RELISTENTO
Re
Bands
Featured
Bands
Spin Doctors
RecentTopVenues
Today In History
June 9th
0 shows
0 tapes
Years
2025
4 shows
4 tapes
2024
3 shows
3 tapes
2023
3 shows
4 tapes
2022
6 shows
7 tapes
2019
1 show
1 tape
2018
1 show
2 tapes
2017
1 show
1 tape
2014
4 shows
5 tapes
2013
6 shows
8 tapes
2012
7 shows
13 tapes
2011
9 shows
11 tapes
2010
1 show
1 tape
2009
2 shows
2 tapes
2008
5 shows
6 tapes
2007
1 show
1 tape
2006
3 shows
4 tapes
2005
18 shows
19 tapes
2004
6 shows
6 tapes
2003
5 shows
6 tapes
2002
5 shows
7 tapes
2001
1 show
3 tapes
2000
1 show
1 tape
1999
4 shows
4 tapes
1997
1 show
1 tape
1996
4 shows
5 tapes
1995
4 shows
4 tapes
1994
43
PlaybackListensHours
48h00m
7d00m
30d433
7 shows
13 tapes
1993
13 shows
14 tapes
1992
10
PlaybackListensHours
48h00m
7d00m
30d101
38 shows
47 tapes
1991
22 shows
31 tapes
1990
24 shows
30 tapes
1989
4 shows
6 tapes
1991
8/10/91
intro
1:24
doctors in free form ->
3:43
Yo Mama's A Pajama
4:32
Jimmy Olsen's Blues
7:49
Bags of Dirt
6:22
Two Princes
5:23
'Bout a Train ->
9:55
Hard to Exist
12:39
Sister Sisyphus
8:43
Forty or Fifty
5:10
Traction Blues
9:05
House
7:52
Little Miss Can't Be Wrong
5:59
Freeway of the Plains ->
9:47
Lady Kerosene
5:02
[encore break]
4:05
Sweet Widow
9:55
Big Fat Funky Booty
8:09
FIN
View on archive.org
Sources
Taper: Kirk Miller
2:04:40
Taper:
Kirk Miller
Transferrer:
Kirk Miller
SHNID:
spin1991-08-10
Source:
Audience Master Cassette
Lineage:
Original master recording: AKG-C535EB mics (mounted in the ceiling of the venue) -> Analog cassette deck (possibly Sony D5) Transfer: Master Cassette Playback via Tascam 202 Mark VII->USB out->Audacity (16 bit/44.1khz) Mastering: FLAC File processing in SoundForge 13.0 (manual clap/whistle/yell+feedback scrubbing); Tracked in CDWav. IDv3 tagged in Tag&Rename 3.9.15
Taper Notes:
View Notes"Imagine the entire universe all compacted into one black golf ball this big. Nothing has ever existed before. There is no such thing as a moment because nothing has happened before...There is nothing to see, nothing to hear, nothing to feel becuase there is no one to see, no one to hear, no one to feel..." - Chris confirms that this monologue in track 2 is an improvisation and not a composed song/lyric. In track 8 you can hear someone in the audience yell for "Gorilla Boy" but Chris says "We played it in soundcheck, do we /have/ to play it?" "Jive Bible" opened There was tons of BAD monitor feedback during this entire show -- sometimes as frequently as every 30 seconds. Chris makes reference to it on a few occasions. I was there and I remember it being REALLY painfully bad. Also the NJ audience was very very boisterous at this show, near the microphones in the low ceilings which picked them up loudly and clearly. Luckily I have had a lot of practice in scrubbing out feedback (it really does scrub out nearly seamlessly) and attenuating the many frequent yells, whistles, and claps. There is still some obnioxious chatter near the mics at times, but on the whole this show should now extremely listenable and should clearly replace any copy you may have had before as it is a huge upgrade. I spent a over a month polishing this one up for you guys so it really shines the way a show of this quality and vintage SHOULD. I did not want to spend a month working on this, but once I started, I had to finish it up right. I hope you all appreciate the work I put into it. It's worth it for the Sweet Widow alone! Master recorded and transferred by Kirk Miller Cleanup (EQ-ing out annoying feedback, scubbing loud clap scrubbing, and minimizing loud yells and whistles) by Scott Bernstein 3/21-4/24/2021 Massive thanks to Kirk for sharing his master of this incredible (and ancient) gig. For a deeper peek into his archives which is chock full of local New Brunswick, NJ music from this time frame, check out his Soundcloud page here <a href="https://soundcloud.com/user-309984514" rel="nofollow">https://soundcloud.com/user-309984514</a>
Transferrer: Joe Noel
2:05:34
Transferrer:
Joe Noel
SHNID:
spin1991-08-10.aud.flac16
Source:
AUD > Master Source
Lineage:
Edited & Mastered with Adobe Audition