RELISTENTOPhil Lesh and Friends
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Phil Lesh and Friends
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Today In History
June 10th
1 show
4 tapes
Years
2025
144
PlaybackListensHours
48h746m
7d294
30d14422
6 shows
12 tapes
2024
139
PlaybackListensHours
48h81
7d244
30d13923
10 shows
44 tapes
2023
205
PlaybackListensHours
48h183
7d234
30d20535
14 shows
63 tapes
2022
341
PlaybackListensHours
48h102
7d6512
30d34159
26 shows
115 tapes
2021
50
PlaybackListensHours
48h122
7d81
30d508
15 shows
90 tapes
2020
23
PlaybackListensHours
48h00m
7d00m
30d234
9 shows
9 tapes
2019
204
PlaybackListensHours
48h00m
7d366
30d20433
16 shows
64 tapes
2018
222
PlaybackListensHours
48h00m
7d152
30d22240
30 shows
74 tapes
2017
290
PlaybackListensHours
48h61
7d61
30d29048
30 shows
67 tapes
2016
254
PlaybackListensHours
48h00m
7d427
30d25443
21 shows
79 tapes
2015
168
PlaybackListensHours
48h115m
7d172
30d16821
12 shows
74 tapes
2014
1.2k
PlaybackListensHours
48h118m
7d346
30d1.2k169
41 shows
161 tapes
2013
283
PlaybackListensHours
48h11120
7d14621
30d28345
42 shows
114 tapes
2012
447
PlaybackListensHours
48h5610
7d8815
30d44775
49 shows
104 tapes
2011
17
PlaybackListensHours
48h749m
7d00m
30d172
2 shows
14 tapes
2010
41
PlaybackListensHours
48h00m
7d00m
30d417
2 shows
2 tapes
2009
2
PlaybackListensHours
48h00m
7d00m
30d220m
1 show
1 tape
2008
784
PlaybackListensHours
48h142
7d588
30d784113
63 shows
255 tapes
2007
403
PlaybackListensHours
48h366
7d9815
30d40365
36 shows
158 tapes
2006
802
PlaybackListensHours
48h6110
7d18029
30d802133
38 shows
128 tapes
2005
412
PlaybackListensHours
48h285
7d539
30d41265
28 shows
109 tapes
2004
105
PlaybackListensHours
48h193
7d142
30d10516
4 shows
26 tapes
2003
440
PlaybackListensHours
48h132
7d8213
30d44065
22 shows
90 tapes
2002
2k
PlaybackListensHours
48h457
7d12620
30d2k325
55 shows
234 tapes
2001
1.8k
PlaybackListensHours
48h10417
7d30751
30d1.8k326
77 shows
330 tapes
2000
1.1k
PlaybackListensHours
48h367
7d23143
30d1.1k203
77 shows
209 tapes
1999
4.7k
PlaybackListensHours
48h19441
7d956193
30d4.7k977
43 shows
194 tapes
1998
57
PlaybackListensHours
48h00m
7d71
30d5710
7 shows
15 tapes
1996
1
PlaybackListensHours
48h00m
7d00m
30d114m
1 show
2 tapes
1994
112
PlaybackListensHours
48h210m
7d161
30d11211
2 shows
9 tapes
1982
2
PlaybackListensHours
48h00m
7d00m
30d217m
1 show
1 tape
1976
48
PlaybackListensHours
48h152
7d312m
30d485
4 shows
5 tapes
1975
8
PlaybackListensHours
48h00m
7d130m
30d84
1 show
1 tape
1970
24
PlaybackListensHours
48h00m
7d757m
30d243
1 show
1 tape
1964
4
PlaybackListensHours
48h00m
7d247m
30d42
1 show
1 tape
1959
26
PlaybackListensHours
48h836m
7d836m
30d262
1 show
3 tapes
2015
9/16/15
tuning
1:19
Samson & Delilah
9:35
Catfish John
8:14
Hard To Handle
12:24
Easy Wind
8:30
West L.A. Fadeaway
11:31
Candyman
10:09
Big River
8:25
banter - setbreak announce
0:13
tuning
1:07
He's Gone ->
13:21
Next Time You See Me
7:47
St. Stephen
15:16
Turn On Your) Lovelight (tease)
0:18
Lucy In The Sky With Diamonds
3:45
Turn On Your) Lovelight *
11:33
Sugaree
14:20
Comes A Time ->
8:49
Franklin's Tower
11:58
encore break
3:39
banter - become an organ donor
2:46
Mr. Charlie
4:45
U.S. Blues
7:44
FIN
View on archive.org
Sources
Taper: Jon Pasternak
2:57:22
Rating:
10.00 / 3 ratings
Taper:
Jon Pasternak
SHNID:
plf2015-09-16.neumann.pasternak.flac2448
Source:
Neumann KM-150's > Oade M-248 > Edirol RA-09 > WAV 2448.
Lineage:
WAV 2448 > Wavelab > CD-Wave (24bit) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesMics on 7-foot stand, FOB, recording by Jon Pasternak.
Taper: Richie Stankiewicz
2:58:02
Taper:
Richie Stankiewicz
Transferrer:
Richie Stankiewicz
SHNID:
paf2015-09-16.134489.flac24
Source:
DPA 4021-Luni V2-Sd702-24/96
Taper: Jon Pasternak
2:57:22
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak
SHNID:
paf2015-09-16.134466.neumann.pasternak.flac2448
Source:
Neumann KM-150's > Oade M-248 > Edirol RA-09 > WAV 2448. Mics on 7-foot stand, FOB, recording by Jon Pasternak. WAV 2448 > Wavelab > CD-Wave (24bit) > TLH > FLAC 2448 tagged.
Taper: Mark McCue
2:51:12
Taper:
Mark McCue
Transferrer:
Transferred, edited and mastered by Alex Ford
SHNID:
plf2015-09-16.senn_e835.mccue.ford.flac24
Source:
MAC; Sennheiser e835s > Sony D5 > 2 x Maxell XLII S 100
Lineage:
Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 7.2.1> .wav @24/88.2> UAD-2(edit/mastering)> .wav@24/88.2> xAct> flac24(tags).
Taper Notes:
View NotesSHNID = <a href="http://db.etree.org/shn/134385" rel="nofollow">134385</a> - This is the 24 bit/88.2 kHz source. A 16 bit/44.1 kHz version also circulates. - Low end feedback from the PA was present during parts of set one and two. - * Tape flip patched using Neumann KM-150's source (thanks Jon and Andrew). Neal Casal - guitar, vocals Eric Krasno - guitar, vocals Tony Leone - drums Phil Lesh - bass, vocals Adam MacDougall - keyboard, vocals Chris Robinson - guitar, vocals
Taper: Noah Bickart
2:50:58
Taper:
Noah Bickart
Transferrer:
Noah Bickart
SHNID:
paf2015-09-16.134469.schoepsmk22.flac16
Source:
Location: FOB/DFC/~7' Lineage: Schoeps mk22 (mounted on Schoeps STC 22g Bar)> Vark KCY> Naiant PFA> Tascam Dr70d @ 24bit / 48kHz Transfer> SDHC Card> Sound Studio (Fades, Tracking, and Normilization)> iZotope (Sample conversion & Dither)> xact
Taper: Scott Bernstein
2:57:28
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
plaf2015-09-16.tlm170.flac16
Source:
FOB Audience
Lineage:
Neumann TLM170 (cardoids, FOB, center, about 40 feet from the stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 11 (clap/whistle/pop/yell hand scrubbing; volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings); Tracked in CDWav. IDv3 tagged in Tag&Rename 3.9.1
Taper Notes:
View Notes* = Blue Sky (Allman Brothers Band) teases @ 6:55 The band: Phil Lesh - bass/vocals Chris Robinson - vocals Neal Casal - guitar Eric Krasno - guitar Adam Macdougal - keyboards Tony Leone - drums I scrubbed a TON of claps, whistles, and yells from this recording as there were some very boisterous people around us. I scrubbed from: S1T2(17 claps), S1T3(65 claps, 2 yells), S1T4(32 claps, 3 yells), S1T5(65 claps, 3 yells), S1T6(77 claps, 1 yell), S1T7(62 claps, 4 whistles, 4 yells), S1T8(21 claps), S2T2(51 claps, 2 yells), S2T3(56 claps, 1 yell), S2T4(130 claps, 8 whistles, 2 yells), S2T5(8 claps, 3 whistles), S2T6(45 claps), S2T7(96 claps, 3 whistles), S2T8(127 claps, 1 pop, 2 yells), S2T9(29 claps, 2 yells, 2 whistles), S2T10(37 claps, 3 whistles), S2T11(20 claps), S2T12(10 claps), S2T13(28 claps), S2T14(73 claps, 1 yell) Recorded, mastered, tracked and posted by Scott Bernstein (9/19-10/13/2015). Yes, the clap/yell/whistle scrubbing took me weeks to get through on this one. There is a higher quality 24 bit version of this recording available at <a href="https://archive.org/details/plaf2015-09-16.tlm170.flac24" rel="nofollow">https://archive.org/details/plaf2015-09-16.tlm170.flac24</a> Follow me on Twitter to track my near-daily postings of FREE live music and concert photography: <a href="http://www.twitter.com/scott_bernstein" rel="nofollow">http://www.twitter.com/scott_bernstein</a> Or become a "fan" on Facebook here: <a href="https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451" rel="nofollow">https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451</a>
Taper: Mark McCue
2:51:12
Taper:
Mark McCue
Transferrer:
Transferred, edited and mastered by Alex Ford
SHNID:
plf2015-09-16.senn_e835.mccue.ford.sbeok.flac16
Source:
flac16; MAC; Sennheiser e835s > Sony D5 > 2 x Maxell XLII S 100
Lineage:
Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 7.2.1> .wav @24/88.2> UAD-2(edit/mastering)> .wav @24/88.2> Crystal Resampler/UV22HR> .wav @16/44.1> xAct> flac16(tags).
Taper Notes:
View NotesSHNID = <a href="http://db.etree.org/shn/134386" rel="nofollow">134386</a> - This is the 16 bit/44.1 kHz source. A 24 bit/88.2 kHz version also circulates. - Low end feedback from the PA was present during parts of set one and two. - * Tape flip patched using Neumann KM-150's source (thanks Jon and Andrew). Neal Casal - guitar, vocals Eric Krasno - guitar, vocals Tony Leone - drums Phil Lesh - bass, vocals Adam MacDougall - keyboard, vocals Chris Robinson - guitar, vocals
Taper: M. Laurentus
2:56:32
Taper:
M. Laurentus
Transferrer:
M. Laurentus
SHNID:
pf2015-09-16.NAKCM300s
Taper Notes:
View NotesPhil Lesh and Friends September 16, 2015 Central Park Summer Stage New York, N.Y. Source:Nakamichi CM300's CP1 Cardoid >Roland R26 Transfer:SD Card>PC>CD Wave>Trader's Little Helper>FLAC Taped and Transfered by M.Laurentus Official Taper Section Right of Soundboard on Stand 13' High.
Taper: M. Laurentus
2:56:32
Taper:
M. Laurentus
Transferrer:
M.Laurentus
SHNID:
pf2015-09-16.AUD
Source:
Audio Technica AT897's>AT8202(-10DB) >Roland R26
Lineage:
SD Card>PC>CD Wave>Trader's Little Helper>FLAC
Taper Notes:
View NotesPhil Lesh and Friends September 16, 2015 Central Park Summer Stage New York, N.Y. Source:Audio Technica AT897's>AT8202(-10DB) >Roland R26 Transfer:SD Card>PC>CD Wave>Trader's Little Helper>FLAC Taped and Transfered by M.Laurentus Official Taper Section Right of Soundboard on Stand 13' High.
Taper: Jon Pasternak
2:57:22
Taper:
Jon Pasternak
SHNID:
plf2015-09-16.neumann.pasternak.flac1644
Source:
Neumann KM-150's > Oade M-248 > Edirol RA-09 > WAV 2448.
Lineage:
WAV 2448 > Wavelab > CD-Wave (24bit) > R8Brain > TLH > FLAC 1644 tagged.
Taper Notes:
View NotesMics on 7-foot stand, FOB, recording by Jon Pasternak.