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05/05
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SBD
8/03
Bongo Festival at Rudy's
Utsumi, Aichi Prefecture, Japan
36:12
1
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6/18
KD Japon
Nagoya, Japan
29:44
1
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5/05
SBD
Club Rock'N'Roll
Nagoya, Japan
30:43
1
tape
4/12
KD Japon (Cannibal Circus Set)
Nagoya, Japan
31:05
1
tape
1/05
KD Japon
Nagoya, Japan
52:46
1
tape
5/5/08
crowd >
1:11
Free Form Improv >
2:47
San Cho Me No Hito >
2:38
Jump
7:04
konban ha
0:29
Inochi
9:38
Horo Yori
3:41
itsu shinn demo ii... sore ha iyada
0:34
Uuchii
2:41
FIN
View on archive.org
Sources
Taper: rockthing
30:43
SBD
Taper:
rockthing
Transferrer:
rockthing
SHNID:
nst2008-05-05.c4ortf-sbd.16-441
Source:
AUD/SBD ~75/25~ live matrix Studio Projects C4 pair (ORTF: 110*-30cm) + stereo SBD > Yamaha mg102c > Tascam Porta07 > Marantz PMD660 -> Lexar 4.0g 60x Compact Flash -> WAV16/44.1(0)
Lineage:
WAV(0) -> (USB -> HD) -> WAV(1) -> Audacity 1.3.2-beta (Unicode)[track split] -> WAV(2) -> shntool fix -o wav -nopad -noskip -> WAV(3) -> flac 1.1.4 -> flac16(0)
Taper Notes:
View Notes
I asked Eiichi if I should translate his song, "San Cho Me No Hito" as '3rd Block Person' or '3rd Block People', as the nuance in Japanese is not so clear. He said it didn't matter... I think 'people' sounds a little more natural in English. To get an idea of the mix, the dials on the mg102c were set at 3 o'clock for the C4s and 9 o'clock for the sbd. The input gain for the C4s was also at 3 o'clock, which is 2 lines short of -60, while the gain for the line from the board is full, according to my notes... I may have made adjustments later. I was trying to adjust the line percentage during the second track, but it should settle down by the time the third starts. The mixer was used solely as a pre-amp to line in to the 660. No EQ or balance adjustments were made. A cassette master of this performance also exists and in fact was between the mg102c and the PMD660 in the chain. I haven't dealt with the cassette yet.