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Today In History
June 5th
1 show
1 tape
Years
2025
13
PlaybackListensHours
48h00m
7d00m
30d131
5 shows
9 tapes
2024
6 shows
7 tapes
2023
2 shows
3 tapes
2020
1 show
1 tape
2019
3 shows
3 tapes
2018
1 show
1 tape
2017
2 shows
2 tapes
2016
2 shows
2 tapes
2015
6 shows
6 tapes
2014
6 shows
9 tapes
2013
7 shows
7 tapes
2012
12 shows
14 tapes
2011
13 shows
15 tapes
2010
10 shows
11 tapes
2009
10 shows
10 tapes
2008
28 shows
34 tapes
2007
43 shows
51 tapes
2006
85 shows
109 tapes
2005
79 shows
96 tapes
2004
2
PlaybackListensHours
48h00m
7d00m
30d218m
57 shows
69 tapes
2003
53 shows
59 tapes
2002
8 shows
8 tapes
2001
6 shows
6 tapes
1999
1 show
1 tape
2005
12/2/05
Bo's Blues
8:42
Trust in Me
5:37
Puesta del Sol
10:05
Spanish Moon
9:27
Romp
8:03
Mando Banjo Jam > Mountain Air
22:32
Border Ghost
10:21
Continental Divide
7:00
Lotus Dreams
12:53
Didj > Broken Picture Window
11:43
Blast
5:40
White Sky Rain
14:03
Where we haven't been before
1:41
Bridge of the Gods
11:57
Encore crowd
1:42
Santana tease
2:24
Fearless
6:44
FIN
View on archive.org
Sources
Taper: Dr Bob
2:30:34
Taper:
Dr Bob
Transferrer:
Jim
SHNID:
nm2005-12-02.wagner.flac16
Source:
2 NAK 700's FOB->Nak MX 100 mixer->D8
Lineage:
DAT D8-> Audigy2 ZX Platinum SP/DIF direct-> Audacity-> 32/48k re-sample & dither->16bit/44.1K wav->CDwav track->FFE->flac
Taper Notes:
View NotesTim Carbone of Railroad Earth on violin for most songs
Taper: Robert Cogswell
2:29:38
Taper:
Robert Cogswell
Transferrer:
Robert Cogswell
SHNID:
nm2005-12-02.Cogswell.stage.flac16
Source:
Multi-channel recording. Crown SASS P Mk 2 on stage center. 4 Crown CM-700 mics on stage monitors -> Shure FP-42 mixer-> Sound Devices 744T HD recorder.
Lineage:
Wav->Audacity -> 2-track 24-bit stereo wavs->Samplitude 7.2 (normalization, tracking, fading, dithering and downsampling)
Taper Notes:
View Notes1) Santana tease prior to starting song. Jeff asked me after the show how it compared with last year's Sweetwater acoustic. I replied that both shows were great but there was no basis for comparison, as the vibe was totally different. Last year it was a quiet, seated, toe tappin and head noddin crowd-with the illusion that the boys were playing a private party in your living room. This year the front tables were taken out, creating a sizeable dance floor, and it was a standing, hard dancin', very chatty and, in a few cases, way too drunk gathering. The band fed off the energy-it wasn't a laid back jamming show like last year. It was a very good show-prob my fav of the recent run of 3 in the Bay Area. In general I'd have to say the band is jamming more than the were a few mos. ago. White Sky Rain is my current fav, and this one is the best I've heard. Lotus Dreams, another personal fav, wasn't as good as last year's but better than at Earthdance, and always a treat. Can't wait for Feb 4 at Fillmore! Bob Robert Cogswell's notes on his recording Notes on New Monsoon from The Sweetwater Saloon, Mill Valley CA, 12-2-05. Recording gear used: Stage Mic: Crown SASS P Mk 2 stereo condenser PZM (pressure zone microphone). Other Mics: 4 Crwon CM-700 mics were used, 1 on each frontline stage monitor. Mixer: Shure FP-42 Recording device: Sound Devices 744T hard disc recorder. The stage mic was connected to the 744T via the power XLR inputs. The CM-700 mics were powered by the FP-42, mixed and panned into 2 channels fed into the 744T via the line inputs. The recording resolution was 24/48. The files recorded were trensferred to an external hard drive and mastered as follows: The Broadcast PCM wavs were mixed down in Audacity to a 2-track 24-bit wav in stereo, and the 2-track wavs were mastered in Samplitude 7.2 (normalization, tracking, fading, dithering and downsampling).