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Peter Mulvey
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Today In History
June 16th
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2004
SBD
12/10
College Coffeehouse
Fairbanks, AK
1:43:59
1
tape
6/25
SBD
Freight & Salvage Coffeehouse
Berkeley, CA
1:46:25
3
tapes
6/23
Henfling's Firehouse Tavern
Ben Lomond, CA
1:13:07
1
tape
6/22
Espresso Garden
San Jose, CA
1:23:46
1
tape
6/20
The 3rd Floor
Bellingham, WA
1:15:41
1
tape
6/19
SBD
Tractor Tavern
Seattle, WA
1:07:10
1
tape
6/15
Tree House Concert
Pacific Grove, CA
1:31:40
1
tape
6/23/04
Banter: Introduction
0:55
The Very Thought of You
4:05
Banter: Sea otters, part one
1:34
29 Cent Head
4:56
Tender Blindspot
4:25
Small Dark Movie
4:06
Banter: Sea otters, part two
1:07
Me & Albert
4:11
Shirt
4:14
Check Me Out (Hey Hey Hey)
5:24
The Trouble With Poets
3:40
On the Way Up
3:51
Comes Love
4:23
Every Mother's Son
4:43
Road to Mallow
4:53
Jesus
5:40
Lovely as the Day is Long
3:37
Sad Sad Sad Sad (and Faraway From Home)
3:34
Encore: St James Infirmary
3:49
FIN
View on archive.org
Sources
Taper: Joe Navratil,
[email protected]
1:13:07
Taper:
Joe Navratil,
[email protected]
Transferrer:
Joe Navratil
SHNID:
pmulvey2004-06-23.flac16
Source:
AKG C1000s (internal battery power, X/Y config, ceiling gooseneck -- see note) > Sony PCM-M1
Lineage:
M1 > Edirol UA-1D > CDWave > Amadeus II (tracking) > shntool 1.2.0rc1 (sector breaks) > flac 1.1.0
Taper Notes:
View Notes
d1t02: Ray Noble cover d1t05: Greg Brown cover d1t13: Lew Brown & Sam Stept cover d1t14: Chris Smither cover d1t16: Lou Reed cover d1t17: Paul Cebar cover d1t19: Traditional Notes: The microphones were attached to a gooseneck that has been fixed in the ceiling at Henfling's, about ten feet away from the center speaker above the stage, about 18" from the ceiling and 6-8" in front of a wall that descends about two feet from the ceiling. The "rear" wall (behind the gooseneck) is wood-paneled and covered with framed (in wood and glass) pictures of artists that have performed at Henflings. The show was a co-bill with Emory Joseph. Peter and Goody did the late set, which was supposed to go an hour but went a little longer. During "Comes Love" and "Every Mother's Son" the vox input to the soundboard appeared to be overdriven a few times, resulting in unpleasant noise over the main speakers. Overall the sound of the show is a little muddy to my ears.