RELISTENTO
Re
Bands
Featured
Bands
Mr. Blotto
RecentTopVenues
Today In History
June 6th
3 shows
3 tapes
Years
2026
2
PlaybackListensHours
48h00m
7d00m
30d219m
20 shows
26 tapes
2025
59 shows
80 tapes
2024
46 shows
57 tapes
2023
37 shows
40 tapes
2022
29 shows
31 tapes
2021
1
PlaybackListensHours
48h00m
7d00m
30d19m
21 shows
21 tapes
2020
22 shows
25 tapes
2019
22
PlaybackListensHours
48h00m
7d172
30d222
22 shows
24 tapes
2018
8
PlaybackListensHours
48h00m
7d00m
30d81
30 shows
33 tapes
2017
42 shows
55 tapes
2016
33 shows
37 tapes
2015
33 shows
41 tapes
2014
4
PlaybackListensHours
48h00m
7d00m
30d428m
54 shows
72 tapes
2013
5
PlaybackListensHours
48h00m
7d536m
30d536m
70 shows
85 tapes
2012
67 shows
99 tapes
2011
59 shows
76 tapes
2010
1
PlaybackListensHours
48h00m
7d00m
30d11m
44 shows
58 tapes
2009
40 shows
52 tapes
2008
22 shows
24 tapes
2007
34 shows
37 tapes
2006
12
PlaybackListensHours
48h00m
7d00m
30d121
29 shows
34 tapes
2005
45 shows
61 tapes
2004
50 shows
57 tapes
2003
44 shows
51 tapes
2002
2
PlaybackListensHours
48h00m
7d00m
30d24m
84 shows
92 tapes
2001
21
PlaybackListensHours
48h00m
7d00m
30d213
54 shows
64 tapes
2000
52 shows
61 tapes
1999
19 shows
19 tapes
1998
25 shows
30 tapes
1997
17 shows
17 tapes
1996
21 shows
21 tapes
1995
3 shows
3 tapes
1993
1 show
2 tapes
2012
7/28/12
IT'S A SURREAL GOODTIME
7:15
SISTER ROSIE > JAM
8:40
KELLY MARIE
6:21
NEBRASKA
5:55
BLUES MAN
4:37
LOW SPARK OF HIGH HEELED BOYS
12:09
La Dia De Pela Malo
5:04
KEEPIN IT UP
10:04
MASTERPIECE
5:47
II CLAMP DOWN WORLD
10:03
KISS ME IN THE MORNING
7:17
RULES OF THE ROAD
2:34
MOVIESTAR
13:52
TIME IN TEXAS
6:46
19 YEARS OLD
7:09
PETER TODAY
6:34
HERE WE ARE
8:45
AIN'T WASTING NO MORE TIME*
5:43
LES BRES IN A MINOR
9:30
MELISSA &
5:12
MOUNTAIN JAM
15:42
JaMaBuBu
6:17
MOUNTAIN JAM REPRISE
14:23
ONE WAY OUT
5:16
TROUBLE NO MORE
3:59
STAND BACK
5:35
BLUE SKY %
9:33
PAUL SAYS THANKS
0:38
LITTLE MARTHA #
2:29
FIN
View on archive.org
Sources
Taper: Brooks Robinson
47:21
SBD
Rating:
10.00 / 1 rating
Taper:
Brooks Robinson
Transferrer:
Brooks Robinson
SHNID:
mrb2012-07-28.AZUL
Source:
SBD
Lineage:
SBD>ACL16>FLAC
Taper Notes:
View NotesAZUL @ BLOTTOPIA 13 SABULA,IOWA , SIDE STAGE 1. NO TIME 4 ROMANCE 2. SAME OLD STORY 3. KING OF THE ROAD 4. SYMPATHY FOR THE DEVIL 5. WALK IT OFF 6. FREEDOM 7. USED ME ALL UP 8. MAKE ME SCREAM 9. BRAND NEW DAY 10. ITS ROCK AND ROLL RECORDED AND PRODUCED BY BROOKS ROBINSON FROM ;-) TEAME PRODUCTIONS 2K SOURCE> SONY PCM D-50 24/48 > SONY PRO-HGDuo > ACL16 > FLAC SOUNDMAN:GARY JERKATIS
Taper: Brooks Robinson
3:47:56
SBD
Rating:
10.00 / 1 rating
Taper:
Brooks Robinson
Transferrer:
Brooks Robinson
SHNID:
mrb2012-07-28.mtrx
Source:
SBD>AUD>MTRX
Lineage:
SBD>AUD>MTRX
Taper Notes:
View NotesBLOTTOPIA 13 SATURDAY 7-28-2012 IRON HORSE PARK SABULA, IOWA 1. SURREAL GOODTIME 2. SISTER ROSIE > JAM 3. KELLY MARIE 4. NEBRASKA 5. BLUES MAN 6. LOW SPARK OF HIGH HEELED BOYS 7. La Dia De Pela Malo 8. KEEPIN IT UP 9. MASTERPIECE 10. II CLAMP DOWN WORLD 11. KISS ME IN THE MORNING 12. RULES OF THE ROAD 13. MOVIESTAR 14. TIME IN TEXAS 15. 19 YEARS OLD 16. PETER TODAY 17. HERE WE ARE 18. INTRO..... PEOPLE GUESS ALBUM SIDE 19. *AIN'T WASTING NO MORE TIME* 20. *LES BRES IN A MINOR 21. *MELISSA & 22. *MOUNTAIN JAM 23. *ONE WAY OUT 24. *TROUBLE NO MORE 25. *STAND BACK 26. *BLUE SKY % 27. *LITTLE MARTHA # *ENCORE ALBUM- EAT A PEACH BY the ALLMAN BROTHERS BAND $ START TIME: 8:35 RUN TIME 2:45:00 SOURCE>MATRIX-SBD+AUD_SONY PCM-D-50_mics @ 120' 10 ft center-8ft high ORIGINAL SETLIST: "Ain't Wastin' Time No More" (Gregg Allman) – 3:40 (c) "Les Brers in A Minor" (Dickey Betts) – 9:03 (c) "Melissa" (Gregg Allman/Steve Alaimo) – 3:54 (c) "Mountain Jam" (Donovan Leitch/Duane Allman/Gregg Allman/Dickey Betts/Jai Johanny Johansen/Berry Oakley/Butch Trucks) – 33:38 (a) "One Way Out" (Marshall Sehorn/Elmore James) – 4:58 (b) "Trouble No More" (Muddy Waters) – 3:43 (a) "Stand Back" (Gregg Allman/Berry Oakley) – 3:24 (c) "Blue Sky" (Dickey Betts) – 5:09 (c) "Little Martha" (Duane Allman) – 2:07 (c) (a)Recorded live at the Fillmore East, New York City, New York, March 12 & 13, 1971. (b)Recorded live at the Fillmore East, New York City, New York, June 27, 1971. (c)Recorded at Criteria Studios, Miami, Florida, September through December 1971. On the original LP, side one consisted of the first three tracks — studio numbers recorded after Duane's death. Side two starts the live material with Duane and consisted of the first 19:37 of "Mountain Jam". Side three consisted of two live tracks and three more studio numbers recorded with Duane. Side four consisted of the final 15:06 of "Mountain Jam" including some initial overlap with the end of side two. NOTES: & "Melissa" is a song written in 1967 by Gregg Allman. It was first recorded by The 31st of February – an early band comprising the Allman brothers, Gregg and Duane – in September 1968 at TK Studios, Hialeah, Florida, United States for their second album produced by Alaimo, which was never completed[1]. The result of those sessions were subsequently released in May 1972 on an album entitled Duane & Gregg Allman. In the meantime it had been re-recorded by Gregg and Duane's new band, The Allman Brothers Band and released on the Eat a Peach album in February 1972. The song was again recorded at TK Studios, this time produced by Tom Dowd and engineered by Richard Finch, TK's budding teenage recording studio prodigy and future co-founder of KC and the Sunshine Band. Allman sold partial songwriting credit to "Melissa" to Steve Alaimo in 1968 to get back to Los Angeles, California to complete contractual recording obligations. Subsequently, Gregg Allman bought back the rights completely from Alaimo. [edit]Inspiration The song was not written for a woman named Melissa. The song was written before Gregg came up with the name. He said he was standing in line at a grocery store when he overheard a woman yelling to her young daughter who had scampered off, "Oh, Melissa! Melissa, come back, Melissa". He liked the name and decided it was a perfect fit for the song.[1] % Blue Sky" is the eighth track by the Allman Brothers Band off the Eat a Peach album. Dickey Betts wrote this about his Native American girlfriend, Sandy "Bluesky" Wabegijig. And for a while, Betts refused to perform this after their 1975 divorce. Although Duane Allman was part of the recording of this song, he died before its release on Eat a Peach. Duane Allman and Dickey Betts played on the bridge solo - Duane going first--starting at 1:07, followed by Dickey. They start playing a melody line at 2:28, which Dickey's solo follows. There are only four known live recordings of the song with Duane Allman, one of them being from their archival live album S.U.N.Y. at Stonybrook: Stonybrook, NY 9/19/71 released in 2003. This is the first time Dickey Betts sang lead vocals on an Allman Brothers song. The song has been covered several times, with perhaps the best known cover being Joan Baez's 1975 recording of the song on her Diamonds & Rust album. Two arrangements of this song are out as of 2012. The Allman Brothers have performed the SUNY Stony Brook/Eat a Peach version with Warren Haynes doing vocals (although Gregg Allman does them sometimes). Another arrangement, a newer arrangement that had been evolving since 1973 but finished evolving around 2001, has been performed by Dickey Betts and his band Great Southern. # "Little Martha" was the only Allman Brothers Band track written solely by group leader and partial namesake Duane Allman. The tune first appeared on the final studio track on the Allman Brothers Band's fourth album, Eat A Peach, released in 1972. The track was recorded in October 1971, a few weeks before Duane Allman's death in a motorcycle accident. Allman's original recording of the song is a bouncy fingerstyle acoustic guitar instrumental duet with minimal accompaniment. Allman and bandmate Dickey Betts played the tune on 6-string guitars using open E tuning. The song's simple melody and rhythmic counterpoint quickly made it a favorite among fans; acoustic guitar virtuoso Leo Kottke, who often covered the song in performance, once called it "the most perfect guitar song ever written." [edit]Song Origin The story goes[clarification needed] that Allman had a dream where Jimi Hendrix showed him the melody of the tune in a Holiday Inn motel bathroom, using the sink faucet as a guitar fretboard. Remembering the melody during the October 1971 sessions that produced most of the third side of what would become Eat A Peach, Allman laid down the track, joined only by Dicky Betts and bassist Berry Oakley, though Oakley's part would be mixed out of the final version, leaving the number as a duet for the two guitarists. (Oakley's part would be restored on the 1989 box set Dreams.) The song's namesake was Martha Ellis, a twelve-year-old girl whose grave the Allman Brothers Band had come across during their frequent trips to Rose Hill Cemetery in their homebase of Macon, Georgia. (Both Duane Allman himself and Berry Oakley would be buried there by the end of 1972). As with Dicky Betts' 1970 instrumental "In Memory of Elizabeth Reed", the song was named for one person but actually about somebody else. Allman envisioned it as an ode to his then-girlfriend, a groupie named Dixie Meadows, who later would unsuccessfully sue to control Allman's estate after his death. BROOKS BLTO TPR OUT what a great blottopia 13 PLEASE REVIEW THIS SHOW FOR ME !
Taper: Kelly Casey
4:09:12
SBD
Taper:
Kelly Casey
Transferrer:
Kelly Casey
SHNID:
mrblotto2012-07-28.matrix.flac16
Source:
"Matrix" Zoom H4n Mics @ 90 degrees FOB/DFC & Dan SBD mix > SDHC 16 bit 44k
Lineage:
SDHC > PC > Audacity > Flac
Taper: PEER MUNCK;BROOKS ROBINSON
3:33:09
SBD
Taper:
PEER MUNCK;BROOKS ROBINSON
Transferrer:
Brooks Robinson
SHNID:
mrb2012-07-28
Source:
SBD>PEER MUNCK FINAL MIX
Lineage:
SBD
Taper Notes:
View NotesCHECK OUT THE PHOTOS I PUT UP ! ORIGINAL SETLIST: "Ain't Wastin' Time No More" (Gregg Allman) – 3:40 (c) "Les Brers in A Minor" (Dickey Betts) – 9:03 (c) "Melissa" (Gregg Allman/Steve Alaimo) – 3:54 (c) "Mountain Jam" (Donovan Leitch/Duane Allman/Gregg Allman/Dickey Betts/Jai Johanny Johansen/Berry Oakley/Butch Trucks) – 33:38 (a) "One Way Out" (Marshall Sehorn/Elmore James) – 4:58 (b) "Trouble No More" (Muddy Waters) – 3:43 (a) "Stand Back" (Gregg Allman/Berry Oakley) – 3:24 (c) "Blue Sky" (Dickey Betts) – 5:09 (c) "Little Martha" (Duane Allman) – 2:07 (c) (a)Recorded live at the Fillmore East, New York City, New York, March 12 & 13, 1971. (b)Recorded live at the Fillmore East, New York City, New York, June 27, 1971. (c)Recorded at Criteria Studios, Miami, Florida, September through December 1971. On the original LP, side one consisted of the first three tracks — studio numbers recorded after Duane's death. Side two starts the live material with Duane and consisted of the first 19:37 of "Mountain Jam". Side three consisted of two live tracks and three more studio numbers recorded with Duane. Side four consisted of the final 15:06 of "Mountain Jam" including some initial overlap with the end of side two. NOTES: & "Melissa" is a song written in 1967 by Gregg Allman. It was first recorded by The 31st of February – an early band comprising the Allman brothers, Gregg and Duane – in September 1968 at TK Studios, Hialeah, Florida, United States for their second album produced by Alaimo, which was never completed[1]. The result of those sessions were subsequently released in May 1972 on an album entitled Duane & Gregg Allman. In the meantime it had been re-recorded by Gregg and Duane's new band, The Allman Brothers Band and released on the Eat a Peach album in February 1972. The song was again recorded at TK Studios, this time produced by Tom Dowd and engineered by Richard Finch, TK's budding teenage recording studio prodigy and future co-founder of KC and the Sunshine Band. Allman sold partial songwriting credit to "Melissa" to Steve Alaimo in 1968 to get back to Los Angeles, California to complete contractual recording obligations. Subsequently, Gregg Allman bought back the rights completely from Alaimo. [edit]Inspiration The song was not written for a woman named Melissa. The song was written before Gregg came up with the name. He said he was standing in line at a grocery store when he overheard a woman yelling to her young daughter who had scampered off, "Oh, Melissa! Melissa, come back, Melissa". He liked the name and decided it was a perfect fit for the song.[1] % Blue Sky" is the eighth track by the Allman Brothers Band off the Eat a Peach album. Dickey Betts wrote this about his Native American girlfriend, Sandy "Bluesky" Wabegijig. And for a while, Betts refused to perform this after their 1975 divorce. Although Duane Allman was part of the recording of this song, he died before its release on Eat a Peach. Duane Allman and Dickey Betts played on the bridge solo - Duane going first--starting at 1:07, followed by Dickey. They start playing a melody line at 2:28, which Dickey's solo follows. There are only four known live recordings of the song with Duane Allman, one of them being from their archival live album S.U.N.Y. at Stonybrook: Stonybrook, NY 9/19/71 released in 2003. This is the first time Dickey Betts sang lead vocals on an Allman Brothers song. The song has been covered several times, with perhaps the best known cover being Joan Baez's 1975 recording of the song on her Diamonds & Rust album. Two arrangements of this song are out as of 2012. The Allman Brothers have performed the SUNY Stony Brook/Eat a Peach version with Warren Haynes doing vocals (although Gregg Allman does them sometimes). Another arrangement, a newer arrangement that had been evolving since 1973 but finished evolving around 2001, has been performed by Dickey Betts and his band Great Southern. # "Little Martha" was the only Allman Brothers Band track written solely by group leader and partial namesake Duane Allman. The tune first appeared on the final studio track on the Allman Brothers Band's fourth album, Eat A Peach, released in 1972. The track was recorded in October 1971, a few weeks before Duane Allman's death in a motorcycle accident. Allman's original recording of the song is a bouncy fingerstyle acoustic guitar instrumental duet with minimal accompaniment. Allman and bandmate Dickey Betts played the tune on 6-string guitars using open E tuning. The song's simple melody and rhythmic counterpoint quickly made it a favorite among fans; acoustic guitar virtuoso Leo Kottke, who often covered the song in performance, once called it "the most perfect guitar song ever written." [edit]Song Origin The story goes[clarification needed] that Allman had a dream where Jimi Hendrix showed him the melody of the tune in a Holiday Inn motel bathroom, using the sink faucet as a guitar fretboard. Remembering the melody during the October 1971 sessions that produced most of the third side of what would become Eat A Peach, Allman laid down the track, joined only by Dicky Betts and bassist Berry Oakley, though Oakley's part would be mixed out of the final version, leaving the number as a duet for the two guitarists. (Oakley's part would be restored on the 1989 box set Dreams.) The song's namesake was Martha Ellis, a twelve-year-old girl whose grave the Allman Brothers Band had come across during their frequent trips to Rose Hill Cemetery in their homebase of Macon, Georgia. (Both Duane Allman himself and Berry Oakley would be buried there by the end of 1972). As with Dicky Betts' 1970 instrumental "In Memory of Elizabeth Reed", the song was named for one person but actually about somebody else. Allman envisioned it as an ode to his then-girlfriend, a groupie named Dixie Meadows, who later would unsuccessfully sue to control Allman's estate after his death. BROOKS BLTO TPR OUT WHAT A GREAT BLOTTOPIA 13!