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2018
SBD
11/09
City Winery Chicago
Chicago, IL
31
1:17:22
1
tape
9/22
Resonance Music Festival, Legend Valley, Thornville, OH
Resonance Music Festival - Legend Valley, Thornville, OH
1:52:48
4
tapes
9/20
Canopy Club
Urbana, IL
11
2:52:25
1
tape
7/12
Montage Mountain
Scranton, PA
1:22:08
1
tape
7/07
CrossroadsKC
Kansas City, MO
2:38:26
2
tapes
7/06
CrossroadsKC
Kansas City, MO
18
2:27:45
1
tape
1/28
The El Rey Theatre
Albuquerque, NM
2:26:57
1
tape
1/27
Pima County Fairgrounds - Gem and Jam, Emerald Stage
Tucson, AZ
2:05:20
1
tape
1/26
Pima County Fairgrounds - Gem and Jam, Emerald Stage
Tucson, AZ
1:57:36
1
tape
7/7/18
Totem
8:29
Walk to the Light
8:20
Frequencies DnB
4:07
Frequencies 2
2:05
Frequencies 3
6:34
Give & Take
6:28
GLOgi
7:43
Strange Games
9:01
Real & Imagined
11:06
Intro
0:39
Presence of Light
8:14
MOD
14:10
Wave Spell
7:59
Orbital
12:31
ABCees
13:23
When The Dust Settles
8:18
Hidden Hand, Hidden Fist
13:45
break
2:04
E: STS9
13:30
FIN
View on archive.org
Sources
Taper: Jason Graham(jagraham84ATgmailDOTcom)
2:38:26
Rating:
8.00 / 1 rating
Taper:
Jason Graham(jagraham84ATgmailDOTcom)
SHNID:
sts92018-07-07.at853s.omnis.16bit
Source:
AT-853s/Omnis > STC-9200(+10db) > DR-2D(Line) > WAV(24bit/48khz) > Audacity(amplified, dithered/resampled) > WAV(16bit/44.1khz) > CD Wave Editor(tracked) > FLAC8(TLH) > Foobar2000(tagged), ~15' ROC, ~20' back, ~6' high
Taper Notes:
View Notes
DR-2D line in set to 98. STC-9200 gain changed from +15db to +10 db in first song, so there is a level edit there.
Taper: Jason Graham(jagraham84ATgmailDOTcom)
2:38:26
Taper:
Jason Graham(jagraham84ATgmailDOTcom)
SHNID:
sts92018-07-07.cm300s.cp1s.16bit
Source:
Nakamichi CM-300s/CP-1s > XLRs > DR-70D(Mic) > WAV(24bit/48khz) > Audacity(amplified, dithered/resampled) > WAV(16bit/44.1khz) > CD Wave Editor(tracked) > FLAC8(TLH) > Foobar2000(tagged), ~15' ROC, ~20' back, ~4' high
Taper Notes:
View Notes
CM-300s pointed up above stacks and arranged at ~80 degrees, powered with 12V each, and connected to inputs 3-4 on recorder via GAKables custom XLRs. DR-70D gain set to mid. Mics clamped to rear of VIP viewing area barricade. Recording panned 20% left after amplification.