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Taper: Christopher Jones
2:14:19
Taper:
Christopher Jones
Transferrer:
Christopher Jones
SHNID:
jm2017-04-01.4015tl.5012.stereo192.flac16
Source:
DPA 4015-TL Handmatched Wide Cardioid > Mogami Gold Neglex Studio Quad XLR > Rupert Neve Designs Portico 5012-H Microphone Preamplifier (“Silk” circuit engaged) > Mogami XLR Interconnect > Mytek Digital Stereo192 Analog-to-Digital Converter (@ 24-bit / 96 kHz) > Mogami AES / EBU Digital Interconnect > Sound Devices 722 Hard Disk Recorder (slaved to Stereo192 @ 96 kHz; @ 24-bit / 96 kHz)
Taper Notes:
View NotesJohn Mayer 1 April 2017 Bell Centre Montreal, Québec Canada Recorded by: Christopher Jones Source: DPA 4015-TL Handmatched Wide Cardioid > Mogami Gold Neglex Studio Quad XLR > Rupert Neve Designs Portico 5012-H Microphone Preamplifier (“Silk” circuit engaged) > Mogami XLR Interconnect > Mytek Digital Stereo192 Analog-to-Digital Converter (@ 24-bit / 96 kHz) > Mogami AES / EBU Digital Interconnect > Sound Devices 722 Hard Disk Recorder (slaved to Stereo192 @ 96 kHz; @ 24-bit / 96 kHz) Location: Behind FOH, DFC. Microphones elevated 4.5 meters, A-B. HD > .flac: Sound Devices 722 Hard Disk Recorder > Apple Macbook Pro (2.53 GHz Intel Core 2 Duo / 4GB 1067 MHz DDR3) > Audiofile Engineering Wave Editor v1.5.8 > xACT v2.39 Resampled with iZotope Resampler at highest quality setting and a filter steepness of "150"; dithered using iZotope MBIT+ with a "Normal" amount of "Ultra" noise shaping applied. 24-bit / 96 kHz version of this recording available in .flac24. % Tom Petty cover ^ First time played + Robert Johnson cover ~ Jimi Hendrix Experience cover > Indicates a segue into the next song # Bob Marley And The Wailers cover Notes: Security and venue production initially prohibited audio recording of the show. After some discussion, they decided to observe John’s recording policy and allow the entry of equipment. Venue production staff required that the microphone stand not be near patrons, however, so I agreed to record from FOH instead of seats FOB. Thanks to all involved in permitting the recording of this performance. Some intermittent feedback audible through the PA in the 5 kHz to 6 kHz range. Compiled by Christopher Jones 14 April 2017.