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2009
9/6/09
Keep In Mind >
8:18
Cary Suite
6:00
Final Destination
7:06
Waiting 4 Da Bomb
4:32
John Henry's Hammer
11:46
Countin' Time >
6:54
Pull From Adirondack Blue
8:04
Michael Murphy (Pt. 3) >
2:00
Lust For Life (1) >
5:54
Michael Murphy (Pt. 3)
4:44
Leaving the Monopole
10:11
FIN
View on archive.org
Sources
Taper: T.J. Samulis
1:15:29
Taper:
T.J. Samulis
Transferrer:
T.J. Samulis
SHNID:
seapods2009-09-06.mk41.nbox.722.16bit
Source:
Schoeps mk41(OTS/ROC/DINa) > actives > NBox+ > Sound Devices 722(24/48)
Lineage:
Sound Devices 722 > Firewire > Wavelab 5.0a(+5.9dB Gain/Fades/Resampler 192/UV22HR Dither) > CD Wave > flac16(level 8) > tagged using Foobar2000 and Tag&Rename
Taper Notes:
View NotesNOTES (1) Iggy Pop cover
Taper: Scott Bernstein
1:15:50
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
osp2009-09-06.tlm170.fob.flac16
Source:
FOB Audience
Lineage:
Neumann TLM170(FOB, hypercardoid)->Sound Devices 722 (@24/96). FLAC File processing in SoundForge Audio Studio 9.0d (Peak Level Normalize to 0db; resample to 44.1 with interpolation accuracy 4, anti-alias filter; 24->16 bit highpass triangular dither with high pass contour noise shaping); Tracked in cdwav.
Taper Notes:
View NotesRecorded, Tracked, and mastered by Scott Bernstein Photos coming soon Note: 1st 2 minutes of this set patched from Sunboy (Steven Weld)'s recording: 2 Neumann SKM 140’s>canare XLRs>Aeta PSP3> canare XLR’s>Sound Devices 722 @ 96kHz/24 bit. Sound Devices 722 master file @96kHz/24bit>firewire> Cool Edit Pro 2.1>Sound Forge9.0>CD Wave>FLAC via FLAC frontend v1.7.1. His 16 bit/44.1 khz file has been upsampled to 24/96 and patched in Sound Forge Audio Studio 9.0d. There is a higher quality 24 bit version of this recording available here at <a href="http://www.archive.org/details/osp2009-09-06.tlm170.fob.flac24" rel="nofollow">http://www.archive.org/details/osp2009-09-06.tlm170.fob.flac24</a>
Taper: Steven Weld
1:16:00
Taper:
Steven Weld
Transferrer:
Steven Weld
SHNID:
osp2009-09-06.sunboy.flac16
Source:
2 Neumann SKM 140’s>canare XLRs>Aeta PSP3> canare XLR’s>Sound Devices 722 @ 96kHz/24 bit
Lineage:
Sound Devices 722 master file @96kHz/24bit>firewire> Cool Edit Pro 2.1>Sound Forge9.0>CD Wave>FLAC via FLAC frontend v1.7.1
Taper Notes:
View NotesTaped left of center just F.O.B, large manfrotto stand @12 ft., stereo bar, Sabra Som shocks, Shure A81WS screens Source: 2 Neumann SKM 140’s(AK40 capsules>KM100 pre’s)>canare XLRs>Aeta PSP3(pre-amp)>canare XLR’s>(line in)Sound Devices 722 @ 96kHz/24 bit Transfer: Sound Devices 722 master file @96kHz/24bit>firewire> Cool Edit Pro 2.1>Sound Forge9.0>CD Wave>FLAC via FLAC frontend v1.7.1 Notes: ~ Editing performed in the 96kHz/24bit realm ~ ~ C.E.P. 2.1(some clip restoration) ~ S.F. 9.0(Resample(4) & Dither) Recorded & mastered by Steven Weld aka Sunboy [email protected]
Taper: Mike Salvo ([email protected])
1:15:26
Taper:
Mike Salvo ([email protected])
Transferrer:
Mike Salvo
SHNID:
osp2009-09-06.akg391
Source:
AKG se300b/ck91>Edirol UA-5 (BM2p+)>iRiver H120
Lineage:
iRiver H120>usb>iBook G4>Audacity 1.3.7
Taper: Rob Clarke
1:15:27
Taper:
Rob Clarke
Transferrer:
Rob Clarke
SHNID:
os2009-09-06.km184.flac16
Source:
Neumann KM184> v2> mini-me> R44
Lineage:
HCSD> USB> Samplitutde Pro 7.0 > cdWave> FLAC