Sneakin' Sally Through the Alley | 1988-07-29 | Phish

3:01:34
SBD
Dot Net:
8.28 / 50 ratings
SHNID:
1933
Taper Notes:
View NotesPhish
07-29-1988
The Roma
Telluride, CO

Source: SBD
Transfer details below

Taped by Mike Lynch
Unearthed by Niel Ringstad
Transferred by Jeff Goldberg

Set I:
01. You Enjoy Myself
02. Satin Doll >
03. Walk Away
04. Sneakin' Sally Through the Alley
05. The Curtain With
06. Fire

Set II:
07. Suzy Greenberg >
08. Skin It Back
09. Jesus Just Left Chicago
10. Dinner and a Movie
11. The Sloth
12. Icculus
13. Colonel Forbin's Ascent >
14. Fly Famous Mockingbird
15. I Didn't Know
16. Good Times Bad Times

Set III:
17. Rocky Top
18. Light Up or Leave Me Alone
19. Contact
20. Whipping Post
21. The Ballad of Curtis Loew
22. Take the 'A' Train
23. McGrupp and the Watchful Hosemasters
24. Bold As Love


Tape Notes:
- You Enjoy Myself is missing most of the composed section, and begins with the pre-scream ascent prior to the “Boy,   Man, God, Shit” funk section
- Fire has a tape-flip cut and is missing all but the last 0:45 of the song
- Colonel Forbin’s Ascent has a tape-flip cut between the two verses
- Whipping Post has a tape-flip cut about 2/3 of the way through the jam section

Transfer Process: 
Neil's tapes were played back on a TASCAM 112RmkII (a pro-level, three-head deck with the heads freshly cleaned and demagnetized) using the balanced XLR outputs. The signal was sent into an Apogee ADC, and was recorded into Pro Tools at a bit depth of 24-bit and a sample rate of 96 kHz. Each file was then cleaned-up using RX 6 to remove any low-frequency hum (and harmonic intervals thereof) that had made it onto the cassettes via either the recording equipment itself or the electricity configuration of the venue at the time of the recordings. Any tape hiss or noise that had existed above around 3000 Hz (in order to preserve high-end frequencies from sonic elements such as cymbals and microphone sibilance) was then cleared-out. From there, the waveforms were edited, separated (or combined in some cases) by track, and saved as individual files. Mastering was completed in Ozone 8 in order to ensure consistent equalization, loudness, and normalization amongst the tracks, before the files were finally dithered down to 16-bit, 44.1 kHz (to make them CD-compatible) and uploaded to Dropbox.

Technical Info:
Cassette deck: TASCAM 112RmkII w/ LA-112 balancing kit installed for XLR ports
Analog to digital conversion (ADC): Apogee converters @ 24-bit, 96 kHz
CPU: 4.0 GHz Intel Core i7
OS: macOS Sierra (10.12.6)
DAW: Avid Pro Tools 2018.1
Restoration: iZotope RX Audio Editor 6.10
Mastering: iZotope Ozone Mastering Suite 8.01