Source:
Lip of stage audience -> DAT
Lineage:
Original recording: Neumann TLM170s (subcard @ lip of stage, clamped to Donald Harrison's mic stand)->Apogee AD1000 (soft limit, UV22 on @ 48khz, 16 bit)-> Teac DAP20 DAT(m) Transfer: Sony R500->Sound Devices 722 Mastered: Soundforge Audio Studio 10.0a - slight volume normalization. Sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter. All file manipulation in Soundforge done at 24 bits, then dithered back to 16 bits using using iZotope MBIT+ with Ultra noise shaping, High dither settings. Tracked in CDWav.