RELISTENTOPhil Lesh and Friends
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Phil Lesh and Friends
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Today In History
June 14th
1 show
2 tapes
Years
2025
131
PlaybackListensHours
48h202
7d222
30d13118
6 shows
12 tapes
2024
122
PlaybackListensHours
48h17m
7d112
30d12221
10 shows
44 tapes
2023
159
PlaybackListensHours
48h102
7d133
30d15927
14 shows
63 tapes
2022
450
PlaybackListensHours
48h203
7d15728
30d45078
26 shows
115 tapes
2021
69
PlaybackListensHours
48h00m
7d274
30d6911
15 shows
90 tapes
2020
12
PlaybackListensHours
48h00m
7d00m
30d122
9 shows
9 tapes
2019
305
PlaybackListensHours
48h387
7d12522
30d30551
16 shows
64 tapes
2018
195
PlaybackListensHours
48h265
7d71
30d19536
30 shows
74 tapes
2017
286
PlaybackListensHours
48h81
7d173
30d28647
30 shows
67 tapes
2016
264
PlaybackListensHours
48h264
7d294
30d26444
21 shows
79 tapes
2015
58
PlaybackListensHours
48h00m
7d92
30d589
12 shows
74 tapes
2014
933
PlaybackListensHours
48h220m
7d396
30d933133
41 shows
161 tapes
2013
385
PlaybackListensHours
48h174
7d12724
30d38565
42 shows
114 tapes
2012
403
PlaybackListensHours
48h589
7d519
30d40369
49 shows
104 tapes
2011
22
PlaybackListensHours
48h00m
7d749m
30d223
2 shows
14 tapes
2010
41
PlaybackListensHours
48h00m
7d00m
30d417
2 shows
2 tapes
2009
2
PlaybackListensHours
48h00m
7d00m
30d220m
1 show
1 tape
2008
560
PlaybackListensHours
48h12318
7d8912
30d56079
63 shows
255 tapes
2007
387
PlaybackListensHours
48h162
7d427
30d38763
36 shows
158 tapes
2006
843
PlaybackListensHours
48h274
7d9717
30d843141
38 shows
128 tapes
2005
315
PlaybackListensHours
48h91
7d396
30d31550
28 shows
109 tapes
2004
128
PlaybackListensHours
48h101
7d497
30d12818
4 shows
26 tapes
2003
378
PlaybackListensHours
48h7610
7d234
30d37856
22 shows
90 tapes
2002
1.9k
PlaybackListensHours
48h5910
7d12221
30d1.9k312
55 shows
234 tapes
2001
2k
PlaybackListensHours
48h23642
7d43566
30d2k339
77 shows
330 tapes
2000
1.1k
PlaybackListensHours
48h275
7d11519
30d1.1k193
77 shows
209 tapes
1999
4.5k
PlaybackListensHours
48h22948
7d579123
30d4.5k927
43 shows
194 tapes
1998
39
PlaybackListensHours
48h00m
7d00m
30d397
7 shows
15 tapes
1996
1
PlaybackListensHours
48h00m
7d00m
30d114m
1 show
2 tapes
1994
121
PlaybackListensHours
48h00m
7d121
30d12112
2 shows
9 tapes
1982
2
PlaybackListensHours
48h00m
7d00m
30d217m
1 show
1 tape
1976
89
PlaybackListensHours
48h211m
7d424
30d899
4 shows
5 tapes
1975
5
PlaybackListensHours
48h251m
7d00m
30d52
1 show
1 tape
1970
9
PlaybackListensHours
48h00m
7d00m
30d91
1 show
1 tape
1964
4
PlaybackListensHours
48h355m
7d124m
30d42
1 show
1 tape
1959
24
PlaybackListensHours
48h418m
7d29m
30d242
1 show
3 tapes
2015
9/16/15
T01 Tuning
1:24
T02 Sampson and Delilah
9:35
T03 Catfish John
8:14
T04 Hard to Handle
12:23
T05 Easy Wind
8:30
T06 West LA Fadeaway
11:31
T07 Candyman
10:10
T08 Big River
8:32
T09 Tuning
0:56
T10 He's Gone
13:21
T11 Next Time You See Me
7:47
T12 St. Stephen
15:41
T13 Lucy in the Sky With Diamonds
3:38
T14 Turn on Your Lovelight
11:32
T15 Sugaree
14:20
T16 Comes a Time
8:58
T17 Franklin's Tower
15:28
T18 Donor Rap
2:47
T19 Mr. Charlie
4:44
T20 US Blues
7:01
FIN
View on archive.org
Sources
Taper: Jon Pasternak
2:57:22
Rating:
10.00 / 3 ratings
Taper:
Jon Pasternak
SHNID:
plf2015-09-16.neumann.pasternak.flac2448
Source:
Neumann KM-150's > Oade M-248 > Edirol RA-09 > WAV 2448.
Lineage:
WAV 2448 > Wavelab > CD-Wave (24bit) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesMics on 7-foot stand, FOB, recording by Jon Pasternak.
Taper: Richie Stankiewicz
2:58:02
Taper:
Richie Stankiewicz
Transferrer:
Richie Stankiewicz
SHNID:
paf2015-09-16.134489.flac24
Source:
DPA 4021-Luni V2-Sd702-24/96
Taper: Jon Pasternak
2:57:22
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak
SHNID:
paf2015-09-16.134466.neumann.pasternak.flac2448
Source:
Neumann KM-150's > Oade M-248 > Edirol RA-09 > WAV 2448. Mics on 7-foot stand, FOB, recording by Jon Pasternak. WAV 2448 > Wavelab > CD-Wave (24bit) > TLH > FLAC 2448 tagged.
Taper: Mark McCue
2:51:12
Taper:
Mark McCue
Transferrer:
Transferred, edited and mastered by Alex Ford
SHNID:
plf2015-09-16.senn_e835.mccue.ford.flac24
Source:
MAC; Sennheiser e835s > Sony D5 > 2 x Maxell XLII S 100
Lineage:
Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 7.2.1> .wav @24/88.2> UAD-2(edit/mastering)> .wav@24/88.2> xAct> flac24(tags).
Taper Notes:
View NotesSHNID = <a href="http://db.etree.org/shn/134385" rel="nofollow">134385</a> - This is the 24 bit/88.2 kHz source. A 16 bit/44.1 kHz version also circulates. - Low end feedback from the PA was present during parts of set one and two. - * Tape flip patched using Neumann KM-150's source (thanks Jon and Andrew). Neal Casal - guitar, vocals Eric Krasno - guitar, vocals Tony Leone - drums Phil Lesh - bass, vocals Adam MacDougall - keyboard, vocals Chris Robinson - guitar, vocals
Taper: Noah Bickart
2:50:58
Taper:
Noah Bickart
Transferrer:
Noah Bickart
SHNID:
paf2015-09-16.134469.schoepsmk22.flac16
Source:
Location: FOB/DFC/~7' Lineage: Schoeps mk22 (mounted on Schoeps STC 22g Bar)> Vark KCY> Naiant PFA> Tascam Dr70d @ 24bit / 48kHz Transfer> SDHC Card> Sound Studio (Fades, Tracking, and Normilization)> iZotope (Sample conversion & Dither)> xact
Taper: Scott Bernstein
2:57:28
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
plaf2015-09-16.tlm170.flac16
Source:
FOB Audience
Lineage:
Neumann TLM170 (cardoids, FOB, center, about 40 feet from the stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 11 (clap/whistle/pop/yell hand scrubbing; volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings); Tracked in CDWav. IDv3 tagged in Tag&Rename 3.9.1
Taper Notes:
View Notes* = Blue Sky (Allman Brothers Band) teases @ 6:55 The band: Phil Lesh - bass/vocals Chris Robinson - vocals Neal Casal - guitar Eric Krasno - guitar Adam Macdougal - keyboards Tony Leone - drums I scrubbed a TON of claps, whistles, and yells from this recording as there were some very boisterous people around us. I scrubbed from: S1T2(17 claps), S1T3(65 claps, 2 yells), S1T4(32 claps, 3 yells), S1T5(65 claps, 3 yells), S1T6(77 claps, 1 yell), S1T7(62 claps, 4 whistles, 4 yells), S1T8(21 claps), S2T2(51 claps, 2 yells), S2T3(56 claps, 1 yell), S2T4(130 claps, 8 whistles, 2 yells), S2T5(8 claps, 3 whistles), S2T6(45 claps), S2T7(96 claps, 3 whistles), S2T8(127 claps, 1 pop, 2 yells), S2T9(29 claps, 2 yells, 2 whistles), S2T10(37 claps, 3 whistles), S2T11(20 claps), S2T12(10 claps), S2T13(28 claps), S2T14(73 claps, 1 yell) Recorded, mastered, tracked and posted by Scott Bernstein (9/19-10/13/2015). Yes, the clap/yell/whistle scrubbing took me weeks to get through on this one. There is a higher quality 24 bit version of this recording available at <a href="https://archive.org/details/plaf2015-09-16.tlm170.flac24" rel="nofollow">https://archive.org/details/plaf2015-09-16.tlm170.flac24</a> Follow me on Twitter to track my near-daily postings of FREE live music and concert photography: <a href="http://www.twitter.com/scott_bernstein" rel="nofollow">http://www.twitter.com/scott_bernstein</a> Or become a "fan" on Facebook here: <a href="https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451" rel="nofollow">https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451</a>
Taper: Mark McCue
2:51:12
Taper:
Mark McCue
Transferrer:
Transferred, edited and mastered by Alex Ford
SHNID:
plf2015-09-16.senn_e835.mccue.ford.sbeok.flac16
Source:
flac16; MAC; Sennheiser e835s > Sony D5 > 2 x Maxell XLII S 100
Lineage:
Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 7.2.1> .wav @24/88.2> UAD-2(edit/mastering)> .wav @24/88.2> Crystal Resampler/UV22HR> .wav @16/44.1> xAct> flac16(tags).
Taper Notes:
View NotesSHNID = <a href="http://db.etree.org/shn/134386" rel="nofollow">134386</a> - This is the 16 bit/44.1 kHz source. A 24 bit/88.2 kHz version also circulates. - Low end feedback from the PA was present during parts of set one and two. - * Tape flip patched using Neumann KM-150's source (thanks Jon and Andrew). Neal Casal - guitar, vocals Eric Krasno - guitar, vocals Tony Leone - drums Phil Lesh - bass, vocals Adam MacDougall - keyboard, vocals Chris Robinson - guitar, vocals
Taper: M. Laurentus
2:56:32
Taper:
M. Laurentus
Transferrer:
M. Laurentus
SHNID:
pf2015-09-16.NAKCM300s
Taper Notes:
View NotesPhil Lesh and Friends September 16, 2015 Central Park Summer Stage New York, N.Y. Source:Nakamichi CM300's CP1 Cardoid >Roland R26 Transfer:SD Card>PC>CD Wave>Trader's Little Helper>FLAC Taped and Transfered by M.Laurentus Official Taper Section Right of Soundboard on Stand 13' High.
Taper: M. Laurentus
2:56:32
Taper:
M. Laurentus
Transferrer:
M.Laurentus
SHNID:
pf2015-09-16.AUD
Source:
Audio Technica AT897's>AT8202(-10DB) >Roland R26
Lineage:
SD Card>PC>CD Wave>Trader's Little Helper>FLAC
Taper Notes:
View NotesPhil Lesh and Friends September 16, 2015 Central Park Summer Stage New York, N.Y. Source:Audio Technica AT897's>AT8202(-10DB) >Roland R26 Transfer:SD Card>PC>CD Wave>Trader's Little Helper>FLAC Taped and Transfered by M.Laurentus Official Taper Section Right of Soundboard on Stand 13' High.
Taper: Jon Pasternak
2:57:22
Taper:
Jon Pasternak
SHNID:
plf2015-09-16.neumann.pasternak.flac1644
Source:
Neumann KM-150's > Oade M-248 > Edirol RA-09 > WAV 2448.
Lineage:
WAV 2448 > Wavelab > CD-Wave (24bit) > R8Brain > TLH > FLAC 1644 tagged.
Taper Notes:
View NotesMics on 7-foot stand, FOB, recording by Jon Pasternak.