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June 14th
2 shows
2 tapes
Years
2026
1.1k
PlaybackListensHours
48h968
7d22724
30d1.1k108
4 shows
8 tapes
2025
190
PlaybackListensHours
48h649m
7d649m
30d19020
13 shows
14 tapes
2024
64
PlaybackListensHours
48h00m
7d00m
30d647
23 shows
41 tapes
2023
32
PlaybackListensHours
48h00m
7d543m
30d324
16 shows
23 tapes
2022
19
PlaybackListensHours
48h00m
7d00m
30d192
26 shows
37 tapes
2021
7 shows
9 tapes
2020
1
PlaybackListensHours
48h00m
7d00m
30d14m
5 shows
5 tapes
2019
125
PlaybackListensHours
48h00m
7d758
30d12515
27 shows
29 tapes
2018
19
PlaybackListensHours
48h00m
7d00m
30d192
13 shows
22 tapes
2017
16
PlaybackListensHours
48h00m
7d00m
30d162
13 shows
13 tapes
2016
12
PlaybackListensHours
48h00m
7d00m
30d121
8 shows
10 tapes
2015
7
PlaybackListensHours
48h00m
7d320m
30d739m
7 shows
12 tapes
2014
13
PlaybackListensHours
48h00m
7d00m
30d132
5 shows
5 tapes
2013
20
PlaybackListensHours
48h00m
7d171
30d202
16 shows
28 tapes
2012
52
PlaybackListensHours
48h72
7d334m
30d526
42 shows
60 tapes
2011
17
PlaybackListensHours
48h00m
7d00m
30d171
36 shows
49 tapes
2010
26
PlaybackListensHours
48h00m
7d00m
30d262
34 shows
44 tapes
2009
2
PlaybackListensHours
48h00m
7d00m
30d23m
27 shows
38 tapes
2008
9
PlaybackListensHours
48h00m
7d00m
30d91
20 shows
21 tapes
2007
19 shows
25 tapes
2006
29
PlaybackListensHours
48h00m
7d529m
30d293
26 shows
30 tapes
2005
17
PlaybackListensHours
48h00m
7d00m
30d172
18 shows
21 tapes
2004
5
PlaybackListensHours
48h00m
7d00m
30d547m
21 shows
23 tapes
2003
127
PlaybackListensHours
48h223
7d274
30d12714
28 shows
29 tapes
2002
29
PlaybackListensHours
48h00m
7d216m
30d293
14 shows
15 tapes
2001
101
PlaybackListensHours
48h00m
7d152
30d10110
21 shows
22 tapes
2000
101
PlaybackListensHours
48h00m
7d182
30d10111
24 shows
24 tapes
1999
56
PlaybackListensHours
48h00m
7d283
30d566
28 shows
28 tapes
1998
7
PlaybackListensHours
48h120m
7d00m
30d758m
20 shows
20 tapes
1997
2
PlaybackListensHours
48h1051m
7d00m
30d210m
24 shows
25 tapes
1996
3
PlaybackListensHours
48h00m
7d00m
30d312m
9 shows
9 tapes
1995
60
PlaybackListensHours
48h00m
7d219m
30d606
34 shows
37 tapes
1994
1
PlaybackListensHours
48h00m
7d00m
30d14m
10 shows
11 tapes
1993
158
PlaybackListensHours
48h00m
7d14m
30d15814
13 shows
14 tapes
1992
23
PlaybackListensHours
48h00m
7d00m
30d232
14 shows
18 tapes
1991
38
PlaybackListensHours
48h00m
7d00m
30d383
14 shows
21 tapes
1990
97
PlaybackListensHours
48h00m
7d656
30d979
25 shows
39 tapes
1989
66
PlaybackListensHours
48h00m
7d151
30d666
24 shows
25 tapes
1988
302
PlaybackListensHours
48h420m
7d333
30d30226
38 shows
51 tapes
1981
7
PlaybackListensHours
48h00m
7d00m
30d737m
1 show
1 tape
1978
765
PlaybackListensHours
48h13613
7d17716
30d76570
21 shows
32 tapes
1977
503
PlaybackListensHours
48h313
7d697
30d50348
12 shows
17 tapes
1976
479
PlaybackListensHours
48h283
7d656
30d47944
11 shows
21 tapes
1975
481
PlaybackListensHours
48h1554m
7d576
30d48144
15 shows
22 tapes
1974
402
PlaybackListensHours
48h161
7d957
30d40231
9 shows
22 tapes
1973
403
PlaybackListensHours
48h625
7d434
30d40334
13 shows
31 tapes
1970
21
PlaybackListensHours
48h00m
7d00m
30d211
1 show
1 tape
2013
2/5/13
Intro / Rocket In My Pocket
11:08
Honest Man
5:26
Representing The Mambo
10:49
Spanish Moon
8:26
Salome
6:56
Dixie Chicken > Bass Jam >
10:11
Key/Drum Jam > Dixie Chicken
12:22
Church Falling Down
5:39
Willin'
8:46
Rooster Rag
6:45
Mellow Down Easy
5:48
Fat Man In The Bathtub > Abba Zaba > Fat Man In The Bathtub
16:20
Let It Roll
10:07
FIN
View on archive.org
Sources
Taper: Commissario Rex.
1:58:43
Taper:
Commissario Rex.
Transferrer:
LDB
SHNID:
lf2013-02-05.aud.rex.124655.sbeok.flac16
Source:
Zoom H2 wave recorder (embedded microphone) > HD
Lineage:
HD > Sound Forge 7.0 > CD Wave Editor > FLAC Frontend (level 6)
Taper Notes:
View NotesSHN ID <a href="http://db.etree.org/shn/124655" rel="nofollow">124655</a> suggested disc split after track 07 (key/drum jam > Dixie Chicken) ** 0:00 - 2:51 of track one is a separate intro and a different blues band or some in house music. ** Bill Payne ~ vocals, keyboards Paul Barrere ~ vocals, guitar Sam Clayton ~ congas, vocals, percussion Kenny Gradney ~ bass Fred Tackett ~ guitar, mandolin, trumpet Gabe Ford ~ drums Another one recorded by Commissario Rex and brought to you by your truly ldb. Sounds very good too! ldb LDB Master Series #339 Out of my 7,000+ shows and radio broadcasts, I have many concerts that were special for some reasons: the setlist, the musicians, the venue or unexpected events. These are the ones I'd like to propose you. Most of these come from my cassettes collection, so they will be released at a slower pace than my Master Series! But you won't be disappointed! I will try to gather the most unusual things I have in my collection and, as always, your feedback and comments will be my reward for all the work involved in this project. DO NOT share this music on mp3, just convert it for your own use. Sharing mp3 is the right way to make me stop sharing music here. Finally, some notes about your truly ldb: I have been a fan of live music since I was 9 years old (that is where I attended my very first show, a PFM/De André gig at Milano's Palalido) and my first taped show was at 11 using a crappy portable cassette player with embedded microphone. I become more serious about taping in 1983 when I started to record every show. In 1991 I acquired my first Sony Professional and in 2000 I moved to MiniDisc to finally settle on R-09 in early 2008. I have attended over 500 shows in my career. Most of them were taped but for others bad luck struck and I could not record it: on top of my mind there's a Paul McCartney show in 1993 in Milano where I was caught by the security or Porcupine Tree in Roma in March 1999 when the DAT machine would seem to work but listening back to the tape there would just be a long bunch of silence. Or during a Y. Malmsteen show where I got so annoyed that I left halfway through the show and erased the tape and finally on a PFM show in Milano in 2007 where I had to leave before the encore because the baby-sitter had to leave early that evening. Some other times I was very close not to tape or had to do it in extremely difficult situations: for the four Peter Gabriel shows at Earls Court in 1987 security was checking tapers with metal detector; at the David Gilmour comeback show in London in 2001 at RFH I had the security guy sitting next to me but I managed to tape the show without checking one single time my MiniDisc! There was a time I was traveling anywhere in Europe to see shows, especially if there was no touring in Italy: I remember Rush in Paris in 1992 when the trio did not even know what Italy was. I have seen shows at stadiums (Genesis at Wembley) and in places with 30 people (Porcupine Tree in Milano in 1997); bands that would later become huge (Pearl Jam in a free show for 150 people) and masters of jazz (Miles Davis or Sarah Vaughan). Shows I will never forget (Pink Floyd at Versailles castle) and some I would rather forget (no comment...). I truly believe that live music is what keeps music alive, what make us enjoying it together, what allow us to have deep feelings and transmit it to others. Studio records are nowadays 'commodities': you can buy online as anonymous wav files and listen in your iPod or at home. Live music will always imply an effort to buy the tix, travel to the venue, see the show, think about it when coming back home. Featroller note: thanks to rex for taping and ldb for the upload at dimeadozen.org.