RELISTENTORobert Hunter
Re
04
Bands
Featured
Bands
Robert Hunter
2002
4/30/02
s1 crowd
1:47
Hunter intro and tech break
1:08
Man Of Constant Sorrow
2:08
John Silver
2:34
Jack Straw
6:02
Shelter From The Storm
8:33
banter ~ elevator gone up
1:49
Dry Dusty Road
3:41
Yellow Moon > Over The Hills
6:27
Deal
3:37
Aim At The Heart
4:11
banter ~ not to let down the side
2:20
Brokedown Palace
4:56
Ship Of Fools
4:21
s2 crowd
1:31
Bertha
4:49
Keys To The Rain
6:21
Tiger Rose
4:00
Malagueña Salerosa
6:21
It Must Have Been The Roses
4:22
banter ~ wanna rock and roll for a while?
1:22
Hill And Gully Run
8:50
banter and scatting
0:55
Mountains Of The Moon
4:22
Promontory Rider
6:28
encore crowd, Robert bids us goodnight, goodnight, goodnight
0:54
encore intro banter ~ one of the signal spots in my life
0:57
Into The Blue
6:28
Ripple
3:45
Boys In The Barroom
1:59
FIN
View on archive.org
Sources
Taper: morst
1:56:58
Taper:
morst
Transferrer:
morst
SHNID:
RobertHunter2002-04-30
Source:
Neumann KM-140 (ORTF cardioid condenser microphone pair clamped on stand, ~8' high)
Lineage:
Sony Sound Forge 2.5.1 for MacOS (gain & limit) > Audacity 2.4.2 (track & add fades) > xACT 2.5.1 (FLAC encode & add tags) > FLAC @16/48
Taper Notes:
View NotesTuesday April 30, 2002 (A/K/A May 0, 2002) Robert performed three nights, Sunday, Monday, and Tuesday, two sets per night, with no opening act This is believed to have been his first consecutive three-night run at a single venue Sunday: <a href="https://archive.org/details/RobertHunter2002-04-28" rel="nofollow">https://archive.org/details/RobertHunter2002-04-28</a> Monday: <a href="https://archive.org/details/RobertHunter2002-04-29" rel="nofollow">https://archive.org/details/RobertHunter2002-04-29</a> there were several other tapers there... STEP UP!! FOH: Tomie O'Neil (Hunter's tech) 2023 edition @16/48 processed from original DAT transfers by morst Sony Sound Forge 2.5.1 for MacOS (gain & limit) > Audacity 2.4.2 (track & add fades) > xACT 2.5.1 (FLAC encode & add tags) > FLAC @16/48 --=-=-=-=-=-=-=-=-=-=-==-=--=-=-=-==-=-=---=-=-=-=-=-=-==-=-=-=--=-=-=-=-=-==-=-=-= Recorded by: morst Recorded with: Neumann KM-140 (ORTF cardioid condenser microphone pair clamped on stand, ~8' high) > Beyer MV-100 (2-channel mic power + 20dB gain) > analog > Sony SBM-1 digital converter (Doug Oade modified) > Sony TCD-D8 (portable DAT deck) Sampling Rate: 48khz location: 4th row of main floor, right side of center aisle seat- within 2' of dead freaking center Transfer: DAT > S/Pdif > Audiomedia III PCI card > Powermac G3 > Protools Project 4.1.1 > WAV 1648 on 2011-09-26 SHNTOOL INFO: Channels: 2 Bits/sample: 16 Samples/sec: 48000 SHNTOOL LEN: length expanded size cdr WAVE problems fmt ratio filename 1:46.575 20462404 B cxx -- ---xx flac 0.4417 RobertHunter2002-04-30s1t01.flac 1:08.356 13124420 B cxx -- ---xx flac 0.4760 RobertHunter2002-04-30s1t02.flac 2:07.824 24542272 B cxx -- ---xx flac 0.5497 RobertHunter2002-04-30s1t03.flac 2:34.174 29601464 B cxx -- ---xx flac 0.4894 RobertHunter2002-04-30s1t04.flac 6:01.683 69443160 B cxx -- ---xx flac 0.4619 RobertHunter2002-04-30s1t05.flac 8:32.738 98445724 B cxx -- ---xx flac 0.4625 RobertHunter2002-04-30s1t06.flac 1:49.460 21016312 B cxx -- ---xx flac 0.4624 RobertHunter2002-04-30s1t07.flac 3:40.833 42399888 B cxx -- ---xx flac 0.4965 RobertHunter2002-04-30s1t08.flac 6:27.324 74366184 B cxx -- ---xx flac 0.5025 RobertHunter2002-04-30s1t09.flac 3:37.021 41668096 B cxx -- ---xx flac 0.5141 RobertHunter2002-04-30s1t10.flac 4:11.175 48225712 B cxx -- ---xx flac 0.4708 RobertHunter2002-04-30s1t11.flac 2:19.577 26798752 B cxx -- ---xx flac 0.4711 RobertHunter2002-04-30s1t12.flac 4:56.036 56839032 B cxx -- ---xx flac 0.4944 RobertHunter2002-04-30s1t13.flac 4:20.926 50097776 B cxx -- ---xx flac 0.4737 RobertHunter2002-04-30s1t14.flac 1:31.345 17538284 B cxx -- ---xx flac 0.4958 RobertHunter2002-04-30s2t01.flac 4:49.017 55491268 B cxx -- ---xx flac 0.4885 RobertHunter2002-04-30s2t02.flac 6:20.503 73056560 B cxx -- ---xx flac 0.4858 RobertHunter2002-04-30s2t03.flac 3:59.849 46051048 B cxx -- ---xx flac 0.5297 RobertHunter2002-04-30s2t04.flac 6:21.378 73224696 B cxx -- ---xx flac 0.5109 RobertHunter2002-04-30s2t05.flac 4:22.452 50390748 B cxx -- ---xx flac 0.4680 RobertHunter2002-04-30s2t06.flac 1:22.424 15825476 B cxx -- ---xx flac 0.4792 RobertHunter2002-04-30s2t07.flac 8:50.230 101804112 B cxx -- ---xx flac 0.5103 RobertHunter2002-04-30s2t08.flac 0:55.396 10636004 B cxx -- ---xx flac 0.4964 RobertHunter2002-04-30s2t09.flac 4:22.322 50365872 B cxx -- ---xx flac 0.4920 RobertHunter2002-04-30s2t10.flac 6:28.318 74557036 B cxx -- ---xx flac 0.5158 RobertHunter2002-04-30s2t11.flac 0:54.092 10385740 B cxx -- ---xx flac 0.6501 RobertHunter2002-04-30s2t12.flac 0:56.857 10916568 B cxx -- ---xx flac 0.6043 RobertHunter2002-04-30s2t13.flac 6:27.458 74392004 B cxx -- ---xx flac 0.5035 RobertHunter2002-04-30s2t14.flac 3:45.017 43203332 B cxx -- ---xx flac 0.5030 RobertHunter2002-04-30s2t15.flac 1:59.381 22921196 B cxx -- ---xx flac 0.6126 RobertHunter2002-04-30s2t16.flac 116:59.739 1347791140 B 0.4963 (30 files)
Taper: Tommie O'Neil
2:05:41
Taper:
Tommie O'Neil
SHNID:
rh2002-04-30.aud.126767
Source:
FOH: Tomie O'Neil (Hunter's tech) Recorded with: Mics: Neumann KM-140
Lineage:
Sony TCD-D10ProII> S/PDIF> Audiomedia III PCI card> Power MacG3/ 266> Protools4.1.1 Sample Rate Conversion- "BEST" mode> 44.1KHz .WAVs> Shorten 1.1a3 > xACT1.5b3
Taper Notes:
View NotesNote: Disc Two track 01 is 9 minutes of crowd noise before Set Two starts. Disc Two track 13 is crowd noise and taper's spoken ID. Some may wish to skip these tracks on playback. Two Sets, no opening act FOH: Tommie O'Neil (Hunter's tech)-= Recorded with: Mics: Neumann KM-140 (Cardioid Condenser ORTF pair clamped on stand ~8' high) Mic Preamp: Beyer MV-100 (2-channel mic power + 20dB gain) > Analog> Digital Converter: Sony SBM-1 Tape deck: Sony TCD--D8 (Portable DAT) Sampling Rate: 48khz location: 4th row of main floor right side of center aisle seat-within 2' of dead freaking center Transfer: Sony TCD-D10ProII> S/PDIF> Audiomedia III PCI card> Power MacG3/ 266> Protools4.1.1 Sample Rate Conversion- "BEST" mode> 44.1KHz .WAVs> Shorten 1.1a3 > xACT1.5b3 - -=-=-=-=-=-=-=-=-=-=-==-=--=-=-=-==-=-=---=-=-=-=-=-=-==-=-=-=--=-=-=-=-=-==-=-= -= Soundscape Preservation Society Founded 1991 http://www.iamtypingwithonefinger.com/SPS.html -- from Hunter's Journal: Tonight's show will be a test of sorts (aren't they all?) digging deep into the repertoire bag to provide an all new selection of tunes, other than "Out of the Blue" & my take on "Ripple" without which no show of mine would be complete. Over the years it remains my favorite of my co-creations. ÊÊÊFirst time I can remember doing three nights in a row at the same place. Six hours of music. Whew! Fingers and voice holding up well due to hard rehearsal since last September. T'aint the tunes, it's the 'tude. Stop on by tonight if you're in town, but give a call first just in case. May 1 Philadelphia ÊÊÊLast night's gig, 3rd night at HOB, was definitely the capper. The guitar remote didn't see fit to function so I opened with ten minutes or so a capella, Man of Constant Sorrow and John Silver (from Eagle Mall) while O'Neil scrambled to fix it, finally plugging me in with the cord. Followed with about the best feeling Jack Straw I've ever managed, down at a slow crawl tempo which allowed the emotional development of the tune to manifest. Followed that with a "Shelter From the Storm" that had me muckin' through Dylan's murky terrain towards salvation 'til I felt the sting of the driving rain on my face. Then I started pulling stuff out of the old song bag: Tiger Rose, Keys to the Rain, Dry Dusty Road, Yellow Moon, Over the Hills - on and on. Those songs wanted to be played, had missed me doing them, and they stood up and did tricks for me. I left the stage floating on air right back to the hotel room, hit the sack and was lucky I arranged for a 9 O'clock wake up call to get to the airport in time for a 1:15 flight to Philly. ÊÊÊAirport was a breeze. The lady at the check-in counter recognized my name and I autographed a boarding pass for her. A sweet moment in often forbidding O'Hare.