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June 6th
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2026
4 shows
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2025
12
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48h00m
7d121
30d121
16 shows
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2023
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2021
7 shows
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2020
1
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48h00m
7d00m
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2018
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2017
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14 tapes
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17
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48h00m
7d00m
30d172
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28 tapes
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2014
13 shows
23 tapes
2013
8 shows
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2012
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24 tapes
2010
5
PlaybackListensHours
48h00m
7d00m
30d545m
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2009
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2006
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2005
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9 tapes
2004
8 shows
8 tapes
2003
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11 tapes
2002
3
PlaybackListensHours
48h00m
7d00m
30d324m
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19 tapes
2001
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2000
6 shows
6 tapes
1999
2 shows
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1998
9 shows
9 tapes
1997
3 shows
4 tapes
1996
4 shows
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1995
3 shows
3 tapes
1994
1 show
1 tape
1989
2 shows
2 tapes
1988
1 show
1 tape
1985
1 show
1 tape
1984
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2 tapes
1983
1 show
1 tape
1976
1
PlaybackListensHours
48h00m
7d00m
30d13m
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1975
1 show
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1973
3 shows
3 tapes
1972
1 show
1 tape
2011
7/16/11
Circles Around Me
1:39
Out On The Ocean
9:05
Band Introductions # 1
2:29
Key And locket
1:43
Ballad Of Stringbean And Estelle
10:30
Bringing In The Georgia Mail
4:53
Blue Mountain
3:25
Howlin' At The Moon *
8:35
New Country
4:10
Friends Of The Band Introduction/Banter
5:58
Laps In Seven
3:08
Band Intro #2/Encore Break
4:34
Banter/Tuning/Neck Jeenie
4:13
Up On Cripple Creek>
6:07
Arkansas Traveler
11:10
Thank You Very Much,Have A Great Evening!
8:25
Howlin' At the Moon
6:10
New Country
11:14
Banter
6:51
Laps in Seven
13:59
Encore Break
2:34
Banter/Tuning/Neck Jeenie
5:17
Up On Cripple Creek
7:54
Arkansas Traveler
3:38
Thank and Good Night
0:49
FIN
View on archive.org
Sources
Taper: Keo
2:28:30
Rating:
10.00 / 1 rating
Taper:
Keo
SHNID:
sbb2011-07-16.nak300
Source:
Nakamichi CM300/CP4 Shotguns > 2' Custom Microphone Bar > 10' Monster Cables > Korg MR-1000 @ 1Bit/5.6 MHz
Taper: Seth Nochajski & Keith Januszak
54:56
Taper:
Seth Nochajski & Keith Januszak
Transferrer:
Seth Nochajski
SHNID:
SamBushWS2011-07-16.MilabVM-44Link.flac16
Source:
Milab VM-44 Links > Naiant Littlebox > Sony PCM-M10 [24/48]
Lineage:
MicroSD > PC > Sony Sound Forge Audio Studio 9.0 [Normalize -0.00 dB (100%), Dither (16-bit Triangular) & Resample to 44,100 Hz] > CD Wav > Flac16 (250 MB)
Taper Notes:
View NotesSam Bush: Sam Bush Time 2011-07-16 Grey Fox Bluegrass Festival, Masters Stage, Walsh Farm, Oak Hill, NY **16-Bit** Source: Milab VM-44 Links > Naiant Littlebox > Sony PCM-M10 [24/48] Config: DIN Location: DFC, clamped to second post from stage, ~8 ft high Transfer: MicroSD > PC > Sony Sound Forge Audio Studio 9.0 [Normalize -0.00 dB (100%), Dither (16-bit Triangular) & Resample to 44,100 Hz] > CD Wav > Flac16 (250 MB) Recorded, Transfered & Pic by: Seth Nochajski & Keith Januszak One Set: -53:22.66- total 01 introduction -01:00.34- 02 Little Girl in Tennessee -03:37.58- 03 Bill Monroe banter/tuning -06:03.56- 04 Paddy On The Turnpike -07:18.36- 05 more Bill Monroe banter/tuning -03:07.42- 06 Heavy Traffic Ahead -05:01.65- 07 Q&A -08:51.67- 08 Revival -04:44.39- 09 Q&A/tuning -05:43.52- 10 Ralph's Banjo Special -03:54.28- 11 (soundcheck) -05:38.01- Sam Bush: mandolin/vocals Scott Vestal: banjo Steve Mougin: guitar Mark Schatz: bass http://www.sambush.com http://greyfoxbluegrass.com Never For Sale please support bands & venues that allow taping by buying merch. & attending shows
Taper: casey
2:31:00
Taper:
casey
Transferrer:
bill
SHNID:
sbb2011-07-16.ms.gmb.flac16
Source:
Four (4) mic Mix: Averlux SMK-H8K cardiod + Sennheiser 441 > Tascam DR-680 [24/48
Lineage:
WaveLab 6.0 with iZotope Ozone 4.0 dithered to 16/44.1
Taper Notes:
View NotesAll credit to the taper. This is a 16 bit / 44.1 kHz file set for CD audio. This is the late set from the Main Stage. The early set from the Masters Stage can be found by clicking on "check for other copies" above. I split the shows because they were performed on different stages and recorded with different equipment.
Taper: bill
55:09
Taper:
bill
Transferrer:
bill
SHNID:
sbb2011-07-16.ws.gmb.flac16
Source:
Oktava MK-012 > Naiant Littlebox > Korg MR-1 DFF 1 bit / 2.8 mhz
Lineage:
WaveLab 6.0 with iZotope Ozone 4.0 dithered to 16/44.1
Taper Notes:
View NotesAll credit to the taper. This is a 16 bit / 44.1 kHz file set for CD audio. This is the early set from the Masters Stage. The late set from the Main Stage can be found by clicking on "check for other copies" above. I split the shows because they were performed on different stages and recorded with different equipment.