Lady With A Fan > | 2012-11-17 | Phil Lesh and Friends

2:38:31

Taper:

Scott Bernstein

Transferrer:

Scott Bernstein

SHNID:

philandfriends2012-11-17.tlm170.flac16

Source:

Audience

Lineage:

Neumann TLM-170 (hypercardoids behind soundboard) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 10.0d (bass roll off; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; clap scrubbing); Tracked in CDWav. [Most of S1T1 patched with: Schoeps MK41's>VST62iu>Grace Design Lunatec V3>Sound Devices 744t (recorded at 24 Bit/48khz) - Recorded front and center of Official Taper's Section Behind Soundboard SD744t>Sound Forge Pro 10 (Fades, iZotope 64 Bit Sample Rate Conversion,Bit Sample Rate Conversion/iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV>Trader's Little Helper (FLAC) + additional bass rolloff to match the sound quality of my Neumann recording)

Taper Notes:

View NotesPhil Lesh - Bass, Vocals
John Kadlecik - Guitar, Vocals
Jackie Greene - Guitar, Keys (on 1 song), Vocals
Adam MacDougal - Keys
Joe Russo - Drums

I hand-scrubbed claps from the following tracks:  S1T2(1), S1T4(37), S1T5(2), S1T7(3), S2T3(6 claps+EQ to minimize one yell), S2T4(39), S2T5(6 + EQ to minimize one burst of feedback), S2T6(5), S2T7(17), S2T8(30), S2T9(12), S2T12(5 claps + EQ to minimize one spot of feedback) = 165 claps + EQ for 1 yell & 2 spots of feedback

* = The first 5:06 of this track is patched in from this recording (which was most pleasing to my ears, but the taper was not identified):  Schoeps MK41's>VST62iu>Grace Design Lunatec V3>Sound Devices 744t (recorded at 24 Bit/48khz) - Recorded front and center of Official Taper's Section Behind Soundboard SD744t>Sound Forge Pro 10 (Fades, iZotope 64 Bit Sample Rate Conversion,Bit Sample Rate Conversion/iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV>Trader's Little Helper (FLAC); grabbed from this location:  <a href="http://archive.org/details/plf2012-11-17.schoepsmk41.flac16" rel="nofollow">http://archive.org/details/plf2012-11-17.schoepsmk41.flac16</a>.  I also applied some bass rolloff to this recording to make it sound more like mine.

I rarely like to EQ my own recordings, but after listening to the poor, bassy result of the location that the venue put us in for this recording, I decided to apply a little bass rolloff to my master.

Recorded, tracked, and posted by Scott Bernstein (12/3-9/2012)

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