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June 25th
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2026
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2025
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2024
4 shows
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2023
9 shows
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2022
2 shows
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2021
1
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2019
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2018
3 shows
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1 show
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2016
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2013
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2012
2 shows
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2011
1
25 shows
31 tapes
2010
12 shows
15 tapes
2009
14 shows
16 tapes
2008
11 shows
13 tapes
2007
6 shows
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2006
9 shows
11 tapes
2005
19 shows
20 tapes
2004
4 shows
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2003
27 shows
27 tapes
2002
3 shows
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2001
30 shows
34 tapes
2000
12 shows
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1999
29 shows
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1998
43 shows
46 tapes
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28 shows
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1996
39 shows
40 tapes
1995
3 shows
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1994
11 shows
12 tapes
1993
3 shows
4 tapes
1992
26 shows
28 tapes
1991
9 shows
10 tapes
1990
4
41 shows
42 tapes
1989
3 shows
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1988
8 shows
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1987
1
9 shows
10 tapes
1986
2 shows
2 tapes
1985
2
6 shows
6 tapes
1984
1
2 shows
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1982
1 show
1 tape
1981
1 show
1 tape
1980
2 shows
2 tapes
1998
2/14/98
Nothing But The Shell (first part missing)
3:33
Silver Lining
4:38
Black Magic
5:25
This Strange Effect
3:00
This Deadly Game
6:32
Merritville
7:43
What We Call Love
4:03
When You Smile
4:36
Why
3:20
In Love With Everyone*
4:28
Tuesday*
4:37
Motorcycle Boy*
5:35
Baby, We All Gotta Go Down
5:45
Bonnie And Clyde*
3:53
Still Holding On To You
4:20
Shelley's Blues, pt 2
3:36
Halloween
7:01
Boston
6:26
The Devil In Me*
6:36
Outlaw Blues*
4:15
Carolyn*
4:31
Carry A Torch*
7:19
Transparency*
4:01
FIN
View on archive.org
Sources
Source 1 of 2
1:55:13
SBD
SHNID:
stevewynn1998-02-14.flac16
Source:
SBD
Taper Notes:
View NotesSTEVE WYNN--guitar, vocals KIRK SWAN--guitar KURT STATHAM--bass LINDA PITMON--drums * = with John Wesley Harding From Steve Wynn's diary: Things are slowing down a little bit around here after the wild nights in Copenhagen and Arhus and, though the show in Odense was plenty fun and appreciated and wild, the city was a bit more relaxing and slow enough to give a chance to recharge a battery or two. Linda experienced chronic technical difficulty, particularly a microphone that was determined to point south, compass-like, to her snare drum and with all the time of repairs I was given a chance to play "Baby We All Gotta Go Down" for the first time of the tour, hardly deterred by the fact that the band had never played nor heard the song before. It was that kind of night and I am constantly reminded that the infrequently played old favorite, filled with errors of spontaneity is so often better than the much-played well-shined set regular, giving the audience a chance to see through the cracks. Leonard Cohen once said "there is a crack in everything; that's how the light gets in." He was so right.