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Porter Batiste Stoltz
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Today In History
June 8th
0 shows
0 tapes
Years
2024
1
PlaybackListensHours
48h00m
7d15m
30d15m
1 show
1 tape
2023
1 show
1 tape
2022
1 show
1 tape
2009
17 shows
25 tapes
2008
3
PlaybackListensHours
48h00m
7d00m
30d315m
17 shows
26 tapes
2007
1
PlaybackListensHours
48h00m
7d00m
30d111m
13 shows
16 tapes
2006
2
PlaybackListensHours
48h00m
7d00m
30d217m
10 shows
13 tapes
2005
8 shows
9 tapes
2004
3
PlaybackListensHours
48h00m
7d00m
30d327m
2 shows
2 tapes
2003
3 shows
3 tapes
2008
1/31/08
Earl
9:49
All We Wanna Do
7:52
Norma's House
7:02
It's Me
6:58
I Believe
6:48
Take A Chance
9:31
Like A Rolling Stone ->
9:22
Check Out Your Mind
11:29
(Hey Hey Hey) Get On Down
7:53
Phil 101
6:53
I Got (to Put My Name Up in Lights) ->
8:57
Storm is Brewing
8:28
All I Do Everyday
14:33
Fearless
8:57
Bring the Flood ->
5:00
Bring the Flood ->
3:11
Bring the Flood ->
2:31
Goin' to the Country
8:36
crowd/encore break
1:59
Mardi Gras Mambo
3:45
I Get High
9:31
FIN
View on archive.org
Sources
Taper: James Bartoli
2:39:05
Rating:
10.00 / 1 rating
Taper:
James Bartoli
SHNID:
pbs2008-01-31.akg452ck1-460ck22.flac24
Source:
4 track post-mix: {([2] AKG c452eb/a51/ck1 (mounted below rafters ~ 15' back DFC, ~ 9' high, XY @ ~ 100 degrees)) -> 'vintage' mod. pres) + ([2] AKG c460/a60/ck22 (hung from rafters above stage lip, split ~ 10', 7' high) -> 'transparent' mod. pres.)} -> Busman V/T Mod. Edirol R-4 Pro @ 24bit/48khz
Lineage:
Busman V/T Mod. Edirol R-4 Pro @ 24bit/48khz -> PowerBook G4/Digital Performer 5.1 (import tracks; set 4 track mix; Bounce to Disc w/ plug-ins on master fader: Dynamics v3.3 (compression); MasterWorks EQ (hpf: -12dB/octave @ 50Hz); MasterWorks Limiter v4.3; Trim v4.3 (peak normalize)) split tracks) -> .aiff -> xACT v1.58 -> FLAC (level 8)
Taper Notes:
View NotesThanks to fUNKYbret for the setlist help! *Notes: failed to turn on phantom for set 2 beginning, so missing first ~8:45 (d2t01-d2t02 @ ~1:52). This missing portion has been patched by an alternate source recorded/transferred by Neil Sturtevant & Doglog: BUSMAN AUDIO BSC1-K3 (pointed at stacks, mounted below rafters ~ 15' back DFC, ~ 9' high) -> Korg MR1000 -> 1/8" -> D8 @ 48khz -> DAT -> Tascam DA30mk2 -> Audiophile 2496 -> Samplitude 7.02 (resample very high 44.1khz) -> CDWAV -> FLAC16
Taper: James Bartoli
2:39:04
Taper:
James Bartoli
SHNID:
pbs2008-01-31.akg452ck1-460ck22.flac16
Source:
4 track post-mix: {([2] AKG c452eb/a51/ck1 (mounted below rafters ~ 15' back DFC, ~ 9' high, XY @ ~ 100 degrees)) -> 'vintage' mod. pres) + ([2] AKG c460/a60/ck22 (hung from rafters above stage lip, split ~ 10', 7' high) -> 'transparent' mod. pres.)} -> Busman V/T Mod. Edirol R-4 Pro @ 24bit/48khz
Lineage:
Busman V/T Mod. Edirol R-4 Pro @ 24bit/48khz -> PowerBook G4/Digital Performer 5.1 (import tracks; set 4 track mix; Bounce to Disc w/ plug-ins on master fader: Dynamics v3.3 (compression); MasterWorks EQ (hpf: -12dB/octave @ 50Hz); MasterWorks Limiter v4.3; Trim v4.3 (peak normalize)) split tracks; resample/dither to 16bit/44.1khz) -> .aiff -> xACT v1.58 -> FLAC (level 8)
Taper Notes:
View NotesThanks to fUNKYbret for the setlist help. *Notes: failed to turn on phantom for set 2 beginning, so missing first ~8:45 (d2t01-d2t02 @ ~1:52). This missing portion has been patched and crossfaded with an alternate source recorded/trasferred by Neil Sturtevant & Doglog: BUSMAN AUDIO BSC1-K3 (pointed at stacks, mounted below rafters ~ 15' back DFC, ~ 9' high) -> Korg MR1000 -> 1/8" -> D8 @ 48khz -> DAT -> Tascam DA30mk2 -> Audiophile 2496 -> Samplitude 7.02 (resample very high 44.1khz) -> CDWAV -> FLAC16