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The Radiators
Today In History
June 11th
3 shows
3 tapes
Years
2025
54
PlaybackListensHours
48h637m
7d192
30d546
1 show
2 tapes
2023
97
PlaybackListensHours
48h202
7d151
30d9710
3 shows
3 tapes
2019
1 show
1 tape
2018
19
PlaybackListensHours
48h00m
7d418m
30d192
1 show
1 tape
2016
3 shows
3 tapes
2012
8
PlaybackListensHours
48h00m
7d00m
30d853m
4 shows
5 tapes
2011
112
PlaybackListensHours
48h1055m
7d00m
30d11211
13 shows
18 tapes
2010
156
PlaybackListensHours
48h753m
7d656
30d15616
56 shows
81 tapes
2009
119
PlaybackListensHours
48h00m
7d00m
30d11912
48 shows
64 tapes
2008
235
PlaybackListensHours
48h316m
7d525
30d23524
76 shows
88 tapes
2007
179
PlaybackListensHours
48h00m
7d252
30d17918
70 shows
74 tapes
2006
119
PlaybackListensHours
48h445
7d00m
30d11910
75 shows
86 tapes
2005
279
PlaybackListensHours
48h385
7d10211
30d27932
89 shows
102 tapes
2004
629
PlaybackListensHours
48h132
7d22222
30d62968
89 shows
97 tapes
2003
124
PlaybackListensHours
48h00m
7d161
30d12414
82 shows
93 tapes
2002
89
PlaybackListensHours
48h751m
7d313
30d899
47 shows
50 tapes
2001
169
PlaybackListensHours
48h212m
7d414
30d16919
40 shows
40 tapes
2000
78
PlaybackListensHours
48h317m
7d141
30d788
38 shows
42 tapes
1999
392
PlaybackListensHours
48h445
7d515
30d39239
56 shows
66 tapes
1998
127
PlaybackListensHours
48h00m
7d121
30d12715
44 shows
54 tapes
1997
260
PlaybackListensHours
48h00m
7d444
30d26027
65 shows
77 tapes
1996
331
PlaybackListensHours
48h313
7d13514
30d33134
76 shows
86 tapes
1995
395
PlaybackListensHours
48h222
7d485
30d39535
73 shows
80 tapes
1994
137
PlaybackListensHours
48h161
7d374
30d13713
80 shows
87 tapes
1993
316
PlaybackListensHours
48h19m
7d00m
30d31632
46 shows
49 tapes
1992
334
PlaybackListensHours
48h141
7d6315
30d33445
27 shows
30 tapes
1991
105
PlaybackListensHours
48h00m
7d1354m
30d1059
20 shows
24 tapes
1990
69
PlaybackListensHours
48h00m
7d00m
30d696
13 shows
16 tapes
1989
235
PlaybackListensHours
48h15m
7d630m
30d23522
29 shows
33 tapes
1988
179
PlaybackListensHours
48h311m
7d807
30d17916
22 shows
22 tapes
1987
112
PlaybackListensHours
48h182
7d637m
30d11210
35 shows
36 tapes
1986
41
PlaybackListensHours
48h443
7d1558m
30d413
15 shows
17 tapes
1985
654
PlaybackListensHours
48h393
7d11211
30d65460
40 shows
44 tapes
1984
171
PlaybackListensHours
48h424m
7d636
30d17115
23 shows
25 tapes
1983
45
PlaybackListensHours
48h00m
7d1353m
30d454
14 shows
15 tapes
1982
17
PlaybackListensHours
48h00m
7d00m
30d171
13 shows
13 tapes
1981
124
PlaybackListensHours
48h00m
7d917
30d12410
11 shows
11 tapes
1980
210
PlaybackListensHours
48h00m
7d423
30d21016
6 shows
6 tapes
1979
31
PlaybackListensHours
48h00m
7d00m
30d313
1 show
1 tape
1978
73
PlaybackListensHours
48h00m
7d00m
30d737
2 shows
2 tapes
1977
28
PlaybackListensHours
48h00m
7d00m
30d2812
2 shows
2 tapes
1976
25
PlaybackListensHours
48h00m
7d00m
30d252
2 shows
2 tapes
Sources
Taper: Freezer
38:52
SBD
Taper:
Freezer
Transferrer:
Freezer (Edited by Bgreen; Tracked, flac'ed, and packed by Chrisj)
SHNID:
rad1976-04-27.earlyradiators.sbd.freezer.lmpp1125.flac16
Source:
Soundboard (Peavey 12 channel mixer)>Deck>Deck>Cass(M) TDK-SA-90
Lineage:
TEAC 209 cassette deck>JVC 5010 standalone>TDK audiocdr(0) (freezer's)>Maxell audio CDR (1) (LMPP's copy) > EAC > wavelab 5 > uad Plugins > CD Wave > TLH > FLAC16 (level 8)
Taper Notes:
View Notes...cover tunes & their corresponding artists/writers: "can i get a witness" - Marvin Gaye, artist (1st recording on 7/17/1963; 1st release on 9/20/1963); Brian Holland/Lamont Dozier/Eddie Holland, writers "baby don't you do it" - Marvin Gaye, artist (1st recording on 8/4/1964; 1st release on 9/2/1964); Brian Holland/Lamont Dozier/Eddie Holland, writers "baby what you want me to do" - Jimmy Reed, artist (1st recording on 8/7/1959; 1st release in November 1969); Jimmy Reed, writer "jump back" - Rufus Thomas, artist (1st release in September 1964); Rufus Thomas, writer ...the Rhapsodizers: Becky Kury - bass, vox Clark Vreeland - guitar, vox Ed Volker - keys, vox Camile Baudoin - guitar Frank Bua - drums, percussion Source: Soundboard (Peavey 12 channel mixer) Lineage: SBD > Deck > Deck > Cass(M) TDK-SA-90> (playback) TEAC 209 cassette deck>JVC 5010 standalone>TDK audiocdr(0) (freezer's)>Maxell audio CDR (1) (LMPP's copy) > EAC > wavelab 5 > uad Plugins > CD Wave > TLH > FLAC16 (level 8) -------------------------------------------------------------------------------------------------------------------------------------------------------- Notes: --Opening act for Third World (That recording is out there in the world as well!!!) --To our knowledge, this is the earliest live recording of the Rhapsodizers, the first incarnation of the now widely known Radiators. --Freezer chose to work with LMPP in order to get some recordings out to the collectors in the best possible version. The LMPP has produced the definitive version; this version is final, no other remastering needs to done to this tape. --This is the first collaboration between LMPP and Mister Freezer, and it's not going to be the last. (Well, at least until bgreen gets tired of working on these old Freezer recordings.) --This show definitely had its share of technical difficulties, however, keep in mind that this is a soundboard recording made over 30 years ago. -------------------------------------------------------------------------------------------------------------------------------------------------------- Here is some background information on the recording, the band and the conditions under which the recording was made, as recalled by Freezer, explaining the construction noise and some of the comments from the band you'll hear: Freezer: This concert was a free show/block party on a bright and sunny Friday afternoon. The construction work was taking place right behind the stage, they were building "Dr.Banana's Smoothies & Bong Emporium" or whatever the hell Jamie (Dr.Banana) was calling his shop THAT year. (Dr.Banana was an old friend from college, he was the first person selling bamboo bongs in the Tulane area; his bongs were hand-carved and as functional as they were beautiful.) The carpentry work on his shop was supposed to have been completed before the concert, as this was a block party given by three businesses (Doctor Banana's Smoothies, The Boot, and The Mushroom), in order to celebrate Dr. Banana's grand opening. (Third World & the Rhapsodizers -- Not a bad way to celebrate a grand opening, huh?) The Boot & The Mushroom are still in business, The Boot is now as it was then, a pub catering to the Tulane students and The Mushroom was then the best record store in the city, it is now a T-Shirt, paraphernalia, and cd/record/DVD store, which also sells bootlegs. (These businesses all share the same building.) The reason for the 'Why don't you shut up' remark from the stage, (which is heard after the song) - I was at one time a "hired gun" when it came to mixing live music, I worked primarily with a band called "The Dukes" out of New Orleans. The leaders were the sons of the original Dukes Of Dixieland founders. I also mixed for a few other bands -- when time permitted. (I also worked for a Cuban jazz rock band called Mocco or El Mocco Loco, which had a line-up that changed every gig.) I had done some occasional mixing for the Rhapsodizers, but I was not mixing this 4/27/1976 show. In fact, I had previously told their manager, Rick Spain, that I couldn't be doing any mixing for them because I was working steadily elsewhere for the next few months. And I was still a full time student at Tulane. However, what you hear is me being told "Why don't you shut up...." because I was standing near the soundboard talking to someone who worked at The Mushroom. What you can't see is me flipping the finger in response. It wasn't my fault that the beer truck was parked next to the mixing platform and their new sound man was in the beer line. Why did I flip the finger??? -- well, I went to college with some of them guys, they were nothing but a fledgling local band at the time; not this 'revered 30+ year old touring band' as they are today. (I suspect they still put their pants on the old-fashioned way; one leg at a time.) In fact, to me, the Rhapsodizers were nothing but Becky Kury's back-up band. (Still are, after listening to this recording again…...) HOWEVER, being known as “Becky Kury’s back-up band” is what eventually caused the Rhaps to split up and 3 of 'em went off to form the Radiators after a jam session in Ed Volker’s garage in January of 1978. Actually, what REALLY caused the break-up of the Rhapsodizers was that they were being actively scouted by Columbia Records, who were considering marketing Becky as their new “Janis Joplin”. Very shortly after the break-up, Becky Kury, a longtime asthmatic, died of complications while being treated for an asthma attack, before she had the chance to be the 'new' Janis Joplin....or even show the world Becky Kury. (For a long time afterwards, from somewhere, this mysterious graffiti message: "Becky Kury Lives" was spray painted on the wall of the K&B Drug Store at Broadway and St.Charles. More than once, the K&B people would repaint the wall, and almost just as quickly, the same phrase would magically re-appear…) The confusion you hear on stage directly after that remark is someone being told that I wasn't working for them and that all it would have taken to get me to fix the problem was to ask nicely. Hence, the sheepishly-mumbled apology. There are multiple master recordings of this show, I'm patched out of another deck, belonging to my friend who worked at The Mushroom. I've no idea if the other master tapes still exist. (one was also made for Rick Spain, who was at that time, the manager of the Mushroom, AND the manager of the Rhapsodizers. It was Rick Spain who brought me into the picture, originally hiring me to mix and to record the band in late 1975.) Two weeks prior to this show, I recorded the Rhapsodizers at the 1976 New Orleans Jazz Fest (April 11, 1976). They backed up Earl King. The show was also recorded on a multi-track recorder, BUT the master multi-track recording was 'supposedly' botched, so the producers of the 1976 New Orleans Jazz Fest album “re-recorded” the backing tracks at Sea-Saint Studios with session musicians, and cut the Rhapsodizers off of the final mix of the released album. http://www.amazon.com/exec/obidos/AS...atteredcrystal Enjoy...... --Very little was done to this recording by me, there was a bit of pre emphasis on the recording that I smoothed out some and some left and right channel level fluctuations that I balanced, but basically, this recording was pristine from the get go. All thanks to Freezer for taping and letting this piece of history out. (Though, if you ask Freezer, he’ll tell you that he was NOT trying to preserve ‘history’, he just wanted to make good tapes for his own listening pleasure. That you now get to share this recording is a definite bonus, both for the collectors and for the LMPP. Freezer wanted the attention that LMPP could provide for this recording, and he wanted us make the definitive version.) --This is a big one, folks, and it's a major piece of music history, no matter what Freezer thinks. There's no older recordings of the Radiators' musical legacy in circulation....at least until Freezer goes back into his vault and finds that Earl King/Rhapsodizers 1976 Jazz Fest recording for LMPP. --By the way, if anyone out there wants to give Freezer copies of their recordings to repay him for offering these old recordings for circulation, you may send your recordings to us, and we'll forward them on to Freezer as directed by him. (However, he doesn't expect anything in return. It's just that there are quite a few modern tapers who'd like to let Freezer hear what they've recorded.) ________________ --Taped by Freezer --Transferred by Freezer --Edited by Bgreen --Tracked, flac'ed, and packed by Chrisj --First seeded to www./www.thetradersden.org 06/2009 --Brought To You By Live Music Preservation Project --contact: [email protected] additional NOTES (2021): --added the ffp fingerprints to the text file --corrected song title information to their proper song titles where needed --added more detail to the text file --added a picture of the venue