2022
Sources
Taper: Alex Chiesi
1:22:31
SBD
Taper:
Alex Chiesi
Transferrer:
Bill Mulvey
SHNID:
jjj2022-04-28.chiesi.vgmtx.vgrm712.flac2448
Source:
Matrix: [Telefunken M60 (onstage, slightly stage right center) + SBD + Jerry vox (direct) + Jerry guitar (direct)]>SD 788t
Lineage:
SD 788t>firewire>pc>WAV>Sound Forge 10.0 (dc offset, Balance, PD&Norm, lc, EQ, VC [volume flare in SBD, beginning of Set 1], Mix, tracking, fades)>WAV>TLH>FLAC24 (level 8)
Taper Notes:
View Notes...cover tunes & their corresponding artists/writers: "let's get it on" - Marvin Gaye, artist (1st release in August 1973); Marvin Gaye/Ed Townsend, writers "reelin' in the years" - Steely Dan, artist (1st release in September 1972); Walter Becker/Donald Fagen, writers "milk" - Little Women, artist (1st release in 1992); Jerry Joseph, writer "lucretia my reflection" - the Sisters Of Mercy, artist (1st release on 11/13/1987); Andrew Eldritch, writer "paradise city" - Guns n'Roses, artist (1st release on 7/21/1987); Slash (Saul Hudson)/W.Axl Rose (William Bruce Rose Jr.)/Izzy Stradlin (Jeffrey Dean Isbell)/Michael Andrew "Duff" McKagan/Steven Adler (b.Michael Coletti), writers "positive vibration" - Bob Marley & the Wailers, artist (1st release on 4/30/1976); Vincent Ford, writer Jerry Joseph - guitar, vox Steve Drizos - drums, b.vox Steven James Wright - bass, b.vox Eric Martinez - guitar, b.vox Craig Greenberg - keys, b.vox Steve Beatty - foh sound Matrix: [Telefunken M60 (onstage, slightly stage right center) + SBD + Jerry vox (direct) + Jerry guitar (direct)]>SD 788t>firewire>pc>WAV>Sound Forge 10.0 (dc offset, Balance, PD&Norm, lc, EQ, VC [volume flare in SBD, beginning of Set 1], Mix, tracking, fades)>WAV>TLH>FLAC24 (level 8) recorded by Alex Chiesi mixed, mast/remastered & info research by Bill Mulvey vanillag NOTES (12/16/2022): --Young Jim Carr opened the show --during the closing notes of "Days Of Heaven", Jerry jokingly announces Martinez as "Eric Dimpker on the vocals", obviously impressed with his vocal work on the tune. One can hear Eric from the stage mics respond after the tune fully ends, "I'll take that as a high compliment...heh, I'll take that as a high fukkin' compliment." --BIG thanks to Alex Chiesi for recording this run & getting me the stems to work on. --after mixing, I cleanly scrubbed 2 small bursts of feedback from Set 2 --added pics of the venue