca ugly pre = very low profile setup. I adore spaced omnis tendency to "pull the room into the recording", and given the quality of Brandon's mixes, I knew I'd be covered in terms of direct sound to all the instruments & vocals via the SBD. So mics were just for ambiance & extra pickup on the percussion (and in this case, bass). Extremely pleased with the stereo imaging & drum/bass capture of the CA-14s. Did make a key mistake here, though- didn't ask where the sub was located, and pretty sure I set up almost directly on top of it. This required me to effectively utilize EQ for the first time, and I am very happy with how much of the harshness I was able to reduce while still maintaining the room/drums/crowd. Had to set up right side of stage pretty close to an amp. Mixed omnis 100% L/R w/ stereo mix centered, roughly even levels. Manually positioned stage mics just after SBD waveforms individually on each track to account for drifting between 680mkii + m10. Binaural/near-healy + centered SBD results in a recording which lends itself both to headphones and stereos. Setting up so close to the crowd is always playing with fire but I love what it adds for the most part, save for one or two notes. Crowd RNG is part of the fun though, and tMG crowds are generally the best. Hope details might help someone else down the line.