Mexico**> | 2014-02-14 | moe.

View Notes~ Max Creek opened for moe., played one set, Al Schnier sat in ~
~ Valentines Day ~

Location: front right inside corner of mixer enclosure, almost dead ctr, 45ft from stage lip

Mic config:  DINa Kwonbar, Schoeps A20S shock, Large Manfrotto air-cushioned stand @ 9 ft, small screens

Source: Neumann SKM 140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz

Transfer,editing,mastering & conversion: Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner5.1, ffp & md5-TLH

Notes: ~ S.F. 11.0 (fades, set1:iZotope mastering limiter +6.5db to -0.15db, set2: volume gain +4.0db) ~
~ Apogee - soft limit on ~
~ 2 weird gaps set2 totaling 11secs patched w/AKGc61>Naiant TB>M10@24/48 source courtesy of Will Clark ~
~ Recording, transfer, editing, mastering & conversion by Steven Weld ~
~ Many Thanks to moe. & crew & the F-Shed for allowing us to record and share the music ~

Taper: Steven Weld

2:43:52

Taper:

moe2014-02-14.skm140.sunboy.flac16

Source:

Neumann SKM 140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz

Lineage:

SD722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8)

Taper Notes:

View Notesmoe. is:
Vinnie Amico - Drums, Vocals
Rob Derhak - Bass, Vocals
Chuck Garvey - Guitar, Vocals
Jim Loughlin - Percussion, Vibes, Vocals
Al Schnier - Guitar, Keyboards, Vocals

**w/ Scott Muraski: Guitar, enters towards end of d1t07

~ Max Creek opened for moe., played one set, Al Schnier sat in ~
~ Valentines Day ~

Location: front right inside corner of mixer enclosure, almost dead ctr, 45ft from stage lip

Mic config:  DINa Kwonbar, Schoeps A20S shock, Large Manfrotto air-cushioned stand @ 9 ft, small screens

Source: Neumann SKM 140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz
Transfer,editing,mastering & conversion: Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner5.1, ffp & md5-TLH

Notes: ~ S.F. 9.0e (fades, set1:iZotope mastering limiter +6.5db to -0.15db, set2: volume gain +4.0db, resample(iZotope 64-bit SRC-highest quality w/ anti-alias filter) & dither(iZotope MBit+ advanced ultra dither to 44.1/16) ~
~ Apogee - soft limit on ~
~ 2 weird gaps set2 totaling 11secs patched w/AKGc61>Naiant TB>M10@24/48 source courtesy of Will Clark ~
~ Editing performed in 24bit/48kHz realm ~
~ tracks numbered for CD burning, discs 2 & 3 are seamless ~
~ Recording, transfer, editing, mastering & conversion by Steven Weld [email protected] ~
~ Many Thanks to moe. & crew & the F-Shed for allowing us to record and share the music ~

Taper: W Clark

moe2014-02-14.akg483.flac16

Source:

AKG 483 > LB > M10

Lineage:

M10 > Audacity > xACT

Taper Notes:

View NotesThanks To Steve for the clamp space.
Thanks to Moe. crew for cage space.
Support artists and venues that allow taping.

Taper: W Clark

moe2014-02-14.ck61.flac16

Source:

AKG ck61 (Naiant) > TB > M10

Lineage:

M10 > Audacity > xACT

Taper Notes:

View NotesThanks To Steve for the clamp space.
Thanks to Moe. crew for cage space.
Support artists and venues that allow taping.

Taper: Matt Falise

DPA 4022> AERCO MP2> Marantz PMD=661 (WMOD) (24/48)

Lineage:

wavelab>CDWave>flac