Bands
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Bands
Smashing Pumpkins
Today In History
June 15th
Years
2025
89
PlaybackListensHours
48h112m
7d262
30d897
11 shows
14 tapes
2024
25
PlaybackListensHours
48h738m
7d1156m
30d252
20 shows
31 tapes
2023
21
PlaybackListensHours
48h00m
7d416m
30d211
15 shows
19 tapes
2022
9
PlaybackListensHours
48h00m
7d00m
30d937m
18 shows
29 tapes
2021
1
PlaybackListensHours
48h113m
7d00m
30d14m
1 show
1 tape
2019
1
PlaybackListensHours
48h00m
7d00m
30d14m
10 shows
14 tapes
2018
8
PlaybackListensHours
48h00m
7d212m
30d81
22 shows
31 tapes
2016
5
PlaybackListensHours
48h00m
7d28m
30d529m
12 shows
16 tapes
2015
16
PlaybackListensHours
48h00m
7d00m
30d161
19 shows
22 tapes
2014
22
PlaybackListensHours
48h00m
7d121
30d222
11 shows
15 tapes
2013
7
PlaybackListensHours
48h00m
7d00m
30d735m
20 shows
24 tapes
2012
6
PlaybackListensHours
48h00m
7d00m
30d624m
22 shows
29 tapes
2011
8
PlaybackListensHours
48h00m
7d00m
30d854m
15 shows
21 tapes
2010
3
PlaybackListensHours
48h00m
7d00m
30d316m
32 shows
45 tapes
2008
34
PlaybackListensHours
48h00m
7d00m
30d343
60 shows
95 tapes
2007
75
PlaybackListensHours
48h161
7d373
30d756
78 shows
178 tapes
2000
191
PlaybackListensHours
48h211
7d272
30d19115
120 shows
264 tapes
1999
26
PlaybackListensHours
48h00m
7d00m
30d262
15 shows
41 tapes
1998
17
PlaybackListensHours
48h00m
7d00m
30d172
62 shows
128 tapes
1997
99
PlaybackListensHours
48h00m
7d2159m
30d997
34 shows
77 tapes
1996
576
PlaybackListensHours
48h955m
7d917
30d57651
106 shows
168 tapes
1995
62
PlaybackListensHours
48h16m
7d171
30d625
16 shows
32 tapes
1994
52
PlaybackListensHours
48h00m
7d414m
30d524
59 shows
94 tapes
1993
236
PlaybackListensHours
48h16m
7d312
30d23620
56 shows
86 tapes
1992
27
PlaybackListensHours
48h418m
7d1038m
30d272
34 shows
59 tapes
1991
45
PlaybackListensHours
48h316m
7d00m
30d453
40 shows
68 tapes
1990
6
PlaybackListensHours
48h419m
7d13m
30d625m
4 shows
6 tapes
1989
4 shows
5 tapes
1988
5
PlaybackListensHours
48h00m
7d00m
30d530m
5 shows
7 tapes
2010
Sources
Taper: Autumn Nocturne
2:14:04
Rating:
8.00 / 2 ratings
Taper:
Autumn Nocturne
Transferrer:
Autumn Nocturne
SHNID:
tsp2010-10-15.mk4.flac16
Source:
Schoeps MK4 > Nbox+ > Edirol R-09 @ 24bit/48kHz
Lineage:
Master WAV > dEdit > CD Wave Editor V1.97.0 > FLAC v1.2.1 (Level 8) with TLH v2.4.1 (build 160)
Taper Notes:
View NotesThe 24-bit version can be found here - http://www.archive.org/details/tsp2010-10-15.mk4.flac24
Taper: Autumn Nocturne
2:14:07
Taper:
Autumn Nocturne
Transferrer:
Autumn Nocturne
SHNID:
tsp2010-10-15.mk4.flac24
Source:
Schoeps MK4 > Nbox+ > Edirol R-09 @ 24bit/48kHz
Lineage:
Master WAV > dEdit > CD Wave Editor V1.97.0 > FLAC v1.2.1 (Level 8) with TLH v2.4.1 (build 160)
Taper Notes:
View NotesThe 16-bit version can be found here - http://www.archive.org/details/tsp2010-10-15.mk4.flac16
Taper: KingBean
2:13:53
Taper:
KingBean
Transferrer:
KingBean
SHNID:
tsp2010-10-15.ds70p.flac16
Source:
ECM-DS70p > iRiver H320 (16/44.1)
Lineage:
WAV-M > dEdit > FLAC
Taper Notes:
View NotesI must have not plugged my microphone into the iRiver properly for this recording, because there were horrible static clicks scattered throughout the file and the left channel was virtually empty (it only had a little bit of audio here-and-there amongst the static - other thanthat it was dead air). So, in order to get this listenable, I first deleted the left channel and copied the right (so I now have dual channel mono). Then I went through to every static click, zoomed in as far as I could and replaced the static with silence. Of course, Cool Edit doesn't let you replace your selection with silence, so I had to open the Generate Noise dialogue, copy the duration to the clipboard (usually something like .013854875 or .142199546 seconds) then close that, go to Generate Silence and paste in the duration. That way the audio gaps are still the same length as they were and won't interrupt the tempo of the songs. Now I had pretty much a regular audio file, so I normalised it up to 115%, copied one of the channels, saved it as a mono file (which I should have just done in the first place) and tracked it as per usual. All in all, it turned out a lot better than I thought it was going to. I thought it was going to be a wasted recording. Sound is pretty bassy for the first 4 or so songs, then gets better. Here's a photo of the guy Billy is talking about during track 10 (not my photo): SHOW LINE-UP: City Riots, Smashing Pumpkins