RELISTENTO
Re
Bands
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Bands
Nohshintoh
RecentTopVenues
Today In History
June 8th
Years
2010
2 shows
2 tapes
2009
7 shows
8 tapes
2008
5 shows
5 tapes
2007
1 show
2 tapes
2004
1 show
1 tape
2009
1/12/09
intro
0:48
Kurukuru Pa!
2:13
Tora San
3:28
Jump
4:58
we're back!
0:30
Inochi
8:21
Horo Yori
4:12
Uuchii
1:29
Penyon Penyon
2:56
FIN
View on archive.org
Sources
Taper: Rockthing
28:55
Taper:
Rockthing
Transferrer:
Rockthing
SHNID:
nst2009-01-12.c4.cas0
Source:
AUD > Studio Projects C4 pair > Yamaha mg102c > Tascam Porta07 (3x) > CAS(0)
Lineage:
CAS(0) > Marantz PMD 660 (line) > Lexar 60x 4.0g Compact Flash > WAV16/44.1(0) > usb > WAV16/44.1(1) > Garage Band 4.1.2 (trk split) > AIFF16/44.1(0) > shntool fix -o 'aiff ext=aif' *.aif > AIF(1) > flac -V -8 *.aif > FLAC16(level8)(0)
Taper Notes:
View NotesRecording Note: The first track had no sbe's and was therefore not 'fixed'. Therefore, it's name failed to contain the word 'fixed' as the others do. Apologies for the inconsistency. Recorded center house, directly house right of the FOH mixing console. This recording mainly captures the FOH sound from approximately 25 metres' distance. This is CAS(0) recorded from the 'Stereo Out' of the mg102c. In addition, WAV16/48(0) was recorded simultaneously from the mg102c 'Rec Out'. This is collection is NOT sourced from WAV16/48(0) (perhaps later) Performance Note: The second performance of Nohshintoh's 2009 'Come Back' finds them in Osaka at the invitation of local group, 'neconemuru'. This is a fairly large hall, formerly an elaborate cabaret club, or so I'm led to believe, complete with chandaliers, but no seating. I'd estimate at least 100 were in attendance. A very good show with several independent label A&R men and Producers on hand as well as some of the Kyoto underground. In comparison to performances at Nohshintoh's home ground of KD Japon, the band seem to be somewhat more controlled, if not a little nervous. IMO This is evidenced by Take's (Tah-kay) rather understated between song banter. Of coure, being away from home, there is initially a little less feedback from the audience than the band might recieve in Nagoya. By the end they seem to have won over the Osaka audience, some of whom were, naturally, already familiar with them.