2005
Bands
Featured
Bands
Phil Lesh and Friends
Today In History
June 16th
3 shows
5 tapes
Years
2025
153
PlaybackListensHours
48h294
7d374
30d15321
6 shows
12 tapes
2024
118
PlaybackListensHours
48h430m
7d112
30d11820
10 shows
44 tapes
2023
169
PlaybackListensHours
48h552m
7d224
30d16929
14 shows
63 tapes
2022
473
PlaybackListensHours
48h112
7d19034
30d47381
26 shows
115 tapes
2021
65
PlaybackListensHours
48h00m
7d193
30d6510
15 shows
90 tapes
2020
3
PlaybackListensHours
48h00m
7d00m
30d325m
9 shows
9 tapes
2019
337
PlaybackListensHours
48h407
7d16829
30d33757
16 shows
64 tapes
2018
213
PlaybackListensHours
48h213
7d367
30d21340
30 shows
74 tapes
2017
285
PlaybackListensHours
48h71
7d193
30d28547
30 shows
67 tapes
2016
291
PlaybackListensHours
48h10617
7d6311
30d29150
21 shows
79 tapes
2015
58
PlaybackListensHours
48h102
7d92
30d589
12 shows
74 tapes
2014
859
PlaybackListensHours
48h61
7d406
30d859122
41 shows
161 tapes
2013
403
PlaybackListensHours
48h316
7d8517
30d40369
42 shows
114 tapes
2012
423
PlaybackListensHours
48h447
7d9416
30d42372
49 shows
104 tapes
2011
22
PlaybackListensHours
48h00m
7d00m
30d223
2 shows
14 tapes
2010
41
PlaybackListensHours
48h00m
7d00m
30d417
2 shows
2 tapes
2009
2
PlaybackListensHours
48h00m
7d00m
30d220m
1 show
1 tape
2008
645
PlaybackListensHours
48h487
7d20328
30d64592
63 shows
255 tapes
2007
403
PlaybackListensHours
48h214
7d437
30d40365
36 shows
158 tapes
2006
867
PlaybackListensHours
48h529
7d11219
30d867145
38 shows
128 tapes
2005
312
PlaybackListensHours
48h653m
7d335
30d31250
28 shows
109 tapes
2004
137
PlaybackListensHours
48h00m
7d547
30d13719
4 shows
26 tapes
2003
383
PlaybackListensHours
48h517
7d9813
30d38358
22 shows
90 tapes
2002
2k
PlaybackListensHours
48h599
7d15027
30d2k319
55 shows
234 tapes
2001
2.1k
PlaybackListensHours
48h15128
7d629101
30d2.1k362
77 shows
330 tapes
2000
1.1k
PlaybackListensHours
48h346
7d12822
30d1.1k196
77 shows
209 tapes
1999
4.5k
PlaybackListensHours
48h20644
7d727153
30d4.5k930
43 shows
194 tapes
1998
38
PlaybackListensHours
48h00m
7d00m
30d386
7 shows
15 tapes
1996
1
PlaybackListensHours
48h00m
7d00m
30d114m
1 show
2 tapes
1994
121
PlaybackListensHours
48h632m
7d121
30d12112
2 shows
9 tapes
1982
2
PlaybackListensHours
48h00m
7d00m
30d217m
1 show
1 tape
1976
66
PlaybackListensHours
48h14m
7d323
30d667
4 shows
5 tapes
1975
7
PlaybackListensHours
48h251m
7d251m
30d73
1 show
1 tape
1970
9
PlaybackListensHours
48h00m
7d00m
30d91
1 show
1 tape
1964
7
PlaybackListensHours
48h00m
7d41
30d73
1 show
1 tape
1959
27
PlaybackListensHours
48h00m
7d418m
30d272
1 show
3 tapes
2005
Sources
Taper: Sanjay Suchak
2:59:30
Rating:
9.14 / 7 ratings
Taper:
Sanjay Suchak
Transferrer:
Bill Sakoda, Chuck Sakoda, Ben Scott-Killian
SHNID:
plf2005-12-03.mbhoedit.kvsms.31841.sbeok.flacf
Source:
SoundForge 8.0 REMIX of Sanjay Suchak Source: MBHO 603a/KA200N > Shure FP-24 > JB3 (see notes)
Taper Notes:
View NotesPhil Lesh & Friends 2005-12-03 Shea's Performing Arts Center Buffalo, NY -------------------------------------------------------- This presentation is based on Sanjay's MBHO Loge Source (pf2005-12-03.mbho603.torrent). We feel that source is notable for capturing the live experience; stable soundstage; and remarkable instrument nuance and detail. This remix targets re-establishing >live sonics< from the stealth-mode recording, using what we heard at T2,4,6,8 [8 rows under the balcony, just right of center] as reference. Key engineering decisions in any presentation are in part subjective judgement calls. We hope you like this tape - and also every other version of this wonderful, magical show. LINEAGE Quoting from Sanjay's description: Recorded from the very front of the balcony in the center, hope you all like it. Phil Lesh & Friends December 3, 2005 Shea's Performing Arts Center Buffalo, NY Source: MBHO 603a/KA200N > Shure FP-24 > JB3 Location: Loge Section 4, Row C (3rd row center loge) Transfer: JB3 > Powerbook G4 > Sound Studio > .wav > xACT > .flac Taper: Sanjay Suchak ([email protected]) ********************************************************************************* ***Please don't trade or upload .mp3 or other lossy formats of this show**** ********************************************************************************* (End Quote) ---> Remixed 12/8/2005 to produce this version. Engineering Notes below. LAYOUT Start Length file Disc 1 ------ 1. Dire Wolf 00:00:00:00 00:05:14:40 pf2005-12-03skw-d1t01.wav 2. Big Railroad Blues 00:05:16:40 00:08:52:52 pf2005-12-03skw-d1t02.wav 3. Mr.Charlie 00:14:09:17 00:07:08:72 pf2005-12-03skw-d1t03.wav 4. Eagles On the Highway 00:21:18:14 00:15:12:64 pf2005-12-03skw-d1t04.wav 5. Wicked Messenger > Jam (Merry Gentlemen 00:36:31:03 00:09:02:19 pf2005-12-03skw-d1t05.wav Tease) > 6. Candyman 00:45:33:22 00:07:58:07 pf2005-12-03skw-d1t06.wav 7. Casey Jones 00:53:31:29 00:06:39:01 pf2005-12-03skw-d1t07.wav Disc 2 ------ 1.Space > 00:00:00:00 00:04:05:10 pf2005-12-03skw-d2t01.wav 2.Shakedown > Jam > 00:04:05:10 00:17:58:30 pf2005-12-03skw-d2t02.wav 3.Althea 00:22:03:40 00:08:11:72 pf2005-12-03skw-d2t03.wav 4.New Speedway Boogie > Fire > Jam > 00:30:15:37 00:25:03:38 pf2005-12-03skw-d2t04.wav 5.Fire 00:55:19:00 00:07:49:40 pf2005-12-03skw-d2t05.wav Disc 3 ----- 1. Cowboy Movie > 00:00:00:00 00:08:16:42 pf2005-12-03skw-d3t01.wav 2. The Other One > 00:08:16:42 00:10:52:37 pf2005-12-03skw-d3t02.wav 3. Lovelight > 00:19:09:04 00:09:52:47 pf2005-12-03skw-d3t03.wav 4. Franklin's Tower 00:29:01:51 00:16:12:73 pf2005-12-03skw-d3t04.wav 5. Donor Rap / Intros 00:45:14:49 00:02:55:70 pf2005-12-03skw-d3t05.wav 6. Bertha 00:48:10:44 00:08:10:54 pf2005-12-03skw-d3t06.wav ENGINEERING NOTES Primary: 1) Source: Sanjay's MBHO Loge Source (pf2005-12-03.mbho603.torrent). 2) Toolset: Sony SoundForge 8.0; Sonalksis DQ-1 plug-in. High (quality 4) on all bitrate/sampling. 3) -> 24 bits at 44.1 4) -> 96KHz 5) Pan: -9.7% Left / +9.7% right 6) Sonalksis DQ1 dynamics processing (settings are below in Appendix A) 7) -> 44.1 8) -> 16 bits (Triangular High-Pass with High-pass noise shaping) Secondary: d2t04: Rhythmic claps close to the mics were processed where they dominated the power spectrum: 87 instances were manually marked as ~2ms regions; compression (Sony Multiband Dynamics) centered 1.8KHz applied. Enjoy! Bill Sakoda mix engineering 12/10/2005 [email protected] Chuck Sakoda Ben Scott-Killian _________________ _________________ Appendix A: Sonalksis DQ1 settings Sonalksis DQ-1 settings for KvSms rendering of Phil and Friends, Buffalo 12-03-2005 -----------------------------------------------------------------------------------_ Overall: Gain -1.3db Bank 1 low Thresh: -45.3 high : -16.4 Q 1.70, Low shelf, 104Hz, Att: 4.0ms, Rel: 221ms Gain: -9.4 Low; -4.7 High; Dynamic _______________ Bank 2 low Thresh: -44.3 high : -13.8 Q 1.49, Notch, 1.94KHz, Att: 4.0ms, Rel: 360ms Gain: -0.5 Low; 9.2 High; Dynamic ________________ Bank 3 low Thresh: -46.2 high : -15.1 Q 1.19, Notch, 4.07KHz, Att: 5.5ms, Rel: 160ms Gain: 0.0 Low; 8.4 High; Dynamic ________________ Bank 4 low Thresh: -46.5 high : -15.1 Q .72, High shelf, 6.93KHz, Att: 4.0ms, Rel: 121ms Gain: -1.3 Low; 8.5 High; Dynamic __________________________ end
Taper: Tim Burke
2:59:19
Taper:
Tim Burke
Transferrer:
Tim Burke
SHNID:
phil2005-12-03.MGm20.burke.flac16
Source:
Microtech Gefell M20 > JK Labs ECMS-23 > Oade W+ mod UA5 > Nomad Jukebox 3
Lineage:
Nomad Jukebox 3 > IBM ThinkPad T41
Taper Notes:
View NotesRecordist : Tim Burke - [email protected] Location : Centered, Orchestra, Section 3, Row N, Seat 107, ~40' from stage lip Mic Config : ~18 cm, 90º Source : Microtech Gefell M20 > JK Labs ECMS-23 > Oade W+ mod UA5 > Nomad Jukebox 3 Recorded Format : 16 bit, 44.1 kHz Conversion : Nomad Jukebox 3 > IBM ThinkPad T41 Editing : none Dither : none Final Format : 16 bit, 44.1 kHz Tracking : CD Wave Compression : FLAC Frontend, Level 6 Conversion, tracking and FLAC compression performed by Tim Burke on December 9, 2005. Notes: * with "God Rest Ye Merry Gentlemen" tease ** At approximately the 14:00 minute mark of d2t02 venue security tries shutting us down for running FOB, outside of the OTS. The Jam out of Shakedown and all of Althea is merely background music to the verbal altercation which ensues, during which I un-clamped my mics from the stand and discreetly hand held them while security ordered the taper in the seat next to me to dismantle his equipment. Two out of our four recordists were forced to tear down at that time, but the other taper and I were able to hand hold our mics, chest high, for the remainder of the second set. Unfortunately, he had to stop his recorder at one point, so my recording is the only one without any cuts available from our location. As of February 20, 2006 this is the only Orchestra FOB recording in circulation. Personnel: Phil Lesh - bass, vocals John Molo - drums Chris Robinson - acoustic guitar, vocals John Scofield - guitar Mookie Siegel - keyboards Barry Sless - guitar, pedal steel