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moe.
Today In History
June 7th
5 shows
12 tapes
Years
2026
4.8k
PlaybackListensHours
48h26239
7d65399
30d4.8k740
31 shows
63 tapes
2025
202
PlaybackListensHours
48h234
7d7211
30d20230
59 shows
133 tapes
2024
128
PlaybackListensHours
48h00m
7d387
30d12820
43 shows
70 tapes
2023
343
PlaybackListensHours
48h61
7d41
30d34356
65 shows
145 tapes
2022
68
PlaybackListensHours
48h00m
7d449m
30d6815
18 shows
33 tapes
2021
11
PlaybackListensHours
48h00m
7d00m
30d112
23 shows
40 tapes
2020
1
PlaybackListensHours
48h00m
7d00m
30d17m
9 shows
20 tapes
2019
115
PlaybackListensHours
48h00m
7d6411
30d11520
40 shows
76 tapes
2018
119
PlaybackListensHours
48h14m
7d223
30d11921
53 shows
114 tapes
2017
173
PlaybackListensHours
48h162
7d489
30d17326
32 shows
66 tapes
2016
204
PlaybackListensHours
48h00m
7d254
30d20431
40 shows
105 tapes
2015
101
PlaybackListensHours
48h41
7d537
30d10115
40 shows
115 tapes
2014
100
PlaybackListensHours
48h00m
7d152
30d10015
76 shows
192 tapes
2013
110
PlaybackListensHours
48h00m
7d397
30d11017
62 shows
179 tapes
2012
128
PlaybackListensHours
48h111
7d122
30d12823
73 shows
210 tapes
2011
72
PlaybackListensHours
48h82
7d112
30d7212
59 shows
167 tapes
2010
223
PlaybackListensHours
48h316
7d15228
30d22340
68 shows
203 tapes
2009
271
PlaybackListensHours
48h365
7d6311
30d27146
61 shows
177 tapes
2008
71
PlaybackListensHours
48h81
7d660m
30d7113
62 shows
154 tapes
2007
176
PlaybackListensHours
48h92
7d225
30d17630
77 shows
180 tapes
2006
158
PlaybackListensHours
48h132
7d346
30d15825
73 shows
193 tapes
2005
235
PlaybackListensHours
48h102
7d297
30d23545
78 shows
199 tapes
2004
279
PlaybackListensHours
48h244
7d386
30d27943
83 shows
199 tapes
2003
240
PlaybackListensHours
48h153
7d6511
30d24048
90 shows
206 tapes
2002
545
PlaybackListensHours
48h216
7d12628
30d545130
67 shows
175 tapes
2001
274
PlaybackListensHours
48h173
7d225
30d27461
98 shows
184 tapes
2000
181
PlaybackListensHours
48h1247m
7d92
30d18139
70 shows
122 tapes
1999
255
PlaybackListensHours
48h356
7d427
30d25548
94 shows
170 tapes
1998
209
PlaybackListensHours
48h194
7d416
30d20936
68 shows
120 tapes
1997
462
PlaybackListensHours
48h415
7d9514
30d46267
138 shows
245 tapes
1996
192
PlaybackListensHours
48h00m
7d6410
30d19233
75 shows
126 tapes
1995
89
PlaybackListensHours
48h172
7d293
30d8911
40 shows
46 tapes
1994
56
PlaybackListensHours
48h182
7d172
30d565
8 shows
9 tapes
1993
1 show
1 tape
1992
25
PlaybackListensHours
48h00m
7d00m
30d253
4 shows
4 tapes
1995
Sources
Transferrer: Eric Byrd, Leslie Sinclair & sapo
1:36:50
SBD
Transferrer:
Eric Byrd, Leslie Sinclair & sapo
SHNID:
moe1995-09-07mdnk.sbd.shn
Source:
DSBD
Lineage:
DA302 > Midiman Delta DiO 2496 > Soundforge 5.0 > CD Wave > mkwACT v0.97 (shn files have seek tables appended) [no EAC]
Taper Notes:
View Notes^ with "Call Any Vegetable" (Frank Zappa) tease # with Jimmy John McCabe from Yolk on vocals Edits: 5 second fades in/out beg/end The moe.dank project is run by: Eric Byrd & Leslie Sinclair Alex Prestin Blake Phillips Sapo with special thanks to Eric Vandercar and James Paddock
Taper: Scott Bernstein
1:38:30
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe1995-09-07
Source:
Soundboard -> DAT
Lineage:
Original recording: Soundboard -> Denon DTR80p -> DAT (master @16 bit/48khz); Transfer: Sony R500->Sound Devices 722; Mastered: Soundforge Audio Studio 10.0a - All file manipulation in Soundforge done at 24 bits. First applied 20 band Graphic EQ boosting the mid bass range (225-40hz), rolling off the low bass slightly (29 hz and below), cutting the high mids (mostly in the 1.3-3.6k range) and very slightly rolling off the highs (5.1-15k). Then I applied slight volume normalization at beg of show to even out when I was still setting my recording levels. Then I did the 48k sample rate conversion to 44.1k sample rate conversion using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter, and dithered back down to 16 bits using using iZotope MBIT+ with Ultra noise shaping, High dither settings. Tracked in CDWav. (Note the raw transfer files from my DAT are in my personal archives so if you think you could do a better job on this recording, by all means get in touch.)
Taper Notes:
View Notes* = w/JimmyJohn from Yolk on vocals moeLinks lists a "The Internet Tune" jam in Timmy Tucker, but I don't know how to identify it. Part of the CMJ Music Festival: New Spirit, Andrew Vladik, Yolk and Harpoon were also on the bill. Yolk played just before moe. and Harpoon played just after. Mike Strazza was the drummer at this show Yolk's set from this night is available here: <a href="http://www.archive.org/details/yolk1995-09-07" rel="nofollow">http://www.archive.org/details/yolk1995-09-07</a> Taper notes: This is BARN11, the 11th in my continuing series of fresh archival transferring (and mastering) from my DAT collection. Just to keep things interesting, each recording that I work on generally presents its own challenges. Some need no work at all (BARN10), some have been encoded in odd ways (BARN5 which needed Emphasis removed), and others have their own challenges to deal with (vocals too loud on BARN6). Well, this one I'd been avoiding for a while because I knew it was going to be a challenge as the original DAT was basically unlistenable. At this point in my taping history the only microphone I owned was a Sony ECM-959 stereo mic. And while that mic made good enough recordings, it had a loose cable that crackled when the mic was moved or touched and it really wasn't reliable enough to use at this show. I'd hoped some other taper(s) would show up to the show with some mics, but alas nobody did. Brendan O'Neill was nice enough to patch me directly out of the soundboard, but what I know in 2009 and didn't know then, which is that in a small club you will mostly get vocals and cymbals out of the board(and keys if the band has a keyboardist). As I said, this show was barely listenable in its raw state, which was very shrill and had no bass at all. So my main task was to EQ it to the best of my ability to tamp down on the shrill high end, reduce some of the vocals and cymbals, and boost the mid bass quite a bit without boosting the kick drum too much. I think I did a pretty good job -- in fact it sounds better than I ever dreamed it would! My recollections from the actual show: This is a long gone venue in Manhattan that only seemed to host shows for a year or two. It used to be right on East Houston Street and was on the second floor of a building -- it was a smallish room (maybe 300 people?) and had big windows. I do recall that this was a multiband show as part of the CMJ festival and that it was a pretty late "school" night for a weeknight when I had to work the next day. It was my first time hearing the new (then) 32 Things and DeFrost Kelley. Fun times -- the band was far more "RAW" in these days, and even though they had been doing quite well at Wetlands at this time I don't remember a lot of people coming out on this night and consequently the band was pretty loose, which makes for a fun listen! Transferred and mastered Nov/Dec 2009. As requested, a rundown of my previous BARN releases (all can be found on archive.org): BARN1 - Col Bruce Hampton and the Code Talkers at Bret & Joyce's wedding 9/17/05 BARN2 - Col Bruce and the Aquarium Rescue Unit (w/guest Warren Haynes on set 2) Wetlands 11/20/93 BARN3 - moe. Wetlands 7/8/95 BARN4 - Dan Bern Bottom Line 7/31/98 (late show) BARN5 - moe. Birch Hill 10/31/96 BARN6 - moe. Maxwells 1/20/96 BARN7 - Dan Bern Central Park Summerstage 9/19/97 BARN8 - Dan Bern, Bottom Line 8/1/98 BARN9 - moe. Bayou 4/5/97 BARN10 - moe. Irving Plaza 4/4/97