Bands
Featured
Bands
Smashing Pumpkins
Today In History
June 6th
Years
2025
169
PlaybackListensHours
48h00m
7d1559m
30d16914
11 shows
14 tapes
2024
39
PlaybackListensHours
48h00m
7d00m
30d393
20 shows
31 tapes
2023
18
PlaybackListensHours
48h00m
7d00m
30d181
15 shows
19 tapes
2022
2
PlaybackListensHours
48h00m
7d00m
30d26m
18 shows
29 tapes
2021
1
PlaybackListensHours
48h00m
7d00m
30d14m
1 show
1 tape
2019
2
PlaybackListensHours
48h14m
7d00m
30d27m
10 shows
14 tapes
2018
8
PlaybackListensHours
48h00m
7d00m
30d81
22 shows
31 tapes
2016
1
PlaybackListensHours
48h00m
7d00m
30d15m
12 shows
16 tapes
2015
16
PlaybackListensHours
48h00m
7d00m
30d161
19 shows
22 tapes
2014
10
PlaybackListensHours
48h00m
7d00m
30d1050m
11 shows
15 tapes
2013
7
PlaybackListensHours
48h00m
7d00m
30d735m
20 shows
24 tapes
2012
4
PlaybackListensHours
48h00m
7d00m
30d415m
22 shows
29 tapes
2011
7
PlaybackListensHours
48h00m
7d00m
30d742m
15 shows
21 tapes
2010
12
PlaybackListensHours
48h00m
7d00m
30d1252m
32 shows
45 tapes
2008
33
PlaybackListensHours
48h29m
7d28m
30d333
60 shows
95 tapes
2007
46
PlaybackListensHours
48h00m
7d333
30d464
78 shows
178 tapes
2000
213
PlaybackListensHours
48h1150m
7d786
30d21317
120 shows
264 tapes
1999
26
PlaybackListensHours
48h00m
7d00m
30d262
15 shows
41 tapes
1998
16
PlaybackListensHours
48h15m
7d535m
30d162
62 shows
128 tapes
1997
69
PlaybackListensHours
48h00m
7d202
30d695
34 shows
77 tapes
1996
540
PlaybackListensHours
48h665
7d969
30d54047
106 shows
168 tapes
1995
70
PlaybackListensHours
48h00m
7d00m
30d705
16 shows
32 tapes
1994
79
PlaybackListensHours
48h00m
7d834m
30d797
59 shows
94 tapes
1993
270
PlaybackListensHours
48h171
7d343
30d27023
56 shows
86 tapes
1992
22
PlaybackListensHours
48h00m
7d00m
30d222
34 shows
59 tapes
1991
48
PlaybackListensHours
48h00m
7d11m
30d483
40 shows
68 tapes
1990
13
PlaybackListensHours
48h00m
7d00m
30d1349m
4 shows
6 tapes
1989
3
PlaybackListensHours
48h00m
7d00m
30d36m
4 shows
5 tapes
1988
32
PlaybackListensHours
48h00m
7d00m
30d323
5 shows
7 tapes
2000
Sources
Taper: spaceyraygun
1:24:14
Taper:
spaceyraygun
Transferrer:
@deadhoarse
SHNID:
tsp2000-08-12.aud2
Source:
Optimus Omnidirectional Tie-Clip Mic > Sharp MD MT-15
Lineage:
MD(M) > FLAC
Transferrer: Fogelsong
1:14:12
Transferrer:
Fogelsong
SHNID:
tsp2000-08-12.fm2
Source:
FM
Lineage:
FM > PC > CDR > Exact Audio Copy (EAC)
Taper: Z£R0G££K
1:22:54
REMASTER
Taper:
Z£R0G££K
Transferrer:
thir13en
SHNID:
tsp2000-08-12
Source:
FM
Lineage:
FM > MD > FLAC
Source 4 of 6
1:22:44
REMASTER
SHNID:
tsp2000-08-12.13.flac16
Source:
FM > MD
Lineage:
MD > CDR > 13 remaster > APE > FLAC
Taper Notes:
View Notes**Remastered** by thir13en Smashing Pumpkins 2000-08-12 Montreal, Quebec, Canada So, here's all the info that came with this one: Source: AUD / Quality: A+ *Greatest Audience Recording EVER*** **By Z£R0G££K For ZOMB Users** 2004/10/11 Now, after I got done laughing my ass off, then chuckled for another ten minutes or so, I laughed some more. And then I looked for Zerogeek in the system, and nothing came up, lot's of other zero's out there, but nobody really close. So whoever you are you're getting off light, as you were able to side-step the barrage of ridicule I would put upon you. Why, why, why is it so important to find that "*Greatest Audience Recording EVER*?" Clearly, this is no AUD. I've had others who know I hate AUD's try to pass a SBD or FM over on me as an AUD. You can't fool me, don't try. But please, this one was sooooooo easy anyways. Let's start with the obvious and plainly visible 19k stereo tone inherent in many analog FM's. You'd have to be blind to miss it. And of course it sounds very much like all the other FM's of this tour, granted it does have a well-mic'd crowd, but it has all the direct tangibles that a SBD>FM gen has as well. Now a quick peek at [url=http://www.splra.org/wiki/index.php?title=Tsp2000-08-12]SPLRA [/url] shows 2 "unsurfaced" gens of FM's, one of which is missing HMM. But it's here. The other one listed says it's incomplete, but I found it intact, unless there is some banter missing (which I left alone) the songs are all there, even the botched version of "SIYL". And that gen also is listed as an MD, and that explains it all, as the scope of the files shows a similar drop to MD's frequency limits, but a solid 19k means it's never been encoded, so this is it, that FM>MD version. It's still a crisp-essy recording, but does not contain the horrible phasing that the more widely circulated dFM>MP2 does, which in my book should not be traded as a lossless show at all, but that's just me. Anyway, here it is sounding quite good to me. I waited a long time to get my hands on one of the true FM's, and this is it. The bonuses are a rare but quality live version of "The Sacred and Profane" and a killer rendition of Melissa singing Human Leagues "Don't You Want Me" with the "Du Hast" tease opening. I left the abandoned "SIYL" as I know some of you prefer it that way, but I gave it it's own track at least. Also, this had the titles of "HMM" and "BWBW" switched. The songs were in correct order, but the names were not. I did some work to it overall, killing some of the "essing" and smoothing out the whole spectrum, spread, enhanced, maximized. Enjoy the greatest *Not Really An Aud* ever!
Taper: Fares Halteh
1:23:29
Taper:
Fares Halteh
Transferrer:
Fares Halteh
SHNID:
tsp2000-08-12.AUD_1.flac16
Source:
DSM-6S > PA-6LC3B > M1
Lineage:
DAT-M > CDR-1 > FLAC
Taper Notes:
View Notes15 feet FOB
Taper: Sebastian Boschert ([email protected])
1:21:05
Taper:
Sebastian Boschert ([email protected])
SHNID:
tsp2000-08-12.dfm.flac16
Source:
Digital FM > Nokia d-Box with DVB2000 firmware
Lineage:
DFM > dEdit > FLAC
Taper Notes:
View NotesThis recording is sourced from a lossy broadcast. 2 Small dropouts during "I Am One". Contains some DJ talk and abrupt cuts between songs.