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Taper: Kyle Holbrook
1:31:17
SBD
Taper:
Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
kdtu2017-06-08.sbdakgck2261.24
Source:
ch 1&2: AKG ck22 Omni spread 94 cm ch 3&4: AKG ck61 fwd 0'|AKG ck61 rear 180' ch 5&6: SBD (stereo feed) -> Tascam DR680|SD card
Lineage:
SD|Dell Latitude E5530-> Audacity CDwav-> TLH (flac level 8)
Taper Notes:
View NotesPersonnel: Karl Denson Saxophone Flute vocals DJ Williams guitar Alan Evans drums Chris Stillwell bass David Veith keyboards Chris Littlefield trumpet Seth Freeman slide and lap steel guitar Thanks to Phil H, KDTU soundman. Recording notes: [This is a 24 bit flac fileset. The 16 bit is posted. If you download this you will need to convert to 16bit/44.1KHz to burn to CD.] + 3-4 dropouts Mixing notes: (With Audacity, reduced overall levels by:) CH1&2=AKG ck22 Omni spread 94 cm -2dB ch3 =AKGck8 fwd 0' -5dB ch4 =AKGck61 rear 180' -11dB Then: Equalization applied to 4 channel Audience mix-(-6dB 20-100 Hz; -4dB 100-400 Hz; +1-2dB 500Hz-1.25KHz; -4dB 2.5-4Khz; +2-3dB 4.25Khz-10Khz.) The AUD channels were mixed down to stereo then matrixed with soundboard using 86ms delay on sbd channels (calculated 90 feet from stage): ch1&2: SBD -1dB ch3&4: AUD mix -5dB This mixdown to 2 channels was then EQ'd lightly: (-2dB 20-400 Hz; +1dB 500Hz-2.5KHz; -2dB 2.5-4Khz; +1-2dB 4.25Khz-7Khz.)
Taper: Kyle Holbrook
1:31:17
SBD
Taper:
Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
kdtu2017-06-08.sbdakgck2261.16
Source:
ch 1&2: AKG ck22 Omni spread 94 cm ch 3&4: AKG ck61 fwd 0'|AKG ck61 rear 180' ch 5&6: SBD (stereo feed) -> Tascam DR680|SD card
Lineage:
SD|Dell Latitude E5530-> Audacity CDwav-> TLH (flac level 8)
Taper Notes:
View NotesPersonnel: Karl Denson Saxophone Flute vocals DJ Williams guitar Alan Evans drums Chris Stillwell bass David Veith keyboards Chris Littlefield trumpet Seth Freeman slide and lap steel guitar Thanks to Phil H, KDTU soundman. recording notes: This is an oddball Microphone technique combined with a stereo soundboard feed. We spaced 2 AKG ck22 Omni's 94 cm adding 2 akg ck61 cardiods aimed fwd and rear about 9 feet high + 3-4 dropouts microphone info: ch 1&2: AKG ck22 Omni spread 94 cm ch 3&4: AKG ck61 fwd 0'|AKG ck61 rear 180' ch 5&6: SBD (stereo feed) -> Tascam DR680|SD card SD|Dell Latitude E5530-> Audacity CDwav-> TLH (flac level 8) Mixing notes: (With Audacity, reduced overall levels by:) CH1&2=AKG ck22 Omni spread 94 cm -2dB ch3 =AKGck8 fwd 0' -5dB ch4 =AKGck61 rear 180' -11dB Then: Equalization applied to 4 channel Audience mix-(-6dB 20-100 Hz; -4dB 100-400 Hz; +1-2dB 500Hz-1.25KHz; -4dB 2.5-4Khz; +2-3dB 4.25Khz-10Khz.) The AUD channels were mixed down to stereo then matrixed with soundboard using 86ms delay on sbd channels (calculated 90 feet from stage): ch1&2: SBD -1dB ch3&4: AUD mix -5dB This mixdown to 2 channels was then EQ'd lightly: (-2dB 20-400 Hz; +1dB 500Hz-2.5KHz; -2dB 2.5-4Khz; +1-2dB 4.25Khz-7Khz.)
Taper: Ed Guidry
1:31:01
Taper:
Ed Guidry
Transferrer:
Ed Guidry
SHNID:
denson2017-06-08.flac24
Source:
(FOB/DFC) Neumann AK40/LC3/KM140 (DIN)> AETA PSP-3> Sony PCM-M10 (24/48).
Lineage:
Sony PCM-M10> Mac Mini> Audacity> Fission (flac 24/48).
Taper: Ed Guidry
1:31:01
Taper:
Ed Guidry
Transferrer:
Ed Guidry
SHNID:
denson2017-06-08
Source:
(FOB/DFC) Neumann AK40/LC3/KM140 (DIN)> AETA PSP-3> Sony PCM-M10 (24/48).
Lineage:
Sony PCM-M10> Mac Mini> Audacity> Fission (flac 16/44.1).
Taper: jp
1:33:07
Taper:
jp
Transferrer:
jp
SHNID:
kdtu2017-06-08.ca14.flac16
Source:
CA-14o -> CA-9200 -> Edirol R-09HR
Lineage:
Edirol R-09HR -> Soundforge 6.0 -> CD Wave -> FLAC 1.2.1
Taper Notes:
View NotesAlive At Five