RELISTENTOPercy Hill
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Percy Hill
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Today In History
June 6th
0 shows
0 tapes
Years
2022
5
PlaybackListensHours
48h00m
7d535m
30d535m
1 show
2 tapes
2019
7 shows
10 tapes
2018
3 shows
3 tapes
2017
1 show
2 tapes
2016
10
PlaybackListensHours
48h00m
7d559m
30d102
8 shows
17 tapes
2011
1 show
2 tapes
2009
1 show
3 tapes
2006
1 show
2 tapes
2005
3 shows
3 tapes
2004
32
PlaybackListensHours
48h00m
7d112
30d325
5 shows
5 tapes
2003
2 shows
2 tapes
2002
10
PlaybackListensHours
48h00m
7d00m
30d102
6 shows
8 tapes
2001
4 shows
6 tapes
2000
5
PlaybackListensHours
48h00m
7d00m
30d558m
13 shows
14 tapes
1999
40
PlaybackListensHours
48h111m
7d112
30d406
32 shows
41 tapes
1998
12
PlaybackListensHours
48h00m
7d00m
30d122
28 shows
35 tapes
1997
12 shows
13 tapes
1996
20 shows
20 tapes
1995
2
PlaybackListensHours
48h00m
7d00m
30d228m
7 shows
7 tapes
1994
1
PlaybackListensHours
48h00m
7d00m
30d112m
4 shows
4 tapes
2016
6/18/16
St. Lucilia
5:40
Spirit Of Air
10:32
Tumz
10:23
Beneath The Cover
12:34
Ammonium Maze
9:30
Ammonium Maze
9:24
FIN
View on archive.org
Sources
Taper: Scott Bernstein
58:03
SBD
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
percyhill2016-06-18.km184.flac16
Source:
FOB Audience
Lineage:
Neumann KM184s (cardoids, just in front of the SBD mix position) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 11 (SoundForge Noise Reduction to scrub constant wind noise; additional bass rolloff below 250hz in targeted sections with very very bad wind noise; volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings); Tracked in CDWav. IDv3 tagged in Tag&Rename 3.9.11
Taper Notes:
View NotesNote that there were very very high winds during this show which cause all sorts of undesirable audio anomalies in this recording. I was able to scrub out most of the worst issues, but some anomalies remain. I really wish this recording sounds better than it does. :( SPECIAL THANKS to Justin Marinoff who lent me his Neumann KM184 microphones for this run of moe. shows in Maine while my TLM170s were out getting a tune-up! Recorded, mastered, tracked, tagged, and posted by Scott Bernstein (9/23/2016-1/9/2017) It takes about 3 minutes for the sound mix to get dialed in properly SPECIAL THANKS to Justin Marinoff who lent me his Neumann KM184 microphones for this run of moe. shows in Maine while my TLM170s were out getting a tune-up! This was an opening set for moe. Twiddle also played before moe. You can hear the moe. set here: <a href="https://archive.org/details/moe2016-06-18.km184.flac16" rel="nofollow">https://archive.org/details/moe2016-06-18.km184.flac16</a> Recorded, mastered, tracked, tagged, and posted by Scott Bernstein (9/23/2016-1/9/2017) There is a higher quality 24 bit version of this recording available at <a href="https://archive.org/details/percyhill2016-06-18.km184.flac24" rel="nofollow">https://archive.org/details/percyhill2016-06-18.km184.flac24</a> Follow me on Twitter to track my near-daily postings of FREE live music and concert photography: <a href="http://www.twitter.com/scott_bernstein" rel="nofollow">http://www.twitter.com/scott_bernstein</a> Or become a "fan" on Facebook here: <a href="https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451" rel="nofollow">https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451</a>