James Bartoli

James Bartoli & Alfred Howard

thg2010-04-24.matrix.flac24

4 track post-mix: {([2] AKG c460b/a60m/a51/ck1 (~ 30" high, ORTF, on stage lip DFC) -> 'vintage' mod. pres) + (SBD L/R (XLR matrix outputs) -> 'transparent' channels)} -> Busman V/T Mod. Edirol R-4 Pro @ 24bit/48KHz

R-4 Pro -> MacBook Pro/Digital Performer 5.1 (import tracks; set 4 track mix; Bounce to Disc (w/ FX plug-ins: para EQ, light compression, limiter, peak normalize); split tracks) -> .wav -> xACT v1.62 -> FLAC (level 8)

James Bartoli

thg-duo2010-04-24.dsbd.flac16

DSBD: Midas console XLR matrix outputs -> 'transparent' mod. channels -> Busman V/T mod. Edirol R-4 Pro @ 24bit/48KHz

R-4 Pro -> .wav -> MacBook Pro/Digital Performer 5.1 (import; Bounce to Disc (w/ FX plug-ins: para EQ, light compression, limiter); split tracks; resample to 44.1KHz) -> .wav -> iZotope RX (MBIT+ dither to 16bit) -> .wav -> xACT v1.62 -> FLAC (level 8)

James Bartoli

James Bartoli & Alfred Howard

thg2010-04-24.matrix.flac16

4 track post-mix: {([2] AKG c460b/a60m/a51/ck1 (~ 30" high, ORTF, on stage lip DFC) -> 'vintage' mod. pres) + (SBD L/R (XLR matrix outputs) -> 'transparent' channels)} -> Busman V/T Mod. Edirol R-4 Pro @ 24bit/48KHz

Edirol R-4 Pro -> MacBook Pro/Digital Performer 5.1 (import tracks; set 4 track mix; Bounce to Disc (w/ FX plug-ins: para EQ, light compression, limiter, peak normalize); split tracks; resample to 44.1KHz) -> .wav -> iZotope RX (MBIT+ dither to 16bit) -> .wav -> xACT v1.62 -> FLAC (level 8)