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Phil Lesh and Friends
Today In History
June 10th
1 show
4 tapes
Years
2025
144
PlaybackListensHours
48h142
7d294
30d14422
6 shows
12 tapes
2024
139
PlaybackListensHours
48h81
7d244
30d13923
10 shows
44 tapes
2023
205
PlaybackListensHours
48h102
7d234
30d20535
14 shows
63 tapes
2022
341
PlaybackListensHours
48h102
7d6512
30d34159
26 shows
115 tapes
2021
50
PlaybackListensHours
48h122
7d81
30d508
15 shows
90 tapes
2020
23
PlaybackListensHours
48h00m
7d00m
30d234
9 shows
9 tapes
2019
204
PlaybackListensHours
48h00m
7d366
30d20433
16 shows
64 tapes
2018
222
PlaybackListensHours
48h00m
7d152
30d22240
30 shows
74 tapes
2017
290
PlaybackListensHours
48h61
7d61
30d29048
30 shows
67 tapes
2016
254
PlaybackListensHours
48h00m
7d427
30d25443
21 shows
79 tapes
2015
168
PlaybackListensHours
48h115m
7d172
30d16821
12 shows
74 tapes
2014
1.2k
PlaybackListensHours
48h118m
7d346
30d1.2k169
41 shows
161 tapes
2013
283
PlaybackListensHours
48h12221
7d14621
30d28345
42 shows
114 tapes
2012
447
PlaybackListensHours
48h5610
7d8815
30d44775
49 shows
104 tapes
2011
17
PlaybackListensHours
48h749m
7d00m
30d172
2 shows
14 tapes
2010
41
PlaybackListensHours
48h00m
7d00m
30d417
2 shows
2 tapes
2009
2
PlaybackListensHours
48h00m
7d00m
30d220m
1 show
1 tape
2008
784
PlaybackListensHours
48h152
7d588
30d784113
63 shows
255 tapes
2007
403
PlaybackListensHours
48h346
7d9815
30d40365
36 shows
158 tapes
2006
802
PlaybackListensHours
48h6110
7d18029
30d802133
38 shows
128 tapes
2005
412
PlaybackListensHours
48h254
7d539
30d41265
28 shows
109 tapes
2004
105
PlaybackListensHours
48h193
7d142
30d10516
4 shows
26 tapes
2003
440
PlaybackListensHours
48h132
7d8213
30d44065
22 shows
90 tapes
2002
2k
PlaybackListensHours
48h446
7d12620
30d2k325
55 shows
234 tapes
2001
1.8k
PlaybackListensHours
48h10417
7d30751
30d1.8k326
77 shows
330 tapes
2000
1.1k
PlaybackListensHours
48h346
7d23143
30d1.1k203
77 shows
209 tapes
1999
4.7k
PlaybackListensHours
48h19341
7d956193
30d4.7k977
43 shows
194 tapes
1998
57
PlaybackListensHours
48h00m
7d71
30d5710
7 shows
15 tapes
1996
1
PlaybackListensHours
48h00m
7d00m
30d114m
1 show
2 tapes
1994
112
PlaybackListensHours
48h210m
7d161
30d11211
2 shows
9 tapes
1982
2
PlaybackListensHours
48h00m
7d00m
30d217m
1 show
1 tape
1976
48
PlaybackListensHours
48h152
7d312m
30d485
4 shows
5 tapes
1975
8
PlaybackListensHours
48h00m
7d130m
30d84
1 show
1 tape
1970
24
PlaybackListensHours
48h00m
7d757m
30d243
1 show
1 tape
1964
4
PlaybackListensHours
48h00m
7d247m
30d42
1 show
1 tape
1959
26
PlaybackListensHours
48h836m
7d836m
30d262
1 show
3 tapes
2005
Sources
Source 1 of 5
2:59:45
SBD
Rating:
8.89 / 27 ratings
SHNID:
pf2005-12-03_dsbd.flac16
Source:
DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard)
Taper Notes:
View NotesThe Band: Phil Lesh, Chris Robinson (vocals, guitar) John Scofield (guitar) John Molo (drums), Mookie Siegel (keys) Barry Sless (guitar+pedalsteel) Mixed and mastered by Wiz CD covers can be found at www.phillesh.net Big thanks to all the mirror sites! Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard)
Taper: Dan Nolan Jr. - spyder9
2:59:31
Rating:
8.67 / 3 ratings
Taper:
Dan Nolan Jr. - spyder9
Transferrer:
Dan Nolan Jr. - spyder9
SHNID:
plf2005-12-03.akg.spyder9.31933.sbeok.flac16
Source:
AKG C480b (CK63) > Edirol UA-5 (BM2) > Nomad Jukebox 3
Lineage:
Mastering: WAV > Adobe Audition 1.5 > WAV > Totalrecorder 5.3 > WAV > Flac Frontend 1.7.1 > FLAC
Taper Notes:
View NotesPhil Lesh, Chris Robinson (vocals, guitar) John Scofield (guitar) John Molo (drums), Mookie Siegel (keys) Barry Sless (guitar+pedalsteel) Source: AKG C480b (CK63) > Edirol UA-5 (BM2) > Nomad Jukebox 3 Mastering: WAV > Adobe Audition 1.5 > WAV > Totalrecorder 5.3 > WAV > Flac Frontend 1.7.1 > FLAC Taped, transferred, & edited by Spyder9
Taper: Sanjay Suchak
2:59:30
Rating:
9.14 / 7 ratings
Taper:
Sanjay Suchak
Transferrer:
Bill Sakoda, Chuck Sakoda, Ben Scott-Killian
SHNID:
plf2005-12-03.mbhoedit.kvsms.31841.sbeok.flacf
Source:
SoundForge 8.0 REMIX of Sanjay Suchak Source: MBHO 603a/KA200N > Shure FP-24 > JB3 (see notes)
Taper Notes:
View NotesPhil Lesh & Friends 2005-12-03 Shea's Performing Arts Center Buffalo, NY -------------------------------------------------------- This presentation is based on Sanjay's MBHO Loge Source (pf2005-12-03.mbho603.torrent). We feel that source is notable for capturing the live experience; stable soundstage; and remarkable instrument nuance and detail. This remix targets re-establishing >live sonics< from the stealth-mode recording, using what we heard at T2,4,6,8 [8 rows under the balcony, just right of center] as reference. Key engineering decisions in any presentation are in part subjective judgement calls. We hope you like this tape - and also every other version of this wonderful, magical show. LINEAGE Quoting from Sanjay's description: Recorded from the very front of the balcony in the center, hope you all like it. Phil Lesh & Friends December 3, 2005 Shea's Performing Arts Center Buffalo, NY Source: MBHO 603a/KA200N > Shure FP-24 > JB3 Location: Loge Section 4, Row C (3rd row center loge) Transfer: JB3 > Powerbook G4 > Sound Studio > .wav > xACT > .flac Taper: Sanjay Suchak ([email protected]) ********************************************************************************* ***Please don't trade or upload .mp3 or other lossy formats of this show**** ********************************************************************************* (End Quote) ---> Remixed 12/8/2005 to produce this version. Engineering Notes below. LAYOUT Start Length file Disc 1 ------ 1. Dire Wolf 00:00:00:00 00:05:14:40 pf2005-12-03skw-d1t01.wav 2. Big Railroad Blues 00:05:16:40 00:08:52:52 pf2005-12-03skw-d1t02.wav 3. Mr.Charlie 00:14:09:17 00:07:08:72 pf2005-12-03skw-d1t03.wav 4. Eagles On the Highway 00:21:18:14 00:15:12:64 pf2005-12-03skw-d1t04.wav 5. Wicked Messenger > Jam (Merry Gentlemen 00:36:31:03 00:09:02:19 pf2005-12-03skw-d1t05.wav Tease) > 6. Candyman 00:45:33:22 00:07:58:07 pf2005-12-03skw-d1t06.wav 7. Casey Jones 00:53:31:29 00:06:39:01 pf2005-12-03skw-d1t07.wav Disc 2 ------ 1.Space > 00:00:00:00 00:04:05:10 pf2005-12-03skw-d2t01.wav 2.Shakedown > Jam > 00:04:05:10 00:17:58:30 pf2005-12-03skw-d2t02.wav 3.Althea 00:22:03:40 00:08:11:72 pf2005-12-03skw-d2t03.wav 4.New Speedway Boogie > Fire > Jam > 00:30:15:37 00:25:03:38 pf2005-12-03skw-d2t04.wav 5.Fire 00:55:19:00 00:07:49:40 pf2005-12-03skw-d2t05.wav Disc 3 ----- 1. Cowboy Movie > 00:00:00:00 00:08:16:42 pf2005-12-03skw-d3t01.wav 2. The Other One > 00:08:16:42 00:10:52:37 pf2005-12-03skw-d3t02.wav 3. Lovelight > 00:19:09:04 00:09:52:47 pf2005-12-03skw-d3t03.wav 4. Franklin's Tower 00:29:01:51 00:16:12:73 pf2005-12-03skw-d3t04.wav 5. Donor Rap / Intros 00:45:14:49 00:02:55:70 pf2005-12-03skw-d3t05.wav 6. Bertha 00:48:10:44 00:08:10:54 pf2005-12-03skw-d3t06.wav ENGINEERING NOTES Primary: 1) Source: Sanjay's MBHO Loge Source (pf2005-12-03.mbho603.torrent). 2) Toolset: Sony SoundForge 8.0; Sonalksis DQ-1 plug-in. High (quality 4) on all bitrate/sampling. 3) -> 24 bits at 44.1 4) -> 96KHz 5) Pan: -9.7% Left / +9.7% right 6) Sonalksis DQ1 dynamics processing (settings are below in Appendix A) 7) -> 44.1 8) -> 16 bits (Triangular High-Pass with High-pass noise shaping) Secondary: d2t04: Rhythmic claps close to the mics were processed where they dominated the power spectrum: 87 instances were manually marked as ~2ms regions; compression (Sony Multiband Dynamics) centered 1.8KHz applied. Enjoy! Bill Sakoda mix engineering 12/10/2005 [email protected] Chuck Sakoda Ben Scott-Killian _________________ _________________ Appendix A: Sonalksis DQ1 settings Sonalksis DQ-1 settings for KvSms rendering of Phil and Friends, Buffalo 12-03-2005 -----------------------------------------------------------------------------------_ Overall: Gain -1.3db Bank 1 low Thresh: -45.3 high : -16.4 Q 1.70, Low shelf, 104Hz, Att: 4.0ms, Rel: 221ms Gain: -9.4 Low; -4.7 High; Dynamic _______________ Bank 2 low Thresh: -44.3 high : -13.8 Q 1.49, Notch, 1.94KHz, Att: 4.0ms, Rel: 360ms Gain: -0.5 Low; 9.2 High; Dynamic ________________ Bank 3 low Thresh: -46.2 high : -15.1 Q 1.19, Notch, 4.07KHz, Att: 5.5ms, Rel: 160ms Gain: 0.0 Low; 8.4 High; Dynamic ________________ Bank 4 low Thresh: -46.5 high : -15.1 Q .72, High shelf, 6.93KHz, Att: 4.0ms, Rel: 121ms Gain: -1.3 Low; 8.5 High; Dynamic __________________________ end
Taper: Sanjay Suchak
2:59:30
Taper:
Sanjay Suchak
SHNID:
paf2005-12-03.mbho603.suchak.31814.flac16
Source:
MBHO 603a/KA200N > Shure FP-24 > JB3
Lineage:
JB3 > Powerbook G4 > Sound Studio > .wav > xACT > .flac
Taper Notes:
View Notes- Taped from the Loge, not the taper section which was underneath the balcony on the left side. - Mics were run at head height on a stand in a stealth situation. - Phil Lesh and Friends for this show was: Phil Lesh, John Molo, Mookie Seigel, Barry Sless, Chris Robinson, and John Scofield
Taper: Tim Burke
2:59:19
Taper:
Tim Burke
Transferrer:
Tim Burke
SHNID:
phil2005-12-03.MGm20.burke.flac16
Source:
Microtech Gefell M20 > JK Labs ECMS-23 > Oade W+ mod UA5 > Nomad Jukebox 3
Lineage:
Nomad Jukebox 3 > IBM ThinkPad T41
Taper Notes:
View NotesRecordist : Tim Burke - [email protected] Location : Centered, Orchestra, Section 3, Row N, Seat 107, ~40' from stage lip Mic Config : ~18 cm, 90º Source : Microtech Gefell M20 > JK Labs ECMS-23 > Oade W+ mod UA5 > Nomad Jukebox 3 Recorded Format : 16 bit, 44.1 kHz Conversion : Nomad Jukebox 3 > IBM ThinkPad T41 Editing : none Dither : none Final Format : 16 bit, 44.1 kHz Tracking : CD Wave Compression : FLAC Frontend, Level 6 Conversion, tracking and FLAC compression performed by Tim Burke on December 9, 2005. Notes: * with "God Rest Ye Merry Gentlemen" tease ** At approximately the 14:00 minute mark of d2t02 venue security tries shutting us down for running FOB, outside of the OTS. The Jam out of Shakedown and all of Althea is merely background music to the verbal altercation which ensues, during which I un-clamped my mics from the stand and discreetly hand held them while security ordered the taper in the seat next to me to dismantle his equipment. Two out of our four recordists were forced to tear down at that time, but the other taper and I were able to hand hold our mics, chest high, for the remainder of the second set. Unfortunately, he had to stop his recorder at one point, so my recording is the only one without any cuts available from our location. As of February 20, 2006 this is the only Orchestra FOB recording in circulation. Personnel: Phil Lesh - bass, vocals John Molo - drums Chris Robinson - acoustic guitar, vocals John Scofield - guitar Mookie Siegel - keyboards Barry Sless - guitar, pedal steel