RELISTENTO
Re
Bands
Featured
Bands
The Lee Boys
RecentTopVenues
Today In History
June 5th
2 shows
2 tapes
Years
2025
2 shows
2 tapes
2014
3 shows
4 tapes
2013
3 shows
3 tapes
2012
11 shows
16 tapes
2011
8 shows
17 tapes
2010
12 shows
17 tapes
2009
15 shows
16 tapes
2008
14 shows
22 tapes
2007
7 shows
10 tapes
2006
5 shows
9 tapes
2005
4 shows
4 tapes
2010
8/7/10
Tuning
4:58
Steppin' Out Intro
0:30
Going To Glory
6:32
So Much To Live For >
9:42
Don't Stop 'Til You Get Enough >
2:57
So Much To Live For >
2:06
I'm Not Tired >
6:49
Dance With Me
6:56
Superstition >
5:36
We Want The Funk >
2:30
We're Gonna Have A Good Time >
7:33
Superstition
1:06
Testify
8:23
Band Intros >
0:49
Going In The Right Direction
8:06
Outro
0:37
FIN
View on archive.org
Sources
Taper: jagraham84ATgmailDOTcom
1:15:10
Taper:
jagraham84ATgmailDOTcom
SHNID:
leeboys2010-08-07.ca11s.cafs.mtx.16bit
Source:
Matrix(~50/50) of (1)CA-CAFS(onstage*) > DR-07 > WAV(24bit/48khz) > Audacity1.3.11b(dithered, peaks reduced, amplified to -3.5db) > WAV(16bit/44.1khz) and (2)CA-11s(ORTF) > STC-9000(+30db,Vol@50) > JB3 > WAV(16bit/44.1khz) > Audacity1.3.11b(amplified to -3.5db) > WAV, (1)See below for onstage notes, (2)DFC, ~8' high, ~15' FOB, ~35 back
Taper Notes:
View NotesThe two sources aligned with Audacity using splits. (1)Left mic was placed DFC on pole, head level with the pedal steel. Right mic was placed between the two stage left monitors, stage level, pointed at the onstage bass amp. Thanks to The Lee Boys for allowing the recordings that went into this project as well as the City of Blacksburg for putting on the event for free.
Taper: jagraham84ATgmailDOTcom
1:14:44
Taper:
jagraham84ATgmailDOTcom
SHNID:
leeboys2010-08-07.cafs.16bit
Source:
CA-CAFS(Omnis onstage*) > DR-07(MicIn, LoGain, Vol4) > WAV(24bit/48khz) > Audacity1.3.11b(peak reduced, amplified to -.01db, dithered) > WAV(16bit/44.1khz) > CD Wave Editor(tracked) > FLAC8(TLH)
Taper Notes:
View Notes* - Left mic was placed DFC on pole, head level with the pedal steel. Right mic was placed between the two stage left monitors, stage level, pointed at the onstage bass amp. Peak reduced at 1:10:44.9 in left channel. Left channel amplified separately. -jagraham84ATgmailDOTcom
Source 3 of 3
1:17:48
SHNID:
leeboys2010-08-07.ca11s.16bit
Source:
CA-CAFS(Omnis onstage*) > DR-07(MicIn, LoGain, Vol4) > WAV(24bit/48khz) > Audacity1.3.11b(peak reduced, amplified to -.01db, dithered) > WAV(16bit/44.1khz) > CD Wave Editor(tracked) > FLAC8(TLH),
Taper Notes:
View Notes* Left mic was placed DFC on pole, head level with the pedal steel. Right mic was placed between the two stage left monitors, stage level, pointed at the onstage bass amp. Peak reduced at 1:10:44.9 in left channel. Left channel amplified separately.