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Today In History
June 10th
0 shows
0 tapes
Years
2025
1 show
1 tape
2024
1 show
8 tapes
2023
1 show
1 tape
2021
1 show
1 tape
2019
1 show
1 tape
2012
2 shows
4 tapes
2011
1 show
1 tape
2009
1 show
1 tape
2008
1 show
1 tape
2007
3 shows
3 tapes
2006
14 shows
18 tapes
2005
20 shows
22 tapes
2004
31 shows
38 tapes
2003
24 shows
29 tapes
2002
34 shows
40 tapes
2001
34 shows
37 tapes
2000
41 shows
47 tapes
1999
19 shows
19 tapes
1998
15 shows
15 tapes
1997
4 shows
5 tapes
1996
3 shows
3 tapes
2000
2/19/00
could have been a song
6:17
pride
6:53
minute
4:53
flooding both of us
10:35
hero
4:25
rebecca (no woman, no cry)
15:23
gibby
5:46
runaway
4:46
something in the way she moves^
4:12
shine
5:30
straight curve
6:38
southern cross
4:40
piano man
6:36
haven't seen for a while
6:23
can't miss what you never had+
11:07
who stole her from heaven
4:39
girl from athens
7:55
e: passion
5:17
FIN
View on archive.org
Sources
Taper: Morgan Halton
2:01:55
SBD
Taper:
Morgan Halton
Transferrer:
Morgan Halton
SHNID:
pmb2000-02-19.dmix.shnf
Source:
at853a > sp p/s > inbox > d7 + SBD > d8 > m1
Lineage:
d7 > sek'd prodif plus > soundforge > cdwav
Taper Notes:
View Notes ^al walsh solo, james taylor cover. Original CD's extracted with EAC 0.9 Beat 4 using a NEC 3520-A drive. There are a couple of skips and pops in this. Info file recompiled by Morgan Halton 3/5/2005
Taper: Scott Bernstein
1:00:12
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
pmb2000-02-19.tlm170.flac16-48
Source:
FOB Audience
Lineage:
Master recording: Neumann TLM-170s (cardoid) -> Sonosax SX-M1 -> Teac DA-P20 (@ 16/48) DAT playback: Sony R-500 -> Sound Devices 722 digital input (@24/48) Mastered: Soundforge Pro 10.0c - *All file manipulation in Soundforge done at 24 bits*. File processed with SOX 14.4.2 to remove pre-emphasis which was applied by the Teac A>D converter. Soundforge Pro 13.0 - *All file manipulation in Soundforge done at 24 bits*. File processed in Soundforge for some minor clap scrubbing; volume normalization; 24 -> 16 bit dither using POW-r Dither with POW-r #3 noise shaping. Tracked in CDWav. Tagged in Tag&Rename 3.9.15
Taper Notes:
View Notes* = song fades in Note that it takes a couple of songs for the FOH engineer to get the sound balanced properly -- in particular the vocals are a little buried in the beginning. Private party sponsored by Guinness beer, opening for Deep Banana Blackout Recorded, transferred (6/12/2012), tracked (1/21/2020), mastered (1/23/2020), and posted (1/25/2020) by Scott Bernstein Taper notes: For BARN208, I present to you a show that I really have no recollection of, of a band I really have no recollection of, unfortunately. Looking back at the history of the Pat McGee Band, clearly they are a southern based band that I apparently only saw and taped this one time. From the between song banter on the recording I can deduce that this was a private gig, sponsored by Guinness beer; and Pat McGee Band were the openers for Deep Banana Blackout -- who I was there to see (Deep Banana had also had normal non-private headlining gig there the following night). Typically if I were there early enough, I'd tape the opening band, so clearly I did on this night. This is a good set, and it gets better as it goes on. Introduced as John Small, the bassist in the band is particulary impressive (I heard some decent slapping going on!). Their cover of Crosby Stills and Nash's "Southern Cross" is REALLY tight and a joy to hear. I believe I transferred this recording because it was on a DAT tape that was shared with a set of Josh Rouse opening for Cowboy Junkies exactly a month later and I was curious to hear what Josh sounded like way back then so this set "came along for the ride". This set required almost no work, so I was able to get it up quickly after I did the tracking. For all of you Pat McGee Band fans, I hope you enjoy this recording and that it helps to fill in a gap in the historical record! Enjoy! Follow me on Twitter to track my postings of FREE live music and concert photography: <a href="http://www.twitter.com/scott_bernstein" rel="nofollow">http://www.twitter.com/scott_bernstein</a> Or become a "fan" on Facebook here: <a href="https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451" rel="nofollow">https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451</a> There is a