Bands
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Phish
Today In History
June 14th
6 shows
6 tapes
Years
2026
45.8k
PlaybackListensHours
48h2.3k402
7d5.4k950
30d45.8k8.2k
13 shows
13 tapes
2025
17.2k
PlaybackListensHours
48h1.2k215
7d3.1k556
30d17.2k3.1k
42 shows
42 tapes
2024
6.4k
PlaybackListensHours
48h31759
7d1.1k194
30d6.4k1.2k
39 shows
39 tapes
2023
4.2k
PlaybackListensHours
48h27045
7d695107
30d4.2k691
45 shows
45 tapes
2022
8.1k
PlaybackListensHours
48h20233
7d636104
30d8.1k1.3k
47 shows
48 tapes
2021
4.1k
PlaybackListensHours
48h15827
7d767130
30d4.1k740
35 shows
35 tapes
2020
349
PlaybackListensHours
48h334
7d8712
30d34948
4 shows
4 tapes
2019
4k
PlaybackListensHours
48h66288
7d1.4k196
30d4k579
39 shows
39 tapes
2018
4k
PlaybackListensHours
48h14222
7d56587
30d4k604
39 shows
39 tapes
2017
2.8k
PlaybackListensHours
48h19736
7d513100
30d2.8k478
28 shows
28 tapes
2016
2.3k
PlaybackListensHours
48h12016
7d51567
30d2.3k302
45 shows
45 tapes
2015
2k
PlaybackListensHours
48h15023
7d40060
30d2k312
31 shows
31 tapes
2014
1.8k
PlaybackListensHours
48h10316
7d30945
30d1.8k250
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h8014
7d26040
30d1.5k235
41 shows
41 tapes
2012
4.5k
PlaybackListensHours
48h25634
7d2.1k278
30d4.5k601
37 shows
37 tapes
2011
10.2k
PlaybackListensHours
48h72192
7d2k262
30d10.2k1.4k
41 shows
41 tapes
2010
2.8k
PlaybackListensHours
48h62389
7d893122
30d2.8k383
50 shows
50 tapes
2009
6.2k
PlaybackListensHours
48h47065
7d1.5k217
30d6.2k873
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h6912
7d24048
30d1.8k347
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h23445
7d701127
30d5.2k996
45 shows
45 tapes
2002
275
PlaybackListensHours
48h71
7d507
30d27540
3 shows
3 tapes
2000
16k
PlaybackListensHours
48h1.2k194
7d3k551
30d16k2.7k
56 shows
56 tapes
1999
17.1k
PlaybackListensHours
48h1k193
7d2.6k486
30d17.1k3.2k
64 shows
64 tapes
1998
20.7k
PlaybackListensHours
48h1.4k229
7d3.4k567
30d20.7k3.4k
70 shows
70 tapes
1997
22.1k
PlaybackListensHours
48h1.8k311
7d3.9k713
30d22.1k4k
81 shows
81 tapes
1996
9.1k
PlaybackListensHours
48h56380
7d1.4k198
30d9.1k1.3k
71 shows
71 tapes
1995
13.8k
PlaybackListensHours
48h839133
7d3.8k541
30d13.8k2k
82 shows
82 tapes
1994
29.3k
PlaybackListensHours
48h2.6k334
7d6.1k808
30d29.3k3.7k
124 shows
124 tapes
1993
12.3k
PlaybackListensHours
48h850103
7d1.9k235
30d12.3k1.5k
109 shows
109 tapes
1992
7.4k
PlaybackListensHours
48h32735
7d916107
30d7.4k846
109 shows
109 tapes
1991
5.7k
PlaybackListensHours
48h38139
7d78083
30d5.7k603
117 shows
119 tapes
1990
4.8k
PlaybackListensHours
48h28332
7d84593
30d4.8k540
100 shows
101 tapes
1989
2k
PlaybackListensHours
48h628
7d40151
30d2k265
66 shows
66 tapes
1988
2.6k
PlaybackListensHours
48h20927
7d48461
30d2.6k329
44 shows
44 tapes
1987
625
PlaybackListensHours
48h405
7d16018
30d62576
18 shows
18 tapes
1986
351
PlaybackListensHours
48h222
7d475
30d35138
7 shows
7 tapes
1985
249
PlaybackListensHours
48h00m
7d244
30d24937
7 shows
7 tapes
1984
142
PlaybackListensHours
48h213
7d243
30d14219
2 shows
2 tapes
1983
66
PlaybackListensHours
48h18m
7d81
30d6610
1 show
1 tape
1995
Sources
Source 1 of 1
2:18:23
Dot Net:
7.67 / 50 ratings
SHNID:
641
Taper Notes:
View NotesPHISH 10-17-95 State Palace Theatre, New Orleans, LA Source: Neumann KM140>SBM-1>D7 Disc One Set 1: 1 Sample in a Jar 2 Stash 3 Uncle Pen 4 AC/DC Bag > 5 Maze 6 Glide 7 Sparkle 8 Free 9 Strange Design 10 Amazing Grace* Disc Two Set 2: 1 Mound-> 2 Prince Caspian 3 Fog That Surrounds 4 Suzy Greenberg-> 5 Keyboard Army-> 6 Jam** 7 crowd noise 8 E: My Long Journey Home 9 I'm Blue I'm Lonesome Medeski, Martin & Wood opened. *Sung first a capella by the band; then again by Nathan, a gospel singer, with the audience **Martin & Wood join in the jam after Keyboard Army then Nathan does some scatting. Additional Editing 4/6/04 by Brandon Johnston: There was a very small dropout at 0:58.321 of AC/DC Bag that I removed in soundforge. There was also some static on the left channel at 1:10.8 of Maze that I fixed by pasting the right channel over the left channel. Also, on the original shnset, a portion of the last song was missing. I decided to patch in the entire encore from my dat which is apparently from the same source. I decided to crossfade in my source during the crowd noise between set II and the encore rather than just patch the end of the song due to differing sound levels between my dat and the existing shnset and the difficulty that I had making a midsong swich sound smooth (not to mention difficulty matching the levels due to the original shnset being 'louder' during loud parts yet 'softer' during soft parts) . In the end I preferred a somewhat awkward change in level during a period of crowd noise rather than during the middle of a song, as well as a more consistant microphone level during the encore, although you may have to turn up the volume to hear it due to no amplification on stage. Shntool was also run on each set to fix SBE's.