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2011
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Taper: tonedeaf ([email protected])
1:38:42
Rating:
10.00 / 1 rating
Taper:
tonedeaf ([email protected])
Transferrer:
tonedeaf ([email protected])
SHNID:
tnm2011-09-02.mk41_24bit
Source:
Schoeps MK41 (WideORTF, FOBDFC) > AMC-3 adapters > Schoeps m221b (w/Campbell Custom Power Supply) > AETA PSP-3 > Oade Ambient Mod R4 Pro
Lineage:
R4 Pro Harddrive > Audition 1.0 > CDWav > WAV > FLAC
Taper: Bean
1:38:58
Taper:
Bean
Transferrer:
Bean
SHNID:
nms2011-09-02.mk41.sonosax.flac24
Source:
Schoeps MK41[DINa/FOB/DFC] >>> Schoeps KCY 250/5 >>> Sonosax SX-M2/LS2 >>> Darktrain Silver Interconnects >>> Sony PCM-M10[24-Bit/48kHz]
Lineage:
WaveLab 6[Normalize] > CD Wave 1.98 > CKRename > Traders Little Helper v2.6.0[Encode To FLAC/Level 8]
Taper: Bean
1:38:58
Taper:
Bean
Transferrer:
Bean
SHNID:
nms2011-09-02.mk41.sonosax.flac16
Source:
Schoeps MK41[DINa/FOB/DFC] >>> Schoeps KCY 250/5 >>> Sonosax SX-M2/LS2 >>> Darktrain Silver Interconnects >>> Sony PCM-M10[24-Bit/48kHz]
Lineage:
WaveLab 6[Normalize/Crystal Resampler/UV22HR Dither] > CD Wave 1.98 > CKRename > Traders Little Helper v2.6.0[Encode To FLAC/Level 8/Align On Sector Boundaries]
Taper: tonedeaf ([email protected])
1:38:42
Taper:
tonedeaf ([email protected])
Transferrer:
tonedeaf ([email protected])
SHNID:
tnm2011-09-02.mk41_16bit
Source:
Schoeps MK41 (WideORTF, FOBDFC) > AMC-3 adapters > Schoeps m221b (w/Campbell Custom Power Supply) > AETA PSP-3 > Oade Ambient Mod R4 Pro
Lineage:
R4 Pro Harddrive > Audition 1.0 > CDWav > WAV > FLAC
Taper: Rob Clarke
1:40:21
Taper:
Rob Clarke
Transferrer:
Rob Clarke
SHNID:
nms2011-09-02
Source:
AkG 393> mini-me> R-44
Lineage:
SDHC> USB> Samplitutde 11> cdWave>FLAC
Taper: Scott Bernstein
1:40:41
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
nms2011-09-02.tlm170.flac16
Source:
FOB Audience
Lineage:
Neumann TLM-170 (cardoids, FOB center in sweet spot ~20 ft. from stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Audio Studio 10.0c (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; slight clap removal as noted below); Tracked in CDWav.
Taper Notes:
View Notes+ = this track slowly comes into focus after about 30 seconds, as the band started the moment that Ween ended on the other stage (where I had been set up), so you actually hear the music lock in as I walked from the main stage to the "Buzz" stage with my gear running! * = super extended version as Eddie's amp died and had to be replaced Cleaned up some claps in S1T3(3), S1T5(4) Recorded, mastered, tracked, and posted by Scott Bernstein There is a higher quality 24 bit recording of this show available at <a href="http://www.archive.org/details/nms2011-09-02.tlm170.flac24" rel="nofollow">http://www.archive.org/details/nms2011-09-02.tlm170.flac24</a> Photos coming soon! Follow me on Twitter to track my near-daily postings of FREE live music and concert photography: <a href="http://www.twitter.com/scott_bernstein" rel="nofollow">http://www.twitter.com/scott_bernstein</a> Or become a fan on Facebook here: <a href="https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451" rel="nofollow">https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-</a>