RELISTENTOPhil Lesh and Friends
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Phil Lesh and Friends
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Today In History
June 11th
2 shows
8 tapes
Years
2025
151
PlaybackListensHours
48h746m
7d283
30d15123
6 shows
12 tapes
2024
140
PlaybackListensHours
48h81
7d244
30d14023
10 shows
44 tapes
2023
194
PlaybackListensHours
48h112m
7d234
30d19433
14 shows
63 tapes
2022
339
PlaybackListensHours
48h448
7d479
30d33959
26 shows
115 tapes
2021
58
PlaybackListensHours
48h558m
7d162
30d5810
15 shows
90 tapes
2020
17
PlaybackListensHours
48h00m
7d00m
30d173
9 shows
9 tapes
2019
200
PlaybackListensHours
48h557m
7d234
30d20032
16 shows
64 tapes
2018
222
PlaybackListensHours
48h71
7d101
30d22240
30 shows
74 tapes
2017
296
PlaybackListensHours
48h112m
7d112
30d29649
30 shows
67 tapes
2016
254
PlaybackListensHours
48h111m
7d335
30d25443
21 shows
79 tapes
2015
167
PlaybackListensHours
48h337m
7d172
30d16721
12 shows
74 tapes
2014
1.2k
PlaybackListensHours
48h341m
7d173
30d1.2k167
41 shows
161 tapes
2013
339
PlaybackListensHours
48h8315
7d12819
30d33955
42 shows
114 tapes
2012
430
PlaybackListensHours
48h285
7d10317
30d43073
49 shows
104 tapes
2011
24
PlaybackListensHours
48h00m
7d749m
30d243
2 shows
14 tapes
2010
41
PlaybackListensHours
48h00m
7d00m
30d417
2 shows
2 tapes
2009
2
PlaybackListensHours
48h00m
7d00m
30d220m
1 show
1 tape
2008
776
PlaybackListensHours
48h476
7d416
30d776112
63 shows
255 tapes
2007
393
PlaybackListensHours
48h296
7d7112
30d39364
36 shows
158 tapes
2006
810
PlaybackListensHours
48h295
7d16927
30d810134
38 shows
128 tapes
2005
429
PlaybackListensHours
48h183
7d6811
30d42967
28 shows
109 tapes
2004
98
PlaybackListensHours
48h233
7d172
30d9815
4 shows
26 tapes
2003
434
PlaybackListensHours
48h101
7d9014
30d43464
22 shows
90 tapes
2002
2k
PlaybackListensHours
48h417
7d12018
30d2k323
55 shows
234 tapes
2001
1.8k
PlaybackListensHours
48h25637
7d32053
30d1.8k327
77 shows
330 tapes
2000
1.1k
PlaybackListensHours
48h558
7d21840
30d1.1k202
77 shows
209 tapes
1999
4.7k
PlaybackListensHours
48h28661
7d789160
30d4.7k975
43 shows
194 tapes
1998
56
PlaybackListensHours
48h00m
7d61
30d569
7 shows
15 tapes
1996
1
PlaybackListensHours
48h00m
7d00m
30d114m
1 show
2 tapes
1994
109
PlaybackListensHours
48h415m
7d161
30d10911
2 shows
9 tapes
1982
2
PlaybackListensHours
48h00m
7d00m
30d217m
1 show
1 tape
1976
60
PlaybackListensHours
48h00m
7d152
30d606
4 shows
5 tapes
1975
8
PlaybackListensHours
48h00m
7d130m
30d84
1 show
1 tape
1970
24
PlaybackListensHours
48h00m
7d324m
30d243
1 show
1 tape
1964
4
PlaybackListensHours
48h124m
7d124m
30d42
1 show
1 tape
1959
28
PlaybackListensHours
48h29m
7d1045m
30d282
1 show
3 tapes
1982
4/21/82
Day One #1 (08:28)
8:29
Day One #2 (34:20)
34:21
Discussion (02:58)
2:59
FIN
View on archive.org
Sources
Taper: Alan Bershaw
45:49
Rating:
8.00 / 2 ratings
Taper:
Alan Bershaw
Transferrer:
Alan Bershaw
SHNID:
paf1982-04-21.150689.studio.bershaw.flac16
Source:
J.K. Randall's master cassette -> cassette -> Alan Bershaw's 2nd generation cassette (Maxell XL2-S with Dolby B)
Lineage:
2nd generation cassette (Maxell XL2-S with Dolby B) -> Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda -> Logic (tracking only) -> wav 16/44.1 -> xAct (sbe correction) -> wav -> flac (transferred by Alan Bershaw on October 12, 2020)
Taper Notes:
View NotesPERSONNEL: Phil Lesh - processed bass, synthesized sounds and electronics, percussion, whistles, vocal sounds, unidentified noisemakers and instruments James. K. Randall - synthesized sounds and electronics, percussion, vocal sounds, unidentified noisemakers and instruments Marjorie Tichenor - piano, synthesized sounds and electronics, percussion, vocal sounds, footsteps, unidentified noisemakers and instruments NOTES: Hopefully somebody out there knows a lot more about these sessions than I do, and can possibly clue us in once I get them circulating. But first, some context, and what I do know. At the tail end of the Dead’s east coast tour in April of 1982, Phil Lesh contributed a memorable “Barbary Coast” recitation (AKA Earthquake Space) to the April 18th show here in Hartford, CT. At the April 19th Baltimore show on the following night, he recited the opening line of the poem "Paul Clifford" and fragments of Edgar Allen Poe’s “The Raven” during the space sequence following drums, right before the band took a month off from touring. Highly unusual to have vocals at all during this part of the Dead's performances and a wonderfully weird way to end that tour - with Lesh clearly leading the way. Immediately after those shows, Lesh headed to the home of J.K. Randall in Princeton, New Jersey. For those unfamiliar with him, Randall was an American composer, music theorist, and early adopter of electronic music. He joined the faculty of Princeton in 1957 and at the time of his death (and Lesh’s visit) was Professor of Music Emeritus. At Princeton, he became a pioneer in electronic music during the embryonic computer days of punch cards. Later, he did a great deal of improvisation, then late in life came back to composing for piano and MIDI. His music was primarily heard in academic circles by music scholars and theorists, but occasionally reached a wider audience. Over the course of several days, Lesh ventured into experimental “new music” with Randall and two of his cohorts, electronic music composer/music theorist Ben Boretz and pianist/writer/music theorist Marjorie Tichenor. They recorded in various configurations during the course of this visit. These recordings are very good quality, but they’ll only appeal to the most avid Lesh collectors or fans of experimental music - and maybe the small contingency of Deadheads that appreciated Lesh & Ned Lagin’s “Seastones” album, although they bear few similarities to that project. They are primarily much longer totally improvised pieces, ranging from half an hour to well over an hour each. The transfers were unproblematic, but because these tapes were in deep storage and unplayed for nearly 35 years, they do suffer from minor bleed-through, which is audible during sparse quieter sequences. The instrumentation ranges from synthesized electronic sounds and familiar instruments (like piano, wind instruments and percussion), to an extremely unusual all-vocal sequence (with Marjorie Tichenor leading the way) that may be one of the weirdest and most unselfconscious improvisations ever committed to tape. Think Zappa's brief vocal interludes of snorts, grunts and the like, on steroids… As far as I know, these recordings have never circulated beyond a handful of friends and I cannot for the life of me remember who gave them to me - beyond that it must have been in the early to mid 1980s, not too long after they happened. I did check the J.K. Randall tape archive inventory at Princeton, and they are not to be found there. Also not listed among any of the recordings that Randall or Boretz ever issued. The track titles are simply descriptive of the order in which they were recorded and are not according to any official notation. The actual tapes had very little information beyond the dates and personnel. Likewise, the instrumentation attributed to each of the musicians are just my educated guesses and not definitive. Because I'm currently swamped with client projects between now and the holidays, it will likely be awhile before I can get to transferring the remaining tapes from April 22nd and 23rd. I'll do my best to get these additional recordings circulating before the end of the year, but it may have to wait until January. In the meantime, here are the recordings from day one of these unusual sessions to get the ball rolling. If anyone is better educated about these sessions, please clue us in! -Alan Bershaw (October 2020)