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June 6th
3 shows
3 tapes
Years
2026
67.7k
PlaybackListensHours
48h2.5k444
7d7k1.3k
30d67.7k12k
13 shows
13 tapes
2025
17k
PlaybackListensHours
48h1.3k230
7d2.8k498
30d17k3.1k
42 shows
42 tapes
2024
6k
PlaybackListensHours
48h591110
7d1.3k234
30d6k1.1k
39 shows
39 tapes
2023
4.2k
PlaybackListensHours
48h35962
7d858145
30d4.2k690
45 shows
45 tapes
2022
6.8k
PlaybackListensHours
48h1.5k237
7d3.4k529
30d6.8k1.1k
47 shows
48 tapes
2021
3.7k
PlaybackListensHours
48h29051
7d760134
30d3.7k666
35 shows
35 tapes
2020
326
PlaybackListensHours
48h172
7d11215
30d32645
4 shows
4 tapes
2019
3.2k
PlaybackListensHours
48h18026
7d687103
30d3.2k453
39 shows
39 tapes
2018
4.3k
PlaybackListensHours
48h18129
7d43167
30d4.3k654
39 shows
39 tapes
2017
2.4k
PlaybackListensHours
48h17628
7d661113
30d2.4k413
28 shows
28 tapes
2016
2.2k
PlaybackListensHours
48h25435
7d37453
30d2.2k289
45 shows
45 tapes
2015
1.8k
PlaybackListensHours
48h13921
7d39361
30d1.8k291
31 shows
31 tapes
2014
1.6k
PlaybackListensHours
48h12617
7d32045
30d1.6k225
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h15624
7d21132
30d1.5k232
41 shows
41 tapes
2012
2k
PlaybackListensHours
48h29043
7d56575
30d2k273
37 shows
37 tapes
2011
7.3k
PlaybackListensHours
48h1.6k222
7d3.2k470
30d7.3k1.1k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h19727
7d36749
30d2.5k323
50 shows
50 tapes
2009
3.9k
PlaybackListensHours
48h65988
7d1.8k254
30d3.9k550
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h8822
7d27453
30d1.8k348
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h40578
7d1k184
30d5.2k992
45 shows
45 tapes
2002
326
PlaybackListensHours
48h101
7d314
30d32648
3 shows
3 tapes
2000
14.6k
PlaybackListensHours
48h832145
7d1.7k300
30d14.6k2.4k
56 shows
56 tapes
1999
17.3k
PlaybackListensHours
48h1.2k219
7d3.2k601
30d17.3k3.2k
64 shows
64 tapes
1998
20k
PlaybackListensHours
48h1.5k247
7d3.9k634
30d20k3.3k
70 shows
70 tapes
1997
21.1k
PlaybackListensHours
48h1.4k266
7d4k724
30d21.1k3.8k
81 shows
81 tapes
1996
8.6k
PlaybackListensHours
48h67098
7d1.1k167
30d8.6k1.3k
71 shows
71 tapes
1995
11.5k
PlaybackListensHours
48h833124
7d2.7k386
30d11.5k1.7k
82 shows
82 tapes
1994
29.2k
PlaybackListensHours
48h1.1k142
7d3.1k396
30d29.2k3.6k
124 shows
124 tapes
1993
14.3k
PlaybackListensHours
48h60977
7d2.1k249
30d14.3k1.7k
109 shows
109 tapes
1992
9.7k
PlaybackListensHours
48h27535
7d1k112
30d9.7k1.1k
109 shows
109 tapes
1991
6.8k
PlaybackListensHours
48h42843
7d90596
30d6.8k725
117 shows
119 tapes
1990
4.7k
PlaybackListensHours
48h56956
7d1k125
30d4.7k543
100 shows
101 tapes
1989
2.1k
PlaybackListensHours
48h537
7d13718
30d2.1k266
66 shows
66 tapes
1988
2.7k
PlaybackListensHours
48h9613
7d32939
30d2.7k346
44 shows
44 tapes
1987
773
PlaybackListensHours
48h162
7d9211
30d77394
18 shows
18 tapes
1986
398
PlaybackListensHours
48h405
7d587
30d39842
7 shows
7 tapes
1985
263
PlaybackListensHours
48h243
7d405
30d26338
7 shows
7 tapes
1984
184
PlaybackListensHours
48h749m
7d203
30d18426
2 shows
2 tapes
1983
78
PlaybackListensHours
48h326m
7d112
30d7811
1 show
1 tape
1987
5/11/87
Set 1
53:27
You Enjoy Myself
13:44
Lushington
2:36
Possum
7:06
Slave to the Traffic Light
6:18
Sneakin' Sally Through the Alley
5:51
Peaches en Regalia
3:13
Avenu Malkenu
3:02
The Man Who Stepped Into Yesterday
1:45
Makisupa Policeman
7:37
The Man Who Stepped Into Yesterday
2:15
Set 2
31:10
Divided Sky
4:26
Funky Bitch
4:10
Bundle of Joy
1:45
Harpua
2:51
Fluffhead
11:22
Good Times Bad Times
4:43
Harpua
1:53
FIN
View on phish.in
View on phish.net
Sources
Source 1 of 1
1:24:37
Dot Net:
6.55 / 50 ratings
SHNID:
1907
Taper Notes:
View NotesPhish 05/11/87 Nectar's, Burlington, VT Source: Soundboard Tape from Employee of Sam Seagroves -> Sam Seagroves -> ICCULUS (see notes below) Transfer performed by Jeff Goldberg (see notes below) Analog to Digital Transfer performed by Jeff Goldberg: Tascam 112RmkII (playback) A > D Signal Path: Balanced (+4dBu) XLR outputs > Apogee Quartet converters Digital Signal Path: Apogee Quartet > iMac (recorded @ 24-bit, 96kHz) Digital Audio Workstation: Avid Pro Tools (12.8) for recording, Audacity (2.1.3) for editing, and iZotope RX 6 for mastering. Set 1 01. You Enjoy Myself 02. Lushington > 03. Possum 04. Slave to the Traffic Light 05. Sneaking Sally 06. Peaches en Regalia > 07. TMWISY 08. Avenu Malkenu 09. TMWSIY 10. Makisupa Policeman [Ya Mar] Set 2 11. Divided Sky 12. Funky Bitch 13. Harpua > 14. Bundle of Joy > 15. Harpua -> 16. Fluffhead (nasty dropout at end) 17. GTBT Encore: [Golgi Apparatus Corinna Letter to Jimmy Page] WEDNESDAY 07/12/2017 BY ICCULUS NEW TO CIRCULATION: EARLIEST KNOWN 'DIVIDED SKY,' 'HARPUA,' AND 'BUNDLE OF JOY' (5/11/87) A number of versions of songs performed on 5/11/87 at Nectar's, likely in the second set, including the earliest known versions of 'Divided Sky,' 'Harpua,' and 'Bundle of Joy,' were recently unearthed, and are available here and now for free download. Sam Seagroves contacted Phish.net after he found a tape of 5/11/87 that a former employee at his office had left behind when he left (along with a bunch of other old tapes). Sam figured out that while the music on side A of the tape labeled 5/11/87 ('YEM' through 'Makisupa') indeed already circulated as 5/11/87 (but was missing 'Slave,' 'Clod,' and 'Ya Mar'), the material on most of side B of the tape ('Divided' through 'GTBT') did not circulate. Sam's tape was dropped off with me in Boston by Sam's coworker/friend, Luke, before Luke attended Game 5 of the NBA Eastern Conf final (Celtics-Cavs). After determining that the side B material sounded like it was probably from the same source/show as the side A material (except for the 10/31/86 'AC/DC Bag' and 'Swing Low' filler), I gave the tape to Jeff Goldberg for professional spectrum/audio analysis, hiss removal, and transferring. Jeff determined that the side B 'Divided' through 'GTBT' was indeed from the same source/show as the side A material, as he explains below. And thus now we have the earliest known versions of 'Divided Sky,' 'Harpua,' and 'Bundle of Joy.' Note that there is a long-ish seven or so second dropout at the end of 'Fluffhead.' We decided to leave it alone since it was on the source recording. If you have any analog to digital questions or work, feel free to contact Jeff at [email protected] or on twitter @theaudiopro or google plus at [email protected] or facebook.com/theaudiospecialist. Great thanks to Sam, Luke, and Jeff for helping get this new 5/11/87 material, quite a piece of Phish history, into circulation! (and don't miss the segue from Harpua into Fluffhead!) Tracks 01. You Enjoy Myself 02. Lushington > 03. Possum 04. Sneaking Sally 05. Peaches en Regalia > 06. TMWISY 07. Avenu Malkenu 08. TMWSIY 09. Makisupa Policeman 10. Divided Sky 11. Funky Bitch 12. Harpua > 13. Bundle of Joy > 14. Harpua -> 15. Fluffhead (nasty dropout at end) 16. GTBT WAV files folder: https://www.dropbox.com/sh/q85vxo24nha318r/AAAwVQHk3wmOEFTuc0SjWIAAa?dl=0 FLAC files folder: https://www.dropbox.com/sh/5t3rek29lo8459v/AAAeQnubdqF5CueWD_k2SD6Da?dl=0 UNADULTERATED files folder: https://www.dropbox.com/sh/8trg6zot3m4rf2u/AAD9V2P_OLDeTNKnq5kDFABNa?dl=0 (The following is from Jeff Goldberg) Here are my findings: Tested data and anecdotal evidence lead me to conclude with confidence that sides A and B of the cassette tape provided by Sam Seagroves (Nectar’s, 5/11/87) are from the same recording. The recording provided was a 90-minute Maxell XLII type II analog cassette tape. As a standard control from which to compare, I used an NOS (new old stock) blank Maxell XLII 90 from the early ‘90s in order to digitally capture the noise profile (aka 'hiss') of a blank tape. The reason for doing this is so I could (literally) eliminate the actual sound of the medium itself from being a variable in the audio comparison. The tape was recorded using the following analog to digital conversion process: Tascam 112RmkII (playback) A > D Signal Path: Balanced (+4dBu) XLR outputs > Apogee Quartet converters Digital Signal Path: Apogee Quartet > iMac (recorded @ 24-bit, 96kHz) Digital Audio Workstation: Avid Pro Tools (12.8) for recording, Audacity (2.1.3) for editing, and iZotope RX 6 for mastering. There are various ways that equipment can visually represent sound. In these tests, I primarily used captured EQ curves to compare the frequency responses of the two sources, as well as sonogram-style spectral analyses, which use colors to represent frequency and amplitude over time. I also compared the balance of the left and right channels from both sources to see if their stereo images matched, which if confirmed, would strongly indicate that microphone placement (or recording methodology) from both sources were the same. Here is the control data. Maxell XLII 90 spectral profile: https://www.dropbox.com/s/9iditxduu984q5j/Maxell%20XLII%20Spectral.png?dl=0 Maxell XLII 90 EQ curve: https://www.dropbox.com/s/lo23da7yi2f5z0h/Maxell%20XLII%20EQ%20Curve.png?dl=0 Here is the spectral profile of side A, unaltered: https://www.dropbox.com/s/ay12bj2ydcvktee/Side%20A%20Unaltered.png?dl=0 Here is the spectral profile of side B, unaltered: https://www.dropbox.com/s/pji3dn2fl7seksq/Different%20Sources.png?dl=0 One can clearly see the difference in the colors from differing sources when the filler begins on side B, as indicated by the yellow vertical line. The EQ Curves of sides A and B are almost identical, as evidenced here: https://www.dropbox.com/s/yeg71gm6ptznede/Side%20A.png?dl=0, https://www.dropbox.com/s/j2147lnqr9syxjy/Side%20B.png?dl=0 …as compared to the filler's, which looks like this: https://www.dropbox.com/s/etyiu1nwsp5z8xi/Filler%20EQ%20Curve.png?dl=0 And here is the left/right balance of side A: https://www.dropbox.com/s/qdatqnx1qxyal6s/Balance%20A.png?dl=0 vs. side B: https://www.dropbox.com/s/xg0h7wlzvp36uwx/Balance%20B.pn The aforementioned 'anecdotal evidence' to which I refer above is the fact that the 'Divided Sky' we hear here is unique. If you listen to versions of 'Divided' played in August 1987, you’ll hear that several parts have been added to the song, which suggests that Phish most likely took that summer to fix it up and add more sections. There’s no way the 'Divided Sky' on this 5/11/87 tape is from the same tour as the one from, say, The Ranch on 8/29/87, and this adds more ammo pointing to the conclusion that this material genuinely came from from May (and not August) of ’87. Also, this very early (if not first-ever live version of) 'Harpua' lacks the entire 'Oom pah pah' intro, which had already been added by August, as can be heard on the Ian's Farm version. There is no s