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The London Souls
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Today In History
June 7th
0 shows
0 tapes
Years
2020
1 show
1 tape
2017
8 shows
11 tapes
2016
16 shows
16 tapes
2015
4 shows
6 tapes
2014
8 shows
11 tapes
2013
11 shows
12 tapes
2011
1 show
1 tape
2010
1 show
1 tape
2009
1 show
1 tape
2017
5/5/17
Intro
1:00
Honey
3:42
Certain Appeal
4:44
Be Your Man
4:19
All Tied Down
3:50
The Sound
6:15
Steady Are You Ready?
4:10
FIN
View on archive.org
Sources
Taper: Steve Hagar
28:00
Taper:
Steve Hagar
Transferrer:
Dennis Orr
SHNID:
tls2017-05-05.ZoomH4n.16bit.hagar
Source:
Zoom H4n (with internal mics) @ 16 bit/44.1 kHz
Lineage:
.WAV > Sound Forge Pro 11.0 (Build 299) [WAVES GEQ Classic Stereo equalizer plugin (see EQ settings in "Mastering Notes" below); minor edits, normalize, & fades] > CDWav tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.18 (tagging)
Taper Notes:
View NotesThe London Souls Cannery Ballroom Nashville, TN May 5, 2017 (Opened for Rival Sons) ** 16 BIT ** Source: Zoom H4n (with internal mics) @ 16 bit/44.1 kHz Mastering: .WAV > Sound Forge Pro 11.0 (Build 299) [WAVES GEQ Classic Stereo equalizer plugin (see EQ settings in "Mastering Notes" below); minor edits, normalize, & fades] > CDWav tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.18 (tagging) Location: Inside the soundcage on the soundboard crate, the deck was on a mini tripod (6 inches) aimed at the stage Recorded by: Steve "ballsdeep" Hagar Mastered by: Dennis Orr Setlist: 01 Intro 02 Honey 03 Certain Appeal 04 Be Your Man 05 All Tied Down 06 The Sound > 07 Steady Are You Ready? Tash Neal - guitar & Vocals Chris St. Hilaire - drums & Vocals Mastering Notes: Here are the EQ settings I used: 500 hz +2.0 dB 1.0 khz +2.5 dB 2.0 kHz +4.5 dB 4.0 khz +2.5 dB 8.0 khz +2.0 dB Show Notes: This show was kind of an anomaly, I bailed on Beale Street (and, sadly, Peter Wolf's blues tent performance) because a kind soul was able to facilitate guest spots in exchange for taping The London Souls. So like a good taper, I got there at 6:15 (doors at 7, show at 8) to smooth over any rough edges. It really didn't do much good. Nutshell version: "LS are broke down, I'm Rival Sons' manager, they might get here in 20 minutes, no one with their crew is here, you're not recording anything tonight" (paraphrased). Hmph...so after a bit of frantic calling, LS making the gig, and some fleet work from their new manager, audio and video permissions were secured...at 7:15. Soooooooooo, lets just say, I ran 3 decks, and got one with the complete set (the Zoom with internals). Pretty sure one Tascam (with Sonics) decided to pull the "time writeout" error thing at the very beginning, and I think the batteries died on the other one. And I had an extremely hot little lady from Indiana with me for a few days, and this was the first full day we hung out. So "1 deck, 3 cams" were achieved. The Souls played a short, tight, 30 minute incendiary set. Nice guitar work, and snappy rhythm. Met them oh-so-briefly and they were humble and kind. If you're into taping them, contact me and I can put you in touch with their "facilitator of fatalities". Then things really got strange. I was gonna stay and stealth audio RS (just because their manager was a grumpy bugger), but, lo and behold, Rival Sons decided to invite their friend, ***A POET***, to do a 'set between sets'. Seriously, at a RAWK show? I took one look at the hottie, out in the parking lot for a couple puffs of Alaskan kind, and "do you wanna go to the hotel in Huntsville?" That was a pretty easy answer.. #bangabangaBANG!!! So, no Rival Sons, sorry. They were a bunch of not-friendlies as is...oh well. He ain't in London, but he is a kind soul. Thanks be to Dennis for his uploading tenure. I'm just a button pusher...so just pissing off, as usual ---ballsdeep OUT!!!