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Bands
Phil Lesh and Friends
Today In History
June 10th
1 show
4 tapes
Years
2025
144
PlaybackListensHours
48h142
7d213
30d14422
6 shows
12 tapes
2024
139
PlaybackListensHours
48h81
7d234
30d13923
10 shows
44 tapes
2023
193
PlaybackListensHours
48h227m
7d223
30d19333
14 shows
63 tapes
2022
333
PlaybackListensHours
48h142
7d418
30d33358
26 shows
115 tapes
2021
50
PlaybackListensHours
48h122
7d81
30d508
15 shows
90 tapes
2020
17
PlaybackListensHours
48h00m
7d00m
30d173
9 shows
9 tapes
2019
200
PlaybackListensHours
48h00m
7d234
30d20032
16 shows
64 tapes
2018
222
PlaybackListensHours
48h71
7d101
30d22240
30 shows
74 tapes
2017
290
PlaybackListensHours
48h558m
7d556m
30d29048
30 shows
67 tapes
2016
254
PlaybackListensHours
48h111m
7d335
30d25443
21 shows
79 tapes
2015
167
PlaybackListensHours
48h115m
7d172
30d16721
12 shows
74 tapes
2014
1.2k
PlaybackListensHours
48h341m
7d163
30d1.2k167
41 shows
161 tapes
2013
279
PlaybackListensHours
48h10720
7d688
30d27944
42 shows
114 tapes
2012
415
PlaybackListensHours
48h254
7d8815
30d41570
49 shows
104 tapes
2011
17
PlaybackListensHours
48h749m
7d00m
30d172
2 shows
14 tapes
2010
41
PlaybackListensHours
48h00m
7d00m
30d417
2 shows
2 tapes
2009
2
PlaybackListensHours
48h00m
7d00m
30d220m
1 show
1 tape
2008
766
PlaybackListensHours
48h355
7d314
30d766111
63 shows
255 tapes
2007
378
PlaybackListensHours
48h316
7d569
30d37861
36 shows
158 tapes
2006
798
PlaybackListensHours
48h366
7d15725
30d798132
38 shows
128 tapes
2005
412
PlaybackListensHours
48h183
7d519
30d41265
28 shows
109 tapes
2004
93
PlaybackListensHours
48h233
7d121
30d9314
4 shows
26 tapes
2003
423
PlaybackListensHours
48h122
7d7912
30d42362
22 shows
90 tapes
2002
2k
PlaybackListensHours
48h467
7d8914
30d2k318
55 shows
234 tapes
2001
1.8k
PlaybackListensHours
48h21732
7d27144
30d1.8k318
77 shows
330 tapes
2000
1.1k
PlaybackListensHours
48h589
7d20037
30d1.1k200
77 shows
209 tapes
1999
4.6k
PlaybackListensHours
48h28361
7d687138
30d4.6k953
43 shows
194 tapes
1998
56
PlaybackListensHours
48h00m
7d61
30d569
7 shows
15 tapes
1996
1
PlaybackListensHours
48h00m
7d00m
30d114m
1 show
2 tapes
1994
109
PlaybackListensHours
48h12m
7d161
30d10911
2 shows
9 tapes
1982
2
PlaybackListensHours
48h00m
7d00m
30d217m
1 show
1 tape
1976
48
PlaybackListensHours
48h00m
7d312m
30d485
4 shows
5 tapes
1975
8
PlaybackListensHours
48h00m
7d130m
30d84
1 show
1 tape
1970
24
PlaybackListensHours
48h00m
7d324m
30d243
1 show
1 tape
1964
4
PlaybackListensHours
48h124m
7d124m
30d42
1 show
1 tape
1959
26
PlaybackListensHours
48h29m
7d836m
30d262
1 show
3 tapes
2014
Sources
Taper: Freddie G
3:01:25
SBD
Taper:
Freddie G
Transferrer:
Freddie G
SHNID:
paf2014-11-08.131842.flac16
Source:
Microtech Gefel 210>Aeta PSP3>Marantz PMD 620 (right front corner of SBD)
Lineage:
Marantz PMD 620>PC>CD Wave>Traders Little Helper>Flac (Level 8)
Taper: Keith Litzenberger
3:02:38
Rating:
10.00 / 4 ratings
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
plf2014-11-08.schoepsMK41v.flac16
Source:
Schoeps MK41V's>VST62iu>SD788t
Lineage:
sd788t>sf11>CDWAV>FLAC
Taper Notes:
View NotesPhil Lesh & Friends The Capitol Theatre Port Chester, NY November 8, 2014 Phil Lesh,Neal Casal, Adam MacDougall, Eric Krasno, Joe Russo Schoeps MK41V's(immediately in front of right corner of soundboard)>KCY 250/05i>VST62iu>Sound Devices 788t (recorded @ 24Bit/96khz) SD788t>Sound Forge Pro 11 (Fades,iZotope 64 Bit SRC/iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC) Recorded By Keith Litzenberger
Taper: Steven Weld
3:04:37
Taper:
Steven Weld
Transferrer:
Steven Weld
SHNID:
plf2014-11-08.skm140.sunboy.flac24
Source:
Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz
Lineage:
SD722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>CD Wave v1.98>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner5.1, ffp & md5-TLH
Taper Notes:
View Notes*****24bit recording, not for CD burning****** Location: OTC, right of mixer, 45 ft from stage lip, 10+ft right of ctr, just under balcony overhang Mic config: DINa Kwonbar, Schoeps A20S shock, Large Manfrotto air-cushioned stand @ 10 ft, small screens Source: Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz Transfer, editing, mastering & conversion: Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner5.1, ffp & md5-TLH Notes: ~ S.F. 11.0(fade outs, iZotope mastering limiter +3.5db(s1), +2.6db(s2) to -0.15db) ~ ~ Apogee - soft limit on ~ ~ Recording, transfer, editing, mastering & conversion by Steven Weld [email protected] ~ ~ Many Thanks to Phil Lesh & crew & the kind Capitol Theatre staff & crew for allowing us to record and share the music ~
Taper: Jon Merin
3:04:34
Taper:
Jon Merin
Transferrer:
Jon Merin
SHNID:
plf2014-11-08.plf2014-11-08.24bit
Source:
Schoeps mk41(DINA) > kcy> Sonosax SX-M2/LS > Sony PCM-M10 (24/48)
Lineage:
Sony PCM-M10 > USB > CD Wave > Trader's Little Helper (level 8) > tagged using Foobar2000
Taper: Steve T
3:02:28
Taper:
Steve T
Transferrer:
Joe D'Amico
SHNID:
paf2014-11-08.131840.nak700.flac1644
Source:
Nak 700 Mics > Sony M-10 Sound Card > Adobe Audition CS6 > Ozone 5 > Traders Little Helper
Taper: Steven Weld
3:04:37
Taper:
Steven Weld
Transferrer:
Steven Weld
SHNID:
plf2014-11-08.skm140.sunboy.flac16
Source:
Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz
Lineage:
SD722 master file@24bit/48kHz>firewire>Sound Forge Pro 11.0>CD Wave v1.98>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner5.1, ffp & md5-TLH
Taper Notes:
View NotesLocation: OTC, right of mixer, 45 ft from stage lip, 10+ft right of ctr, just under balcony overhang Mic config: DINa Kwonbar, Schoeps A20S shock, Large Manfrotto air-cushioned stand @ 10 ft, small screens Source: Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz Transfer, editing, mastering & conversion: Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner5.1, ffp & md5-TLH Notes: ~ S.F. 11.0(fade outs, iZotope mastering limiter +3.5db(s1), +2.6db(s2) to -0.15db, resample(iZotope 64-bit SRC-highest quality w/ anti-alias filter) & dither(iZotope MBit+ advanced ultra dither to 44.1/16) ~ ~ Apogee - soft limit on ~ ~ Editing performed in 24bit/48kHz realm ~ ~ files numbered for CD burning ~ ~ discs 2 & 3 are seamless ~ ~ Recording, transfer, editing, mastering & conversion by Steven Weld [email protected] ~ ~ Many Thanks to Phil Lesh & crew & the kind Capitol Theatre staff & crew for allowing us to record and share the music ~
Taper: Jon Merin
3:04:33
Taper:
Jon Merin
Transferrer:
Jon Merin
SHNID:
plf2014-11-08
Source:
Schoeps mk41(DINA) > kcy> Sonosax SX-M2/LS > Sony PCM-M10 (24/48)
Lineage:
Sony PCM-M10 > USB > Wavelab(resample/dither) > CD Wave > Trader's Little Helper (level 8) > tagged using Foobar2000
Taper: Sunboy
3:04:37
Taper:
Sunboy
Transferrer:
Sunboy
SHNID:
paf2014-11-08.131817.skm140.sunboy.flac16
Source:
Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz
Lineage:
Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner5.1, ffp & md5-TLH
Taper Notes:
View NotesNotes: ~ S.F. 11.0(fade outs, iZotope mastering limiter +3.5db(s1), +2.6db(s2) to -0.15db, resample(iZotope 64-bit SRC-highest quality w/ anti-alias filter) & dither(iZotope MBit+ advanced ultra dither to 44.1/16) ~ ~ Apogee - soft limit on ~ ~ Editing performed in 24bit/48kHz realm ~ ~ files numbered for CD burning ~ ~ discs 2 & 3 are seamless ~ ~ Recording, transfer, editing, mastering & conversion by Steven Weld [email protected] ~ ~ Many Thanks to Phil Lesh & crew & the kind Capitol Theatre staff & crew for allowing us to record and share the music ~