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2010
SBD
11/08
Granada Theater
Unknown Location
1:15:12
1
tape
10/23
Armstrong Hall at Colorado College
Colorado Springs, CO
1:01:33
1
tape
10/22
Bluebird Theater
Denver, CO
1:11:04
1
tape
8/13
40 Watt Club, Athens PopFest
Athens, GA
1:14:42
2
tapes
4/30
Lincoln Hall
Chicago, IL
4
1:18:22
1
tape
4/27
Unknown
Unknown Location
55:48
1
tape
4/25
Bug Jar
Rochester, NY
1:10:17
1
tape
4/25/10
Strange Solar System
1:05
Hey Elevator
4:01
Dignified Dignitary
4:18
Go!
4:31
Energy
4:11
Dance Floor
4:27
Sun Is Out
2:33
Told You Once
5:01
The Rainbow
3:24
No One in the World
4:54
Next Year About the Same Time
3:12
Can You Feel It?
3:34
Please
4:52
Same Old Drag
3:24
Tidal Wave
6:38
Encore lead-in
2:29
Strawberryfire
7:43
FIN
View on archive.org
Sources
Taper: Bryan Schuff
1:10:17
Taper:
Bryan Schuff
Transferrer:
Bryan Schuff
SHNID:
ais2010-04-25.flac16
Source:
AUD > RØDE NT5 (ORTF stereo pair) > Pro Co BPBQXF30 > M-Audio MicroTrack 24/96 > WAV (24bit/88.2kHz)
Lineage:
WAV > iZotope 64-Bit SRC > iZotope MBIT + Dither > Cool Edit Pro 2.1 > CD Wave Audio Editor 1.98 > FLAC Frontend 1.7.1 > FLAC
Taper Notes:
View Notes
MAIN SOURCE: AUD > RØDE NT5 (ORTF stereo pair) > Pro Co BPBQXF30 > M-Audio MicroTrack 24/96 > WAV (24bit/88.2kHz) LOCATION: Mounted to ceiling, center of room, about 7 feet high. ENCORE SOURCE: Onboard 90° X/Y stereo condenser mics > Zoom H4n > WAV (16bit/44.1kHz) LOCATION: Setting on the sound console, back of room. FLAWS: I failed to restart the Microtrack after saving the recording between sets, and I spliced in the encore from the H4n that I tested. EDITING: iZotope 64-Bit SRC to resample to 44.1 kHz iZotope MBIT + Dither to convert to 16 bit Cool Edit Pro 2.1 to Normalize H4n source Cool Edit Pro 2.1 to cross-fade the two sources at 59:17, or 5:42 into "Tidal Wave." Cool Edit Pro 2.1 to Fade In and Fade Out CD Wave Audio Editor 1.98 Shareware to split tracks COMPRESSION: FLAC Frontend 1.7.1 Etree edition (Level 7, Align on sector boundaries) THANK YOU to Nic at the Bug Jar for setting me up to record a great show and to Robert Schneider for letting me record it!