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Today In History
June 12th
4 shows
4 tapes
Years
2026
49.4k
PlaybackListensHours
48h2k352
7d5.8k1k
30d49.4k8.8k
13 shows
13 tapes
2025
17.1k
PlaybackListensHours
48h1.4k247
7d2.9k511
30d17.1k3.1k
42 shows
42 tapes
2024
6.4k
PlaybackListensHours
48h33364
7d1.2k220
30d6.4k1.2k
39 shows
39 tapes
2023
4.2k
PlaybackListensHours
48h26141
7d810130
30d4.2k696
45 shows
45 tapes
2022
8k
PlaybackListensHours
48h21535
7d739121
30d8k1.3k
47 shows
48 tapes
2021
4k
PlaybackListensHours
48h24742
7d772138
30d4k726
35 shows
35 tapes
2020
352
PlaybackListensHours
48h325m
7d9213
30d35248
4 shows
4 tapes
2019
3.3k
PlaybackListensHours
48h751110
7d730105
30d3.3k475
39 shows
39 tapes
2018
4.2k
PlaybackListensHours
48h16928
7d54782
30d4.2k636
39 shows
39 tapes
2017
2.7k
PlaybackListensHours
48h15932
7d552102
30d2.7k464
28 shows
28 tapes
2016
2.4k
PlaybackListensHours
48h13417
7d58977
30d2.4k315
45 shows
45 tapes
2015
1.9k
PlaybackListensHours
48h16626
7d42262
30d1.9k307
31 shows
31 tapes
2014
1.8k
PlaybackListensHours
48h11818
7d38354
30d1.8k242
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h13921
7d22936
30d1.5k231
41 shows
41 tapes
2012
4.2k
PlaybackListensHours
48h51363
7d2.3k308
30d4.2k556
37 shows
37 tapes
2011
9.3k
PlaybackListensHours
48h911116
7d1.5k207
30d9.3k1.3k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h56178
7d49568
30d2.5k331
50 shows
50 tapes
2009
5.9k
PlaybackListensHours
48h40259
7d2.1k297
30d5.9k822
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h6812
7d28458
30d1.8k349
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h28853
7d736138
30d5.2k999
45 shows
45 tapes
2002
262
PlaybackListensHours
48h426
7d335
30d26238
3 shows
3 tapes
2000
16.1k
PlaybackListensHours
48h1k175
7d2.6k483
30d16.1k2.7k
56 shows
56 tapes
1999
17.3k
PlaybackListensHours
48h1k191
7d2.8k503
30d17.3k3.2k
64 shows
64 tapes
1998
21.2k
PlaybackListensHours
48h1.1k183
7d3.7k611
30d21.2k3.5k
70 shows
70 tapes
1997
22.1k
PlaybackListensHours
48h1.5k264
7d4.3k743
30d22.1k4k
81 shows
81 tapes
1996
9.2k
PlaybackListensHours
48h52372
7d2.3k324
30d9.2k1.3k
71 shows
71 tapes
1995
13.7k
PlaybackListensHours
48h834129
7d3.8k546
30d13.7k2k
82 shows
82 tapes
1994
27.6k
PlaybackListensHours
48h3.6k493
7d3.5k423
30d27.6k3.4k
124 shows
124 tapes
1993
12.5k
PlaybackListensHours
48h861103
7d2k235
30d12.5k1.5k
109 shows
109 tapes
1992
8.3k
PlaybackListensHours
48h34940
7d950113
30d8.3k940
109 shows
109 tapes
1991
5.9k
PlaybackListensHours
48h39239
7d79285
30d5.9k625
117 shows
119 tapes
1990
5.1k
PlaybackListensHours
48h19222
7d938102
30d5.1k578
100 shows
101 tapes
1989
2k
PlaybackListensHours
48h13817
7d30339
30d2k262
66 shows
66 tapes
1988
2.7k
PlaybackListensHours
48h18724
7d39248
30d2.7k355
44 shows
44 tapes
1987
584
PlaybackListensHours
48h14417
7d324
30d58473
18 shows
18 tapes
1986
359
PlaybackListensHours
48h162
7d465
30d35938
7 shows
7 tapes
1985
249
PlaybackListensHours
48h759m
7d376
30d24937
7 shows
7 tapes
1984
130
PlaybackListensHours
48h122
7d81
30d13018
2 shows
2 tapes
1983
75
PlaybackListensHours
48h433m
7d132
30d7511
1 show
1 tape
1984
12/1/84
Set 1
1:21:53
Scarlet Begonias
6:14
Fire
4:20
Fire on the Mountain
9:04
Makisupa Policeman
9:23
Slave to the Traffic Light
7:06
Spanish Flea
6:04
Don't Want You No More
7:19
Cities
6:14
Drums
9:57
Skippy the Wondermouse
9:48
Fluffhead
6:24
Encore
13:29
Eyes of the World
13:29
FIN
View on phish.in
View on phish.net
Sources
Source 1 of 1
1:35:22
SBD
Dot Net:
7.26 / 50 ratings
SHNID:
2
Taper Notes:
View Notes--------------------------------------------------------------------------- info file for version circulated on 12/01/07 (more remastering and 44.1 kHz seed) --------------------------------------------------------------------------- Phish - 12/1/84 (w/ full 10/17/85 filler on disc two) Nectar's, Burlington, VT The First Circulated Phish Show Source: SBD > Cass1 > DAT > CD-R > EAC > WAV > Cool Edit for Re-mastering (see notes at bottom) > SHN>WAV>Final Cut Pro for pitch correction>SHN Re-mastering, Shortened, md5sums & uploaded by Mike Wren - [email protected] Released to commemorate the one year anniversary of etree.org Pitch correction by Hunter Seamons using Final Cut Pro (12/31/06; remastered 12/1/07) ----- 12/1/84 Disc 1: 1) Scarlet Begonias > 2) Fire > 3) Fire on the Mountain 4) Makisupa Policeman 5) Slave to the Traffic Light 6) Spanish Flea 7) Don't Want You No More > 8) Cities > 9) Drums > 10) Skippy the Wondermouse > Disc 2: 1) Fluffhead Encore: 2) Eyes of the World ----- Filler: 10/17/85 3) Star Trek Jam > 4) Alumni Blues > 5) Mike's Song 6) Dave's Energy Guide 7) Revolution > 8) Anarchy 9) Camel Walk 10) Run Like an Antelope 11) McGrupp and the Watchful Hosemasters ----- PREVIOUS NOTES by Mike Wren: * Thanks to Lee Farber for the original seed! * There was some re-mastering done to clean up the original tape hiss from this classic show. The processes I took are as follows: 1) Amplified both discs 175% across the board. 2) Sampled a section of silence to obtain a decent noise floor sample (25,000 sample points used). 3) Applied this sample against both discs at 64 percent. 4) Applied a graphic equalizer to boost the high and low spectrums (specifically between 600 - 800 Hz and 8k & 10 kHz). ***Note: I cut everything above 11 kHz 18dB because nothing existed above that freq. range on the original recording. NEW NOTES by Hunter Seamons (12/31/06): I noticed the pitch was too high in both shows listed in this seed. I decreased the pitch in 12.01.84 by 7%, and I decreased the pitch in 10.17.85 by 9%. REMASTERED (12/01/07): As this was my first seed, I naturally made some mistakes the first time around. I made all changes by going back to the original file set by Mike Wren and redoing the process, so this is as fresh as it gets. The new changes from my previous seed are as follows: 1) SBE fix 2) Encoded at 44.1 kHz (The last source I did was accidently encoded at a "false" 48 kHz. Whether this makes any difference sonically has not been determined.) 3) Different speed reductions at 6% and 8%, respectively. (I believe I was a hair off the first time around, so I wanted to use this opportunity to make the changes.) 4) NO CUTS! (I made some unorthodox, millisecond cuts before between songs, due to my inexperience of pitch correcting at the time. These went largely unnoticed, as far as I can tell.) These changes should make this source better for the long haul. Enjoy this historic show on its 23rd anniversary!