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Grateful Dead
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2,080
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Phish
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248
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201
67
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104
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Ace Bandage
28
49
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49
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Adam Deitch
371
81
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114
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Akron/Family
20
40
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43
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American Babies
28
87
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106
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Andrew Bird
258
125
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133
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Andy Frasco & The UN
360
82
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114
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Animal Collective
309
123
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134
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Animal Liberation Orchestra
1.8k
429
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533
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Antibalas
139
81
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92
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Aquarium Rescue Unit
1.3k
159
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236
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Aqueous
168
161
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248
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Assembly of Dust
612
286
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421
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Barefoot Manner
32
102
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107
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Bela Fleck and the Flecktones
1.5k
488
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610
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Ben Kweller
30
32
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35
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Benevento Russo Duo
223
277
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380
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Bernie Worrell
39
7
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7
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Bernie Worrell and the WOO Warriors
82
27
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Bernie Worrell Orchestra
17
19
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27
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Big Something
337
351
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522
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Billy & the Kids
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17
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61
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Billy Strings
90k
539
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1,056
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Blind Melon
1.7k
62
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Blueground Undergrass
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Peter Mulvey
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Today In History
June 16th
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2004
SBD
12/10
College Coffeehouse
Fairbanks, AK
1:43:59
1
tape
6/25
SBD
Freight & Salvage Coffeehouse
Berkeley, CA
1:46:25
3
tapes
6/23
Henfling's Firehouse Tavern
Ben Lomond, CA
1:13:07
1
tape
6/22
Espresso Garden
San Jose, CA
1:23:46
1
tape
6/20
The 3rd Floor
Bellingham, WA
1:15:41
1
tape
6/19
SBD
Tractor Tavern
Seattle, WA
1:07:10
1
tape
6/15
Tree House Concert
Pacific Grove, CA
1:31:40
1
tape
6/19/04
Banter: Introduction
1:02
Lovely as the Day is Long
3:31
On the Way Up
3:57
Banter: Eye booger
1:16
Shirt
3:10
Banter: Done with being oblique
1:38
29 Cent Head
5:00
Road to Mallow
3:05
Banter: Feedback at 440
1:16
Comes Love
4:17
Me & Albert
3:46
Wings of the Ragman
4:36
The Trouble with Poets
4:38
Jesus
4:44
You
5:01
Thirty
4:49
Charlie
4:06
Sad Sad Sad Sad (and Faraway From Home)
3:25
St. James Infirmary
3:53
FIN
View on archive.org
Sources
Taper: Joe Navratil,
[email protected]
1:07:10
SBD
Taper:
Joe Navratil,
[email protected]
Transferrer:
Joe Navratil
SHNID:
pmulvey2004-06-19.flac16
Source:
SBD (dual 1/4" mono) > (line-in) PCM-M1
Lineage:
M1 > Edirol UA-1D > CDWave > Amadeus II (tracks) > shntool 1.2.0rc1 (sector breaks) > flac 1.1.0
Taper Notes:
View Notes
Notes: The sound man for this show was having some trouble controlling the room, which of course comes out on the tape perfectly. He kept playing with the amount of reverb (most notably when he slams the setting from "too much" to "none" about eight minutes into the set) and there were a few feedback-related issues which even Peter commented on, in track 9. The show itself is in mono, and I didn't try to add separation due to the inconsistent amount of reverb coming from the board (and my general aversion to over-editing).